New Delhi, April 28 (Ians) The ‘Habitat Film Festival 2023’, scheduled to be held from May 5 to 14 at the India Habitat Centre in the national capital promises to offer a selection of the finest of Indian cinema. The pan-Indian platter includes about 60 features, documentaries and short films in 17 languages. Films will be screened in Malayalam, Kannada, Tamil, Telugu, Bengali, Assamese, Maithili, Odia, Hindi, English, Gujarati, Marathi, Punjabi, Sanskrit, Ladakhi, Meiteilon, and, for the first time, Kumaoni.
For the first time, several films will have their national and Delhi premieres at the festival. The national premiers include the Malayalam film ‘Meghdoot/ The Cloud Messenger’ directed by Rahat Mahajan, and two Bengali films: Sujit Kumar Pyne’s ‘Meghbari’, and Aritra Sen’s ‘Ghore Pherar Gaan/ The Homecoming Song’.
Delhi premiers include ‘Tora’s Husband’, an Assamese film by award-winning filmmaker Rima Das; Gautham Ramachandran’s Tamil film ‘Gargi’, and ‘Arivu Mattu Guruvu/ The Word...
For the first time, several films will have their national and Delhi premieres at the festival. The national premiers include the Malayalam film ‘Meghdoot/ The Cloud Messenger’ directed by Rahat Mahajan, and two Bengali films: Sujit Kumar Pyne’s ‘Meghbari’, and Aritra Sen’s ‘Ghore Pherar Gaan/ The Homecoming Song’.
Delhi premiers include ‘Tora’s Husband’, an Assamese film by award-winning filmmaker Rima Das; Gautham Ramachandran’s Tamil film ‘Gargi’, and ‘Arivu Mattu Guruvu/ The Word...
- 4/28/2023
- by Agency News Desk
- GlamSham
Tragic love stories are the staple diet of every culture, mythology and civilization. Lovers themselves can be sinful or just star-crossed, but their common trait is defiance to the order represented by gods, kings and other power figures by the sheer power of love. Details may vary, but the essence remains the same, from Orpheus and Eurydice to Romeo and Juliet to Katniss and Peeta from “Hunger Games”.
The story of Jaivardhan and Tarini, the protagonists of Rahat Mahajan’s feature debut “The Cloud Messenger” (or “Meghdoot” in original) might be one such story. The film premiered at the main, Tiger Competition of IFFR.
“The Cloud Messenger“ is screening at Five Flavours Asian Film Festival
In the ancient version told in the prologue by means close to the Yakshagana theatre, Jaivardhan (the director Mahajan plays the role himself) and Tarini (Lalita Shivani) were the “yakshas” (spirits) under the rule of the lord Kuber whose brother,...
The story of Jaivardhan and Tarini, the protagonists of Rahat Mahajan’s feature debut “The Cloud Messenger” (or “Meghdoot” in original) might be one such story. The film premiered at the main, Tiger Competition of IFFR.
“The Cloud Messenger“ is screening at Five Flavours Asian Film Festival
In the ancient version told in the prologue by means close to the Yakshagana theatre, Jaivardhan (the director Mahajan plays the role himself) and Tarini (Lalita Shivani) were the “yakshas” (spirits) under the rule of the lord Kuber whose brother,...
- 11/17/2022
- by Marko Stojiljković
- AsianMoviePulse
Kazakh filmmaker Adilkhan Yerzhanov’s thriller “Assault,” which previously played Rotterdam, will open the 33rd Singapore International Film Festival.
Singaporean film “#LookAtMe,” which was denied certification by local authorities, remains part of the lineup, but will not screen at the festival. “#LookAtMe will not be screened at the 33rd Singapore International Film Festival as it has been refused classification by the Infocomm Media Development Authority,” says a note on the festival website.
Films in competition at the festival’s Asian feature film competition, the Silver Screen Awards, include “Archaeology Of Love” (South Korea) by Lee Wan-min; “Arnold Is A Model Student” (Thailand-Singapore-France-Netherlands-Philippines) by Sorayos Prapapan; “Autobiography” (Indonesia-France-Germany-Poland-Singapore-Philippines-Qatar) by Makbul Mubarak “The Cloud Messenger” (India) by Rahat Mahajan; “Convenience Store” (Russia-Slovenia-Turkey) by Michael Borodin; “Gaga” (Taiwan) by Laha Mebow; “Joyland” (Pakistan) by Saim Sadiq; “Leonor Will Never Die” (Philippines) by Martika Ramirez Escobar; and “Summer With Hope” (Canada-Iran) by Sadaf Foroughi.
