Athens-based Endorphin Film Sales has acquired the rights to “Kick and Scream,” the directorial debut of Croatian actress Nina Violić, the company announced this week at the Thessaloniki Film Festival.
The film follows the final half-hour of a marriage that is falling apart, shown from the perspectives of the wife, husband, and their 6-year-old child. As reality intertwines with puppet play, the characters’ own truths are revealed, challenging the viewer’s initial judgments.
“Kick and Scream” is produced by Vanja Sremac and Zdenka Gold for Spiritus Movens, in co-production with Terminal 3, MP Filmska Produkcija, Zagreb Film, Propeler Film and Antitalent.
Endorphin’s Christina Pelekani said the company was looking for an almost completed film to add to its slate when they found “Kick and Scream” in the First Cut+ section of When East Meets West, the Trieste Film Festival’s co-production forum.
“We knew from the first moment that this could be the one,...
The film follows the final half-hour of a marriage that is falling apart, shown from the perspectives of the wife, husband, and their 6-year-old child. As reality intertwines with puppet play, the characters’ own truths are revealed, challenging the viewer’s initial judgments.
“Kick and Scream” is produced by Vanja Sremac and Zdenka Gold for Spiritus Movens, in co-production with Terminal 3, MP Filmska Produkcija, Zagreb Film, Propeler Film and Antitalent.
Endorphin’s Christina Pelekani said the company was looking for an almost completed film to add to its slate when they found “Kick and Scream” in the First Cut+ section of When East Meets West, the Trieste Film Festival’s co-production forum.
“We knew from the first moment that this could be the one,...
- 11/10/2021
- by Christopher Vourlias
- Variety Film + TV
The Shoot the Book adaption market — a staple at the Marché du Film since 2014 and a rising player on the global film scene — continues to evolve.
As the program — a joint initiative between publishing trade group Scelf (Société Civile des Editeurs de Langue Française) and the publicly funded Institut Français — continues to host curated pitch sessions at markets in Cannes, Shanghai and Los Angeles, it will also look to expand its B2B rendezvous component that was introduced last year.
“Our ambition is very simple,” says Scelf director Nathalie Piaskowski. “We want to entrench and entwine the two events. We want to make the rendezvous a fixture — and export it to other markets and festivals.”
And so on June 25, Shoot the Book will kick off this year’s edition with a morning pitch session — spotlighting 10 literary properties selected by an industry jury — and return in the afternoon for a three-hour...
As the program — a joint initiative between publishing trade group Scelf (Société Civile des Editeurs de Langue Française) and the publicly funded Institut Français — continues to host curated pitch sessions at markets in Cannes, Shanghai and Los Angeles, it will also look to expand its B2B rendezvous component that was introduced last year.
“Our ambition is very simple,” says Scelf director Nathalie Piaskowski. “We want to entrench and entwine the two events. We want to make the rendezvous a fixture — and export it to other markets and festivals.”
And so on June 25, Shoot the Book will kick off this year’s edition with a morning pitch session — spotlighting 10 literary properties selected by an industry jury — and return in the afternoon for a three-hour...
- 6/22/2020
- by Ben Croll
- Variety Film + TV
Bosnian filmmaker Ines Tanović returns to the Sarajevo Film Fest with this year’s opening film, “The Son.” Her second feature film continues the examination of family that began with her segment in the 2010 omnibus film “Some Other Stories,” about a young man at the end of the Bosnian war who returns to his native Sarajevo a refugee in his own city.
In 2015’s “Our Everyday Life,” which likewise premiered in Sarajevo, the story focuses on an older divorced and weary war veteran who has lost his ideals and finds himself trapped in the status quo.
Tanović continues the loose story arc in “The Son,” in which the older character, now a father, moves to the background as his son, and a new generation, become the focus of the story. The film examines the challenges of modern-day Sarajevo, a transitional society plagued by drugs, weapons and wrong values. Tanović spoke...
In 2015’s “Our Everyday Life,” which likewise premiered in Sarajevo, the story focuses on an older divorced and weary war veteran who has lost his ideals and finds himself trapped in the status quo.
