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“This is that shit right here, that’s the Goat!” Tony Shhnow is looking at a portrait of Lil Wayne on the fourth floor of the Fotografiska Museum in New York. Strolling through the museum’s “Conscious, Unconscious” hip-hop exhibit, draped in a black-and-pink plaid-jacket-and-pants combo, he’s been reserved, taking in famous photos of Big Daddy Kane and Epmd with the astuteness of a historian. But upon encountering this image, he abandons all pretense of coolness, bouncing around like a kid in a candy store as he gushes about...
- 5/17/2023
- by Matthew Ritchie
- Rollingstone.com
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