Singaporean film “#LookAtMe,” which was denied certification by local authorities, remains part of the lineup, but will not screen at the festival. “#LookAtMe will not be screened at the 33rd Singapore International Film Festival as it has been refused classification by the Infocomm Media Development Authority,” says a note on the festival website.
Films in competition at the festival’s Asian feature film competition, the Silver Screen Awards, include “Archaeology Of Love” (South Korea) by Lee Wan-min; “Arnold Is A Model Student” (Thailand-Singapore-France-Netherlands-Philippines) by Sorayos Prapapan; “Autobiography” (Indonesia-France-Germany-Poland-Singapore-Philippines-Qatar) by Makbul Mubarak “The Cloud Messenger” (India) by Rahat Mahajan; “Convenience Store” (Russia-Slovenia-Turkey) by Michael Borodin; “Gaga” (Taiwan) by Laha Mebow; “Joyland” (Pakistan) by Saim Sadiq; “Leonor Will Never Die” (Philippines) by Martika Ramirez Escobar; and “Summer With Hope” (Canada-Iran) by Sadaf Foroughi.
- 10/27/2022
- by Naman Ramachandran
- Variety Film + TV
Banned feature #LookAtMe remains in the line-up.
Satircal thriller Assault by Kazakh director Adilkhan Yerzhanov is set to open the Singapore International Film Festival (Sgiff), marking the first time a film from Central Asia has been selected to lead the event.
The full programme of 101 films from 54 countries – including nine titles for its main competition (see below) – were unveiled today for the festival’s 33rd edition, which will run from November 24 to December 4 and marks Sgiff’s first fully in-person event since the outbreak of the Covid-19 pandemic in 2020.
Yerzhanov is a leading figure in Kazakh cinema with several features...
Satircal thriller Assault by Kazakh director Adilkhan Yerzhanov is set to open the Singapore International Film Festival (Sgiff), marking the first time a film from Central Asia has been selected to lead the event.
The full programme of 101 films from 54 countries – including nine titles for its main competition (see below) – were unveiled today for the festival’s 33rd edition, which will run from November 24 to December 4 and marks Sgiff’s first fully in-person event since the outbreak of the Covid-19 pandemic in 2020.
Yerzhanov is a leading figure in Kazakh cinema with several features...
- 10/26/2022
- by Silvia Wong
- ScreenDaily
A city enjoying a spectacular growth spur and a metropolis dying out as we speak. A star looking for a way out from a deadly trap and a teenager determined to have a say in her own future. Japanese feel-good movies and terrifying horrors. As always, Five Flavours offers a full spectrum of moods, emotions, and themes. We announce the complete program of the Festival and kick off tickets sales!
Five Flavours Asian Film Festival is the annual review of the best cinema from East, Southeast, and South Asia organized in Poland. Since 2006, it presents the premieres of the newest, carefully selected films from the region, the classics from Asian archives, retrospectives of selected filmmakers, and reviews of national cinemas.
This year’s selection includes 39 meticulously chosen films, 30 of which will be available online, on the territory of Poland only. After the success of last year’s hybrid edition, Five...
Five Flavours Asian Film Festival is the annual review of the best cinema from East, Southeast, and South Asia organized in Poland. Since 2006, it presents the premieres of the newest, carefully selected films from the region, the classics from Asian archives, retrospectives of selected filmmakers, and reviews of national cinemas.
This year’s selection includes 39 meticulously chosen films, 30 of which will be available online, on the territory of Poland only. After the success of last year’s hybrid edition, Five...
- 10/26/2022
- by Adriana Rosati
- AsianMoviePulse
France’s Cnc Sets Carbon Footprint Stipulations In Return For Support
France’s National Cinema Centre (Cnc) is set to become one of the first state film and TV bodies to attach green stipulations to its funding. As of March 31, 2023, producers applying for funds across all genres and formats will have to include provisional and final carbon audits for the works when they make the application, the body announced on Wednesday.