Tanović continues the loose story arc in “The Son,” in which the older character, now a father, moves to the background as his son, and a new generation, become the focus of the story. The film examines the challenges of modern-day Sarajevo, a transitional society plagued by drugs, weapons and wrong values. Tanović spoke...
- 8/16/2019
- by Ed Meza
- Variety Film + TV
God Exists, Her Name is Petrunija
Macedonia’s Teona Strugar Mitevska fifth feature is the intriguingly titled God Exists, Her Name is Petrunija. Produced by Labina Mitevska through Sisters and Brother Mitesvski Production, and co-produced by Entre Chien et Loup, Vertigo Productions and Spiritus Movens, Mitevska employs her I Am From Titov Veles Belgium cinematographer Virginie Saint-Martin. Newcomer Zorica Nusheva makes her debut as Petrunija. Mitesvka’s 2004 debut How I Killed a Saint went to Rotterdam and her 2007 title I Am From Titov Veles won a Special Jury Prize at the Sarajevo Film Festival and was programmed in Berlin’s 2008 Panorama Program.…...
Macedonia’s Teona Strugar Mitevska fifth feature is the intriguingly titled God Exists, Her Name is Petrunija. Produced by Labina Mitevska through Sisters and Brother Mitesvski Production, and co-produced by Entre Chien et Loup, Vertigo Productions and Spiritus Movens, Mitevska employs her I Am From Titov Veles Belgium cinematographer Virginie Saint-Martin. Newcomer Zorica Nusheva makes her debut as Petrunija. Mitesvka’s 2004 debut How I Killed a Saint went to Rotterdam and her 2007 title I Am From Titov Veles won a Special Jury Prize at the Sarajevo Film Festival and was programmed in Berlin’s 2008 Panorama Program.…...
- 1/2/2019
- by Nicholas Bell
- IONCINEMA.com
Martin Scorsese to produce both features.
Rt Features and Martin Scorsese’s Sikelia Productions are in Cannes touting their production and financing partnership on Danielle Lessovitz’s Port Authority and Croatian writer-director Antoneta Alamat Kusijanovic’s coming-of-age drama Murina.
Both films come out of Rt Features joint venture to champion emerging filmmakers from around the world that kicked off with Jonas Carpignano’s Cannes 2017 premiere A Ciambra.
Port Authority is a love story set in New York’s kiki ballroom scene that is set to begin shooting in New York City this August. Rodrigo Teixeira of Rt Features, Madeleine Films...
Rt Features and Martin Scorsese’s Sikelia Productions are in Cannes touting their production and financing partnership on Danielle Lessovitz’s Port Authority and Croatian writer-director Antoneta Alamat Kusijanovic’s coming-of-age drama Murina.
Both films come out of Rt Features joint venture to champion emerging filmmakers from around the world that kicked off with Jonas Carpignano’s Cannes 2017 premiere A Ciambra.
Port Authority is a love story set in New York’s kiki ballroom scene that is set to begin shooting in New York City this August. Rodrigo Teixeira of Rt Features, Madeleine Films...
- 5/9/2018
- by Jeremy Kay
- ScreenDaily
Rodrigo Teixeira’s Rt Features and Martin Scorsese’s Sikelia Prods. are re-teaming to produce and finance a pair of feature debuts: Danielle Lessovitz’s “Port Authority” and Antoneta Alamat Kusijanovic’s “Murina.”
Rt Features launched a joint venture in 2014 with Scorsese’s Sikelia Prods. in order to discover emerging talents from around the world and produce their
Rt and Sikelia Prods. had “A Ciambra” in Directors’ Fortnight last year. Other recent Rt credits include Luca Guadagnino’s Oscar-winning “Call Me By Your Name” among its recent credits.
“Port Authority” is a love story set in New York’s underground ballroom culture. The film follows Paul, a midwestern teenager, who arrives at the central bus station and quickly catches feelings for Wye, a 22 year old girl voguing on the sidewalk. When he discovers Wye is trans, crisis occurs and he is forced to confront his own identity and what it means to belong.
