Grasshopper Film has acquired U.S. rights to Camilo Restrepo’s critically acclaimed feature debut, “Los Conductos,” which won the best first film award at this year’s Berlin Film Festival.
“Los Conductos” — represented in international markets by Brussels-based Best Friend Forever — was expected to have its North American premiere at New Directors/New Films but the festival was canceled due to the coronavirus crisis. The movie world-premiered as part of the Berlinale’s new competitive section Encounters.
Exploring the shattered psyche of a man on the run, “Los Conductos” is a Spanish-language film set in Medellin, Colombia, and loosely based on the true story of Pinky, who freed himself from the grip of a religious sect and gets a job in a T-shirt factory. Misled by his own faith, he tries to to get his life back on track, but is haunted by the violent memories of his past.
“Los Conductos” — represented in international markets by Brussels-based Best Friend Forever — was expected to have its North American premiere at New Directors/New Films but the festival was canceled due to the coronavirus crisis. The movie world-premiered as part of the Berlinale’s new competitive section Encounters.
Exploring the shattered psyche of a man on the run, “Los Conductos” is a Spanish-language film set in Medellin, Colombia, and loosely based on the true story of Pinky, who freed himself from the grip of a religious sect and gets a job in a T-shirt factory. Misled by his own faith, he tries to to get his life back on track, but is haunted by the violent memories of his past.
- 6/23/2020
- by Elsa Keslassy
- Variety Film + TV
A new apocalypse now haunts Brazilian cinema. It’s one in a string of such upheavals over the past year including an envisaged 43% cut to the 2020 budget of Ancine, Brazil’s huge film-tv agency and motor of movie funding, which is already grinding almost to a halt.
Producers are still waiting to receive approved incentives.
“There are several producers, including ourselves, who have projects that won support from the [Pernambuco] regional fund in 2017 and 2018, but never received it,” says Desvia producer Rachel Daisy Ellis (“Divine Love”).
Independent productions are being strangled by the freeze. “It’s bleeding cinema, it’s bleeding culture. There is a sense of doom, an anemia regarding culture and cinema,” says Karim Aïnouz, director of “Invisible Life of Euridice Gusmão.”
Now, Ancine is under threat of disappearing altogether.
On Feb. 19, a proposal will be voted on in congress that extinguishes existing public funds not ratified by the...
Producers are still waiting to receive approved incentives.
“There are several producers, including ourselves, who have projects that won support from the [Pernambuco] regional fund in 2017 and 2018, but never received it,” says Desvia producer Rachel Daisy Ellis (“Divine Love”).
Independent productions are being strangled by the freeze. “It’s bleeding cinema, it’s bleeding culture. There is a sense of doom, an anemia regarding culture and cinema,” says Karim Aïnouz, director of “Invisible Life of Euridice Gusmão.”
Now, Ancine is under threat of disappearing altogether.
On Feb. 19, a proposal will be voted on in congress that extinguishes existing public funds not ratified by the...
- 2/21/2020
- by John Hopewell and Jamie Lang
- Variety Film + TV
Madrid — Brussels-based sales agent Best Friend Forever has dropped a first trailer for Colombian Camilo Restrepo’s feature debut “Los Conductos,” a movie which captures the shattered mental landscape of a man on the run from a sect.
Winner of last year’s Mar del Plata Work in Progress competition, Restrepo’s has scored a prime festival berth for its world premiere as one of the contenders in the Berlinale’s first ever Encounters competition.
Appealing to a kaleidoscope of visual styles, the movie can be read as a portrait of the difficulties of reinsertion in post civil conflict Colombia, or the enduring emotion devastation of any kind of fanaticism, even when an individual has renounced its creed.
Inspired by the experience of a real-life person, Pinky, whom the director befriended and persuaded to play himself in the film, “Los Conductos” captures Pinky now on the lam, living in a squat.
Winner of last year’s Mar del Plata Work in Progress competition, Restrepo’s has scored a prime festival berth for its world premiere as one of the contenders in the Berlinale’s first ever Encounters competition.
Appealing to a kaleidoscope of visual styles, the movie can be read as a portrait of the difficulties of reinsertion in post civil conflict Colombia, or the enduring emotion devastation of any kind of fanaticism, even when an individual has renounced its creed.
Inspired by the experience of a real-life person, Pinky, whom the director befriended and persuaded to play himself in the film, “Los Conductos” captures Pinky now on the lam, living in a squat.
- 2/12/2020
- by John Hopewell
- Variety Film + TV
Yann Gonzalez, rated as one of France’s most gifted young directors after his heartfelt Giallo homage “Knife + Heart” played in 2018’s Cannes competition, has boarded “Brasília! Brasília!” from Brazil’s Bernardo Zanotta who last year won Locarno’s Pardino d’Argento for best short film with “Heart of Hunger.”
Gonzalez served as president of the Pardino d’Argento award, saw in Zanotta a kindred subversive spirit in an increasingly conformist landscape and when Zanotta sent him an early treatment of Brasília!Brasília!” wanted to form part of the project.
Introduced to the market at Locarno’s Match Me! Forum by André Mielnik, “Brasília Brasília!”, which is another’s feature debut, is being co-developed by Gustavo Beck and Mielnik at their Rio de Janeiro-based If You Hold a Stone and Gonzalez and partner Flavien Giorda at their upcoming French production company.
Written by Zanotta and Larissa Lewandowski, “Brasília!Brasília!” embodies...
Gonzalez served as president of the Pardino d’Argento award, saw in Zanotta a kindred subversive spirit in an increasingly conformist landscape and when Zanotta sent him an early treatment of Brasília!Brasília!” wanted to form part of the project.
Introduced to the market at Locarno’s Match Me! Forum by André Mielnik, “Brasília Brasília!”, which is another’s feature debut, is being co-developed by Gustavo Beck and Mielnik at their Rio de Janeiro-based If You Hold a Stone and Gonzalez and partner Flavien Giorda at their upcoming French production company.
Written by Zanotta and Larissa Lewandowski, “Brasília!Brasília!” embodies...
- 8/10/2019
- by John Hopewell
- Variety Film + TV
Locarno’s Match Me!, its annual networking forum, builds this year to a nine-country focus. Some invited companies are established values: Singapore’s Zhao Wei, Portugal’s Fado Filmes. Most represent emerging voices on the international independent movie production sector. Here’s five points they suggest about that scene, plus a drill down on companies and top projects:
1.Male Producers: An Endangered Species?
If one part of the movie business is edging towards equality, at least at its art-skewed end, it’s world cinema indie production. Women just edge out men when it comes to the number of producers selected for 2019’s Match Me! 13 female producers play 12 men. They are also bring some of the most exciting and timely projects. Consistently now, films from a first clutch of major producing countries selected for artier festivals around the world may or may not be directed by men but are very often produced by women.
1.Male Producers: An Endangered Species?
If one part of the movie business is edging towards equality, at least at its art-skewed end, it’s world cinema indie production. Women just edge out men when it comes to the number of producers selected for 2019’s Match Me! 13 female producers play 12 men. They are also bring some of the most exciting and timely projects. Consistently now, films from a first clutch of major producing countries selected for artier festivals around the world may or may not be directed by men but are very often produced by women.
- 8/9/2019
- by John Hopewell
- Variety Film + TV
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