The measure, which was approved by the Cnc board this week, is a major pole of its Plan Action! aimed at encouraging France’s audiovisual sector to make the transition towards ecologically sustainable practices and forms of energy. The body said data from the audits would be used for in-house studies assessing the environmental impact of film and TV productions, as well as to devise ways to support the sector as its takes on the challenge of embracing more sustainable practices.
France’s National Cinema Centre (Cnc) is set to become one of the first state film and TV bodies to attach green stipulations to its funding. As of March 31, 2023, producers applying for funds across all genres and formats will have to include provisional and final carbon audits for the works when they make the application, the body announced on Wednesday.
The measure, which was approved by the Cnc board this week, is a major pole of its Plan Action! aimed at encouraging France’s audiovisual sector to make the transition towards ecologically sustainable practices and forms of energy. The body said data from the audits would be used for in-house studies assessing the environmental impact of film and TV productions, as well as to devise ways to support the sector as its takes on the challenge of embracing more sustainable practices.
- 10/5/2022
- by Melanie Goodfellow
- Deadline Film + TV
The curators of the 2022 edition of the BFI London Film Festival have programmed a total of 164 feature films, including 23 world premieres, 6 international premieres and 15 European premieres, with a special programme of over 20 features and 15 short films available digitally across the whole of the UK on BFI Player until October 23.
The films are grouped in thematic strands: Love, Debate, Laugh, Dare, Thrill, Cult, Journey, Create, Experimenta, Family and Treasures, and will also include TV series.
Over 60 countries are represented, with 41 of the programme from female and non-binary directors and creators or co-directors and co-creators, while ethnically diverse directors and creators make up 34 of the line-up.
Explore the full Programme Here and find all the information about tickets and booking Here
And now browse the selection of Asian Titles of the BFI London Film Festival:
Official Competition Nezouh
Nezouh
Soudade Kaadan – UK-Syria-France 2022. 104min
Soudade Kaadan turns to her Syrian roots for this wry,...
The films are grouped in thematic strands: Love, Debate, Laugh, Dare, Thrill, Cult, Journey, Create, Experimenta, Family and Treasures, and will also include TV series.
Over 60 countries are represented, with 41 of the programme from female and non-binary directors and creators or co-directors and co-creators, while ethnically diverse directors and creators make up 34 of the line-up.
Explore the full Programme Here and find all the information about tickets and booking Here
And now browse the selection of Asian Titles of the BFI London Film Festival:
Official Competition Nezouh
Nezouh
Soudade Kaadan – UK-Syria-France 2022. 104min
Soudade Kaadan turns to her Syrian roots for this wry,...
- 9/5/2022
- by Adriana Rosati
- AsianMoviePulse
Update, 02/28, 05:30Am: Organizers of the Mumbai Film Festival (Mami) have responded to an open letter published last week by a collection of Indian filmmakers criticizing the decision to not hold physical screenings at this year’s event.
In a statement, the fest said they “feel the disappointment of the filmmakers” and that the move had been a “last resort”. They added that a key sponsor had pulled out of the event. Below is the statement in full.
“We feel the disappointment of the filmmakers. The last two years have been very hard on the filmmaking community. Similarly, we as an academy, all our benefactors, collaborators, and partners have also suffered. Amongst many things, we have had an associate sponsor discontinue their partnership with us. While that has put accumulating pressure on us, we also understand the difficulties of our partners.
“For us, cancelling an edition of the festival is the last resort.
In a statement, the fest said they “feel the disappointment of the filmmakers” and that the move had been a “last resort”. They added that a key sponsor had pulled out of the event. Below is the statement in full.
“We feel the disappointment of the filmmakers. The last two years have been very hard on the filmmaking community. Similarly, we as an academy, all our benefactors, collaborators, and partners have also suffered. Amongst many things, we have had an associate sponsor discontinue their partnership with us. While that has put accumulating pressure on us, we also understand the difficulties of our partners.
“For us, cancelling an edition of the festival is the last resort.
- 2/28/2022
- by Tom Grater
- Deadline Film + TV
Tragic love stories are the staple diet of every culture, mythology and civilization. Lovers themselves can be sinful or just star-crossed, but their common trait is defiance to the order represented by gods, kings and other power figures by the sheer power of love. Details may vary, but the essence remains the same, from Orpheus and Eurydice to Romeo and Juliet to Katniss and Peeta from “Hunger Games”.
The story of Jaivardhan and Tarini, the protagonists of Rahat Mahajan’s feature debut “The Cloud Messenger” (or “Meghdoot” in original) might be one such story. The film premiered at the main, Tiger Competition of IFFR.