Rt Features launched a joint venture in 2014 with Scorsese’s Sikelia Prods. in order to discover emerging talents from around the world and produce their
Rt and Sikelia Prods. had “A Ciambra” in Directors’ Fortnight last year. Other recent Rt credits include Luca Guadagnino’s Oscar-winning “Call Me By Your Name” among its recent credits.
“Port Authority” is a love story set in New York’s underground ballroom culture. The film follows Paul, a midwestern teenager, who arrives at the central bus station and quickly catches feelings for Wye, a 22 year old girl voguing on the sidewalk. When he discovers Wye is trans, crisis occurs and he is forced to confront his own identity and what it means to belong.
- 5/9/2018
- by Elsa Keslassy
- Variety Film + TV
Israeli title Fig Tree among selection.
The Sarajevo Film Festival (Aug 11-18) has revealed its line-up of Work in Progress titles set to participate at the event’s industry strand CineLink.
The 10 titles include Balkan projects, as well as several from further afield, such as Alamork Davidian’s Fig Tree, which recently won an award at Jerusalem Film Festival’s Pitch Point competition, and Reem Saleh’s Lebanon-Egypt doc What Comes Around.
The projects will be presented to around 40 industry delegates, and a jury consisting of Paolo Bertolin (Venice Film Festival), Paz Lazaro (Berlin International Film Festival), Hedi Zardi (LuxBox), Petra Gobel (The Post Republic) and Serkan Yildirim (Trt) will award three prizes: the Post Republic Award (€50,000 in kind), the CineLink Restart Award (€20,000 in kind), and the Turkish National Radio Television Award (€30,000 in cash).
Sarajevo’s head of industry Jovan Marjanovic commented: “The CineLink Work in Progress strand has proved to be incredibly effective for both the...
The Sarajevo Film Festival (Aug 11-18) has revealed its line-up of Work in Progress titles set to participate at the event’s industry strand CineLink.
The 10 titles include Balkan projects, as well as several from further afield, such as Alamork Davidian’s Fig Tree, which recently won an award at Jerusalem Film Festival’s Pitch Point competition, and Reem Saleh’s Lebanon-Egypt doc What Comes Around.
The projects will be presented to around 40 industry delegates, and a jury consisting of Paolo Bertolin (Venice Film Festival), Paz Lazaro (Berlin International Film Festival), Hedi Zardi (LuxBox), Petra Gobel (The Post Republic) and Serkan Yildirim (Trt) will award three prizes: the Post Republic Award (€50,000 in kind), the CineLink Restart Award (€20,000 in kind), and the Turkish National Radio Television Award (€30,000 in cash).
Sarajevo’s head of industry Jovan Marjanovic commented: “The CineLink Work in Progress strand has proved to be incredibly effective for both the...
- 7/26/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
The UK’s Lucas Ochoa and Poland’s Klaudia Smieja are among upcoming European producers set for neworking initiative in Cannes.Scroll down for the full list
European Film Promotion (Efp) has selected 20 emerging European producers for the 17th edition of its Producers on the Move networking initiative, which will be held during the Cannes Film Festival between May 14-17.
The participating producers will take part in a programme of round-table project presentations, one-on-one speed dating pitches and case studies of successful projects.
The 2016 selection includes the UK’s Lucas Ochoa, producer on Andrea Arnold’s Cannes competition entry American Honey. Ochoa has had winning films at the Sundance Film Festival for four years in a row including Robert Egger’s multi-award winning The Witch and this year’s Michal Marczak documentary All These Sleepless Night.
Poland’s Klaudia Smieja, an executive producer on Icelandic hit Rams, has also been selected. Her additional...
European Film Promotion (Efp) has selected 20 emerging European producers for the 17th edition of its Producers on the Move networking initiative, which will be held during the Cannes Film Festival between May 14-17.
The participating producers will take part in a programme of round-table project presentations, one-on-one speed dating pitches and case studies of successful projects.
The 2016 selection includes the UK’s Lucas Ochoa, producer on Andrea Arnold’s Cannes competition entry American Honey. Ochoa has had winning films at the Sundance Film Festival for four years in a row including Robert Egger’s multi-award winning The Witch and this year’s Michal Marczak documentary All These Sleepless Night.
Poland’s Klaudia Smieja, an executive producer on Icelandic hit Rams, has also been selected. Her additional...
