Unstoppable (12A)
(Tony Scott, 2010, Us) Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suplee, Kevin Dunn. 98 mins
This literally one-track action thriller is the perfect fit for Scott, Hollywood's master of manliness and heavy machinery. It's based on a true story that just happens to have a plot like a disaster movie: a massive, unmanned train carrying hazardous chemicals is hurtling towards populated areas; might the prickly railroad veteran and his rookie partner just be able to stop it? Everyone knows where it's going but it's got enough momentum to smash through to the finish, and the purity of the premise is a good fit with Scott's visual excess.
The American (15)
(Anton Corbijn, 2010, Us) George Clooney, Violante Placido, Paolo Bonacelli. 105 mins
Corbijn follows up Control with a sparse, existential hitman thriller in the Le Samourai/Day Of The Jackal mould, with Clooney in picturesque Italy. Apart from the classy visuals, it...
(Tony Scott, 2010, Us) Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suplee, Kevin Dunn. 98 mins
This literally one-track action thriller is the perfect fit for Scott, Hollywood's master of manliness and heavy machinery. It's based on a true story that just happens to have a plot like a disaster movie: a massive, unmanned train carrying hazardous chemicals is hurtling towards populated areas; might the prickly railroad veteran and his rookie partner just be able to stop it? Everyone knows where it's going but it's got enough momentum to smash through to the finish, and the purity of the premise is a good fit with Scott's visual excess.
The American (15)
(Anton Corbijn, 2010, Us) George Clooney, Violante Placido, Paolo Bonacelli. 105 mins
Corbijn follows up Control with a sparse, existential hitman thriller in the Le Samourai/Day Of The Jackal mould, with Clooney in picturesque Italy. Apart from the classy visuals, it...
- 11/27/2010
- by The guide
- The Guardian - Film News
Reviewed at the 2010 Abu Dhabi Film Festival.
"Slackistan," the first feature from Hammad Khan, belongs to that familiar breed of film about life as someone young, aimless and under- or unemployed, with too much time to fill in the company of funny friends -- think "Reality Bites," or "Swingers" (a film given more than one tip of the hat here), or "Kicking and Screaming," or countless others. What sets "Slackistan" apart from the pack is the fact that it's centered in Islamabad, the capital of Pakistan and "the city that always sleeps," according to our hero and sometimes narrator Hasan (Shahbaz Hamid Shigri), a would-be filmmaker who's managed to obtain an Hdv camera but has so far left it sitting in its box.
The post-collegiate twentysomethings in "Slackistan" are wealthy, and there's no question in the movie that their standard issue quarterlife issues about identity, how to get started on...
"Slackistan," the first feature from Hammad Khan, belongs to that familiar breed of film about life as someone young, aimless and under- or unemployed, with too much time to fill in the company of funny friends -- think "Reality Bites," or "Swingers" (a film given more than one tip of the hat here), or "Kicking and Screaming," or countless others. What sets "Slackistan" apart from the pack is the fact that it's centered in Islamabad, the capital of Pakistan and "the city that always sleeps," according to our hero and sometimes narrator Hasan (Shahbaz Hamid Shigri), a would-be filmmaker who's managed to obtain an Hdv camera but has so far left it sitting in its box.
The post-collegiate twentysomethings in "Slackistan" are wealthy, and there's no question in the movie that their standard issue quarterlife issues about identity, how to get started on...
- 10/18/2010
- by Alison Willmore
- ifc.com
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