Nederland, Rotterdam, 11/01/2021, iffr vlaggen op de boompjes, foto Jan de Groen
In the ancient version told in the prologue by means close to the Yakshagana theatre, Jaivardhan (the director Mahajan plays the role himself) and Tarini (Lalita Shivani) were the “yakshas” (spirits) under the rule of the lord Kuber whose brother,...
The story of Jaivardhan and Tarini, the protagonists of Rahat Mahajan’s feature debut “The Cloud Messenger” (or “Meghdoot” in original) might be one such story. The film premiered at the main, Tiger Competition of IFFR.
Nederland, Rotterdam, 11/01/2021, iffr vlaggen op de boompjes, foto Jan de Groen
In the ancient version told in the prologue by means close to the Yakshagana theatre, Jaivardhan (the director Mahajan plays the role himself) and Tarini (Lalita Shivani) were the “yakshas” (spirits) under the rule of the lord Kuber whose brother,...
- 2/15/2022
- by Marko Stojiljković
- AsianMoviePulse
Filmmakers from Portugal, Chile and India discussed their features.
The use of love stories to address a variety of issues was discussed by four directors with films selected for the Tiger competition of this year’s International Film Festival Rotterdam (IFFR).
The filmmakers - Marguerite de Hillerin, Félix Dutilloy-Liégeois, Roberto Doveris and Rahat Mahajan - spoke virtually during the IFFR on Tuesday (February 1).
De Hillerin and Dutilloy-Liégeois’ A Criança is set in 16th century Portugal and explores the life of a young man, Bela, from a poor Lisbon neighbourhood which was transformed after his adoption by a merchant whose son had died.
The use of love stories to address a variety of issues was discussed by four directors with films selected for the Tiger competition of this year’s International Film Festival Rotterdam (IFFR).
The filmmakers - Marguerite de Hillerin, Félix Dutilloy-Liégeois, Roberto Doveris and Rahat Mahajan - spoke virtually during the IFFR on Tuesday (February 1).
De Hillerin and Dutilloy-Liégeois’ A Criança is set in 16th century Portugal and explores the life of a young man, Bela, from a poor Lisbon neighbourhood which was transformed after his adoption by a merchant whose son had died.
- 2/3/2022
- by Alina Trabattoni
- ScreenDaily
Answering the SunInternational Film Festival Rotterdam have announced the full lineup for their "scaled-down" 51st edition, which will take place online between January 26 — February 6. As part of a full, nationwide lockdown, cinemas will remain closed in the Netherlands until at least 14 January. Tiger COMPETITIONAchrome (Maria Ignatenko)The Cloud Messenger (Rahat Mahajan)The Child (Marguerite de Hillerin/Félix Dutilloy-Liégeois)Eami (Paz Encina)Excess Will Save Us (Morgane Dziurla-Petit)Kafka for Kids (Roee Rosen)Malintzin 17 (Mara Polgovsky/Eugenio Polgovsky)Met mes (Sam de Jong)The Plains (David Easteal)Proyecto Fantasma (Roberto Doveris)Le rêve et la radio (Renaud Després-Larose/Ana Tapia Rousiouk)Silver Bird and Rainbow Fish (Lei Lei)To Love Again (Gao Linyang)Yamabuki (Juichiro Yamasaki)Big Screen COMPETITIONAssault (Adilkhan Yerzhanov)Broadway (Christos Massalas)Third Grade (Jacques Doillon)Daryn’s Gym (Brett Michael Innes)Drifting Petals (Clara Law)The Harbour (Rajeev Ravi)The Island (Anca Damian)Kung Fu Zohra (Mabrouk El Mechri...
- 1/7/2022
- MUBI
This year’s International Film Festival Rotterdam (IFFR) has unveiled the 14 films selected for its flagship Tiger Competition. Scroll down for the full list.
The selection is typically globe-trotting, with features ranging from Chile to China, Sweden to Israel, and Mexico to India. A jury will grant three prizes: the Tiger Award, plus two special jury awards. On the jury are: Zsuzsi Bánkuti, Gust Van den Berghe, Tatiana Leite, Thekla Reuten and Farid Tabarki.
Last year’s winner of IFFR’s Tiger competition was Indian filmmaker Vinothraj P.S.’s Pebbles, which was the country’s contender for this year’s International Oscar race, though didn’t make the shortlist.