- 4/21/2016
- ScreenDaily
Cristi Puiu has reteamed with his The Death of Mr. Lazarescu actor Mimi Brănescu on the filmmaker’s fifth feature film currently filming in Bucharest until sometime in March. Filmneweurope reports that the film, repped by the Wild Bunch folks, is targeting a 2016 release. So definitely no Cannes this year. Mandragora’s Cristi & Anca Puiu are producing, while Studioul de Creaţie Cinematografică Romania’s Lucian Pintilie, 2006 d.o.o.’s Mirsad Purivatra and Sabina Branković, Spiritus Movens’ Zdenka Gold, Sisters and Brother Mitevski Production’s Labina Mitevska and Alcatraz Films’ Laurence Clerc and Olivier Thiery-Lapiney are all co-producing.
Gist: Back from a business trip in Paris, a neurologist (Brănescu) at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who passed away in the previous year. At his mother’s apartment, the guests are awaiting the...
Gist: Back from a business trip in Paris, a neurologist (Brănescu) at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who passed away in the previous year. At his mother’s apartment, the guests are awaiting the...
- 2/20/2015
- by Eric Lavallee
- IONCINEMA.com
Fitzgibbon, Sitaru, Vicari, Huddles, Runarsson and van Geffen will be at Les Arcs this December.
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
- 11/14/2013
- ScreenDaily
Fitzgibbon, Sitaru, Vicari, Huddles, Runarsson and van Geffen will be at Les Arcs this December.
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
- 11/14/2013
- ScreenDaily
Fitzgibbon, Sitaru, Vicari, Huddles, Runarsson and van Geffen will be at Les Arcs this December.
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
Ireland’s Ian Fitzgibbon, Romania’s Adrian Sitaru, Iceland’s Runar Runarsson (pictured), Italy’s Daniele Vicari and America’s John Huddles are among the directors who will be presenting their new projects at the Les Arcs Co-production village this year.
The event, which runs Dec 14-17 within France’s alpine, Sundance-style Les Arcs European Film Festival (Dec 14-21), unveiled the production line-up on Thursday as well as the productions that will be presented in the Works in Progress section on Dec 15.
This year’s co-pro selection mixes upcoming productions from established independent filmmakers with a slew of projects from feted shorts directors who are embarking on their first features.
“We pretty proud of this year’s line-up. There’s a lot of projects I would be seriously looking at if I were going to Les Arcs in a professional capacity rather...
- 11/14/2013
- ScreenDaily
Cowboys wins audience award, Hush also wins multiple prizes.
The 60th Pula Film Festival – the country’s national film festival — comes to a close today celebrating a particularly strong year for Croatian film. Co-production Circles and Croatian national production A Stranger [pictured] each won a slew of top prizes.
Croatian filmmaking is having something of a boom time at the moment, both in terms of number of productions and their international appeal – both Circles and A Stranger played in Berlin’s Forum, and Dual and The Priest’s Children were buzzy titles in Karlovy Vary earlier this month.
Pula presented a record 24 titles in its competitions for national films and minority co-productions. The healthy levels of production are in part due to support from the Croatian Audiovisual Centre, but also seeing local broadcasters backing films for the first time in 9 years — such as festival opening comedy Handymen (Majstori) by Dalibor Matanic.
Of course...
The 60th Pula Film Festival – the country’s national film festival — comes to a close today celebrating a particularly strong year for Croatian film. Co-production Circles and Croatian national production A Stranger [pictured] each won a slew of top prizes.
Croatian filmmaking is having something of a boom time at the moment, both in terms of number of productions and their international appeal – both Circles and A Stranger played in Berlin’s Forum, and Dual and The Priest’s Children were buzzy titles in Karlovy Vary earlier this month.
Pula presented a record 24 titles in its competitions for national films and minority co-productions. The healthy levels of production are in part due to support from the Croatian Audiovisual Centre, but also seeing local broadcasters backing films for the first time in 9 years — such as festival opening comedy Handymen (Majstori) by Dalibor Matanic.
Of course...
