David White.
Documentaries are often made on tight budgets and with limited crew. Along with the pressure of capturing footage as it unfolds, this can often mean sound quality is .a bit of an afterthought., according to sound mixer and editor David White.
"The capturing of sound on location for documentaries is extremely difficult," White tells If.
.I know from firsthand experience having tried to shoot documentaries myself. Trying to capture the story that.s going on in front of the camera occupies a lot of your headspace..
However, the quality of the sound that is captured on location has large implications for the time and procedures required in post-production, he says. White will discuss the consequences of poor sound for post, as well as solutions, at the Ozdox Documentary Forum's "Listen Up! A Masterclass on Sound" tomorrow evening. One issue that White says is commonplace in documentary is "wild...
Documentaries are often made on tight budgets and with limited crew. Along with the pressure of capturing footage as it unfolds, this can often mean sound quality is .a bit of an afterthought., according to sound mixer and editor David White.
"The capturing of sound on location for documentaries is extremely difficult," White tells If.
.I know from firsthand experience having tried to shoot documentaries myself. Trying to capture the story that.s going on in front of the camera occupies a lot of your headspace..
However, the quality of the sound that is captured on location has large implications for the time and procedures required in post-production, he says. White will discuss the consequences of poor sound for post, as well as solutions, at the Ozdox Documentary Forum's "Listen Up! A Masterclass on Sound" tomorrow evening. One issue that White says is commonplace in documentary is "wild...
- 7/11/2016
- by Jackie Keast
- IF.com.au
Tim here. With Black History Month still in full swing, I thought it would be worth spending some time diving into the history of African-American animation and reporting back to everyone with what I found, which turns out to be easier said than done. Despite a history of animation as an independent and avant-garde form welcoming any and all groups trapped without a voice in the mainstream reaching into the silent era, there has been shockingly little overlap between black cinema and animation down through the years. Which isn’t the same as saying that there’s none, and I am certain that there’s probably more than I was able to scrounge up over a couple of days of researching.
Pioneering animators Frank Braxton (L) and Floyd Norman (R)
By and large, though African-American animators have been associated primarily with big studios, beginning in the 1950s, when Frank Braxton...
Pioneering animators Frank Braxton (L) and Floyd Norman (R)
By and large, though African-American animators have been associated primarily with big studios, beginning in the 1950s, when Frank Braxton...
- 2/21/2014
- by Tim Brayton
- FilmExperience
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