Today, the festival also confirmed the line-ups for its Big Screen Competition, which aims to bridge the gap between popular and arthouse cinema. Titles selected range from Romania to France and South Africa. The Tiger Short Competition was also unveiled.
The selection is typically globe-trotting, with features ranging from Chile to China, Sweden to Israel, and Mexico to India. A jury will grant three prizes: the Tiger Award, plus two special jury awards. On the jury are: Zsuzsi Bánkuti, Gust Van den Berghe, Tatiana Leite, Thekla Reuten and Farid Tabarki.
Last year’s winner of IFFR’s Tiger competition was Indian filmmaker Vinothraj P.S.’s Pebbles, which was the country’s contender for this year’s International Oscar race, though didn’t make the shortlist.
Today, the festival also confirmed the line-ups for its Big Screen Competition, which aims to bridge the gap between popular and arthouse cinema. Titles selected range from Romania to France and South Africa. The Tiger Short Competition was also unveiled.
- 1/7/2022
- by Tom Grater
- Deadline Film + TV
Adilkhan Yerzhanov’s “Assault” and “Kung Fu Zohra” from Mabrouk El Mechri are among the lineup at International Film Festival Rotterdam’s (IFFR) 51st edition.
The films were among 10 features selected for the Big Screen competition, which aims to bridge the gap between popular, classic and arthouse cinema.
IFFR also boasts the Tiger Competition for emerging talent and Ammodo Tiger Short competition for shorts.
Among the 14 titles selected for the Tiger Competition, Roberto Doveris will present “Proyecto Fantasma,” Morgane Dziurla-Petit will deliver “Excess Will Save Us” and David Easteal will show “The Plains.”
The festival, whose full lineup was announced on Friday, will run as a virtual festival on IFFR.com from Jan 26-Feb. 6 for the second year in a row due to the Covid-19 pandemic. Festival director Vanja Kaludjercic revealed that the lockdown in the Netherlands had enforced some changes in previously announced elements of the program. For example,...
The films were among 10 features selected for the Big Screen competition, which aims to bridge the gap between popular, classic and arthouse cinema.
IFFR also boasts the Tiger Competition for emerging talent and Ammodo Tiger Short competition for shorts.
Among the 14 titles selected for the Tiger Competition, Roberto Doveris will present “Proyecto Fantasma,” Morgane Dziurla-Petit will deliver “Excess Will Save Us” and David Easteal will show “The Plains.”
The festival, whose full lineup was announced on Friday, will run as a virtual festival on IFFR.com from Jan 26-Feb. 6 for the second year in a row due to the Covid-19 pandemic. Festival director Vanja Kaludjercic revealed that the lockdown in the Netherlands had enforced some changes in previously announced elements of the program. For example,...
- 1/7/2022
- by K.J. Yossman and Marta Balaga
- Variety Film + TV
In my dealings with Asian cinema, I have seen a number of strange, extreme and experimental films, but I have to admit “Mehsampur” left me quite perplexed, regarding both its nature (an experimental mockumentary one could say if the basic premise was not a real event) and its quality. Let us take things from the beginning though.
“Mehsampur” runs as part of the 9th edition of the Bagri Foundation London Indian Film Festival, that runs at 15 cinemas, across London, Birmingham and Manchester, from 21st June to 1st July, with 27 films, including features and short films, in competition. It is the largest South Asian film festival in Europe. Buy your tickets via this website, at respective cinema box offices: http://londonindianfilmfestival.co.uk/
The film functions as a very strange documentary, that has an eccentric filmmaker named Devrath arriving to Punjab to make a movie about the popular folk-singing duo Amar Singh Chamkila...
“Mehsampur” runs as part of the 9th edition of the Bagri Foundation London Indian Film Festival, that runs at 15 cinemas, across London, Birmingham and Manchester, from 21st June to 1st July, with 27 films, including features and short films, in competition. It is the largest South Asian film festival in Europe. Buy your tickets via this website, at respective cinema box offices: http://londonindianfilmfestival.co.uk/
The film functions as a very strange documentary, that has an eccentric filmmaker named Devrath arriving to Punjab to make a movie about the popular folk-singing duo Amar Singh Chamkila...
- 6/18/2018
- by Panos Kotzathanasis
- AsianMoviePulse
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