- 7/28/2013
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
European Film Promotion has special programs highlighting talent in Berlin (Shooting Stars), a Producer Lab in Toronto, 10 Directors to Watch at Karlovy Vary, European Directors at Busan and a great networking party at Afm. For 14 years Efp has hosted Producers on the Move in Cannes. This year 29 producers from 29 different European countries will take part in the event from 18 to 21 May, 2013. The Republic of Kosovo* and Montenegro will both be represented for the first time this year with a producer. These are the producers who set the ball rolling on projects, forge coalitions and conjure up a film out of an idea. Film producers are increasingly looking past their national borders. In order to facilitate an exchange with similarly ambitious colleagues from other European countries and showcase their range of achievements, European Film Promotion (Efp) offers a platform for networking to carefully selected producers. 12 of the 29 producers are women ♀.
Looking back at the 2012 edition of Producers on the Move, almost all of the producers are still in contact with one another to follow up on ideas. 17 from last year's 25 participants (68%) are already working on 15 co-productions.
The group of former participants includes such internationally known and award-winning producers as Ada Solomon from Romania (Child's Pose), Bettina Brokemper from Germany (Bal), Louise Vesth from Denmark (Melancholia) and Siniša Juričić from Croatia (Sofia’s Last Ambulance).
Scheduled during the Cannes International Film Festival, the program provides its participants with an additional visibility they get at this melting pot for filmmakers, sales agents, financiers and the international media. Producers On The Move's schedule with pitching sessions, one-on-one speed-dating meetings and various opportunities to build up business relationships and to exchange knowledge enables the selected filmmakers to return home with advanced film projects and, sometimes, with a co-production deal. At the Producers' Lunch, they can, moreover, get in contact with participants from previous years.
The participants have already realized joint European film projects which were noticed on the international radar, but they still are on their way to becoming international players. Many of them produced feature films as well as documentaries, and some are additionally active in the field of animation films.
For the fourth time, Efp will be cooperating for Producers On The Move with the pan-European co-production fund Eurimages.
The following producers were selected by Efp member organizations from their respective countries:
Belgium
Anton Iffland Stettner, Need Productions
i.e. Home by Ursula Meier ♀
selected by Wallonie Bruxelles Image
Bulgaria
Konstantin Bojanov, Argentum Lux Films
i.e. Avé by Konstantin Bojanov
selected by the Bulgarian National Film Centre
Croatia
Zdenka Gold, ♀ Spiritus Movens Production
i.e. A Stranger by Bobo Jelčić
selected by the Croatian Audiovisual Centre
Czech Republic
Viktor Tauš, Fog’n’Desire Films
i.e. House by Zuzana Liová
selected by the Czech Film Center
Denmark
Mikael Chr. Rieks, Nordisk Film Production
i.e. A Funny Man by Martin Zandvliet
selected by The Danish Film Institute
Estonia
Kiur Aarma, Traumfabrik
i.e. Disco & Atomic War by Jaak Kilmi & Kiur Aarma
selected by Baltic Films
Finland
Jussi Rantamäki, Aamu Filmcompany
i.e. The Painting Sellers by Juho Kuosmanen
selected by the Finnish Film Foundation
France
Mathieu Robinet, Révérence
i.e. Love is in the Air by Alexandre Castagnetti
selected by Unifrance films
Georgia
Zaza Rusadze, Zazarfilm
i.e. A Fold in my Blanket by Zaza Rusadze
selected by the Georgian National Film Center
Germany
Jochen Laube, teamWorx Ludwigsburg
i.e. Five Years by Stefan Schaller
selected by German Films
