Mostofa Sarwar Farooki
- Writer
- Director
- Producer
Mostofa Sarwar Farooki is a
Bangladeshi film director, screenwriter and film producer. Farooki is
considered one of the leading figures to bring modernism/realism in
Bangladeshi Cinema, those who have bridged the gap between escapism and
reality. "Mostofa Sarwar Farooki could be the next South-east Asian
filmmaker to break out", The Hollywood Reporter wrote in the review of
his film Television. Variety's Jay Weissberg wrote. "Mostofa Sarwar
Farooki is a key exemplar of Bangladeshi new wave cinema movement". He
is also the pioneer of an avant-grade filmmakers' movement called
"Chabial".
He is a young director in Bangladesh who has set a new trend in terms of presentation and direction in the late 1990s. His first two films, which he considers to be an educational effort, were Bachelor (2004) and Mad_e in Bangladesh (2007). His third film Third Person Singular Number (2009) was premiered in Busan International Film Festival (2009). It had its European premier in International Film Festival Rotterdam (2009), It was also in the official competition in Middle East International Film Festival (2009) (Abu Dhabi).
Farooki's body of work address such themes as middle class angst, urban youth romance, deception-hypocrisy and frailty of individual, frustration about the confines of one's culture and conservative Muslim concepts of guilt and redemption.
He is a young director in Bangladesh who has set a new trend in terms of presentation and direction in the late 1990s. His first two films, which he considers to be an educational effort, were Bachelor (2004) and Mad_e in Bangladesh (2007). His third film Third Person Singular Number (2009) was premiered in Busan International Film Festival (2009). It had its European premier in International Film Festival Rotterdam (2009), It was also in the official competition in Middle East International Film Festival (2009) (Abu Dhabi).
Farooki's body of work address such themes as middle class angst, urban youth romance, deception-hypocrisy and frailty of individual, frustration about the confines of one's culture and conservative Muslim concepts of guilt and redemption.