Greece
Giorgos Karnavas, Heretic
i.e. Boy Eating The Bird’s Food by Ektoras Lygizos
selected by the Greek Film Centre
Hungary
Andrea Taschler, ♀ Mirage Film Studio
i.e. Bibliothèque Pascal by Szabolcs Hajdu
selected by Magyar Filmunió / Hungarian National Film Fund
Iceland
Thorkell Hardarson, Markell Productions
i.e. Feathered Cocaine by Thorkell Hardarson & Örn Marinó Arnarson
selected by the Icelandic Fim Centre
Ireland
Conor Barry, Sp Films
i.e. Love Eternal by Brendan Muldowney
selected by the Irish Film Board
Italy
Viola Prestieri, Buena Onda
i.e. The Great Beauty by Paolo Sorrentino ♀
selected by Istituto Luce Cinecittà
Republic of Kosovo*
Valon Jakupaj, Gegnia Film
i.e. Adventures of Santa Clause by Valon Jakupaj
selected by the Kosova Cinematography Center
Luxembourg
Gilles Chanial, Red Lion
i.e. Le goût des myrtilles by Thomas de Thier
selected by Film Fund Luxembourg
Fyr of Macedonia
Labina Mitevska, ♀ Sisters and Brother Mitevski Production
i.e. The Woman Who Brushed Off Her Tears by Teona Mitevska ♀
selected by Macedonian Film Fund
Montenegro
Sehad Čekić, Cut-Up Production
i.e. The Ascent by Neminja Becanovic
selected by the Ministry of Culture of Montenegro
The Netherlands
Marleen Slot, ♀ Viking Film
i.e. Zurich by Sacha Polak ♀
selected by Eye International / Netherlands
Norway
Hans-Jørgen Osnes, Motlys
i.e. Oslo, August 31st by Joachim Trier
selected by the Norwegian Film Institute
Poland
Agnieszka Kurzydło, ♀ MD 4
i.e. In The Name Of by Małgośka Szumowska ♀
selected by the Polish Film Institute
Portugal
João Matos, Terratreme filmes
i.e. Lacrau by João Vladimiro
selected by Ica I.P. / Portugal
Romania
Anca Puiu, ♀ Mandragora
i.e. Rocker by Marian Crisan ♀
selected by the Romanian Film Promotion
Slovak Republic
Mira Fornay, ♀ Mirafox
i.e. My Dog Killer by Mira Fornay ♀
selected by Slovak Film Institute
Spain
María Zamora, ♀ Avalon P.C.
i.e. Todos están muertos by Beatriz Sanchis ♀
selected by Icaa / Spain
Sweden
Erika Wasserman, ♀ Idyll
i.e. Avalon by Axel Petersén
selected by the Swedish Film Institute
Switzerland
Joëlle Bertossa, ♀ Close Up Film
i.e. Body by Halima Ouardiri ♀
selected by Swiss Films
United Kingdom
Andrea Cornwell, ♀ Lobo Films Ltd
i.e. The Last Days On Mars by Ruairi Robinson ♀
selected by the British Council...
Looking back at the 2012 edition of Producers on the Move, almost all of the producers are still in contact with one another to follow up on ideas. 17 from last year's 25 participants (68%) are already working on 15 co-productions.
The group of former participants includes such internationally known and award-winning producers as Ada Solomon from Romania (Child's Pose), Bettina Brokemper from Germany (Bal), Louise Vesth from Denmark (Melancholia) and Siniša Juričić from Croatia (Sofia’s Last Ambulance).
Scheduled during the Cannes International Film Festival, the program provides its participants with an additional visibility they get at this melting pot for filmmakers, sales agents, financiers and the international media. Producers On The Move's schedule with pitching sessions, one-on-one speed-dating meetings and various opportunities to build up business relationships and to exchange knowledge enables the selected filmmakers to return home with advanced film projects and, sometimes, with a co-production deal. At the Producers' Lunch, they can, moreover, get in contact with participants from previous years.
The participants have already realized joint European film projects which were noticed on the international radar, but they still are on their way to becoming international players. Many of them produced feature films as well as documentaries, and some are additionally active in the field of animation films.
For the fourth time, Efp will be cooperating for Producers On The Move with the pan-European co-production fund Eurimages.
The following producers were selected by Efp member organizations from their respective countries:
Belgium
Anton Iffland Stettner, Need Productions
i.e. Home by Ursula Meier ♀
selected by Wallonie Bruxelles Image
Bulgaria
Konstantin Bojanov, Argentum Lux Films
i.e. Avé by Konstantin Bojanov
selected by the Bulgarian National Film Centre
Croatia
Zdenka Gold, ♀ Spiritus Movens Production
i.e. A Stranger by Bobo Jelčić
selected by the Croatian Audiovisual Centre
Czech Republic
Viktor Tauš, Fog’n’Desire Films
i.e. House by Zuzana Liová
selected by the Czech Film Center
Denmark
Mikael Chr. Rieks, Nordisk Film Production
i.e. A Funny Man by Martin Zandvliet
selected by The Danish Film Institute
Estonia
Kiur Aarma, Traumfabrik
i.e. Disco & Atomic War by Jaak Kilmi & Kiur Aarma
selected by Baltic Films
Finland
Jussi Rantamäki, Aamu Filmcompany
i.e. The Painting Sellers by Juho Kuosmanen
selected by the Finnish Film Foundation
France
Mathieu Robinet, Révérence
i.e. Love is in the Air by Alexandre Castagnetti
selected by Unifrance films
Georgia
Zaza Rusadze, Zazarfilm
i.e. A Fold in my Blanket by Zaza Rusadze
selected by the Georgian National Film Center
Germany
Jochen Laube, teamWorx Ludwigsburg
i.e. Five Years by Stefan Schaller
selected by German Films
Greece
Giorgos Karnavas, Heretic
i.e. Boy Eating The Bird’s Food by Ektoras Lygizos
selected by the Greek Film Centre
Hungary
Andrea Taschler, ♀ Mirage Film Studio
i.e. Bibliothèque Pascal by Szabolcs Hajdu
selected by Magyar Filmunió / Hungarian National Film Fund
Iceland
Thorkell Hardarson, Markell Productions
i.e. Feathered Cocaine by Thorkell Hardarson & Örn Marinó Arnarson
selected by the Icelandic Fim Centre
Ireland
Conor Barry, Sp Films
i.e. Love Eternal by Brendan Muldowney
selected by the Irish Film Board
Italy
Viola Prestieri, Buena Onda
i.e. The Great Beauty by Paolo Sorrentino ♀
selected by Istituto Luce Cinecittà
Republic of Kosovo*
Valon Jakupaj, Gegnia Film
i.e. Adventures of Santa Clause by Valon Jakupaj
selected by the Kosova Cinematography Center
Luxembourg
Gilles Chanial, Red Lion
i.e. Le goût des myrtilles by Thomas de Thier
selected by Film Fund Luxembourg
Fyr of Macedonia
Labina Mitevska, ♀ Sisters and Brother Mitevski Production
i.e. The Woman Who Brushed Off Her Tears by Teona Mitevska ♀
selected by Macedonian Film Fund
Montenegro
Sehad Čekić, Cut-Up Production
i.e. The Ascent by Neminja Becanovic
selected by the Ministry of Culture of Montenegro
The Netherlands
Marleen Slot, ♀ Viking Film
i.e. Zurich by Sacha Polak ♀
selected by Eye International / Netherlands
Norway
Hans-Jørgen Osnes, Motlys
i.e. Oslo, August 31st by Joachim Trier
selected by the Norwegian Film Institute
Poland
Agnieszka Kurzydło, ♀ MD 4
i.e. In The Name Of by Małgośka Szumowska ♀
selected by the Polish Film Institute
Portugal
João Matos, Terratreme filmes
i.e. Lacrau by João Vladimiro
selected by Ica I.P. / Portugal
Romania
Anca Puiu, ♀ Mandragora
i.e. Rocker by Marian Crisan ♀
selected by the Romanian Film Promotion
Slovak Republic
Mira Fornay, ♀ Mirafox
i.e. My Dog Killer by Mira Fornay ♀
selected by Slovak Film Institute
Spain
María Zamora, ♀ Avalon P.C.
i.e. Todos están muertos by Beatriz Sanchis ♀
selected by Icaa / Spain
Sweden
Erika Wasserman, ♀ Idyll
i.e. Avalon by Axel Petersén
selected by the Swedish Film Institute
Switzerland
Joëlle Bertossa, ♀ Close Up Film
i.e. Body by Halima Ouardiri ♀
selected by Swiss Films
United Kingdom
Andrea Cornwell, ♀ Lobo Films Ltd
i.e. The Last Days On Mars by Ruairi Robinson ♀
selected by the British Council...
- 4/26/2013
- by Sydney Levine
- Sydney's Buzz
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