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The 27th edition of Busan International Film Festival will open with Scent of Wind by the Iranian director Hadi Mohaghegh and close with A Man by Japan’s Kei Ishikawa.
Launched in 1996, Busan has long been considered Asia’s premiere film festival, famous both for launching the careers of exciting new Korean and Asian auteurs, as well as its festive beachfront vibe, with tented restaurants serving soju and Korean seafood specialities into the wee hours.
This year, Busan festival director Heo Moon-young has promised an edition that represents “a full recovery” from the pandemic, restoring various programs and forums that were interrupted over the past two years due to the Seoul government’s social distancing measures. In 2022, the festival will screen 354 films from 71 countries, with various satellite events happening across town.
Scent of Wind is the fourth film by Mohaghegh, whose feature film...
The 27th edition of Busan International Film Festival will open with Scent of Wind by the Iranian director Hadi Mohaghegh and close with A Man by Japan’s Kei Ishikawa.
Launched in 1996, Busan has long been considered Asia’s premiere film festival, famous both for launching the careers of exciting new Korean and Asian auteurs, as well as its festive beachfront vibe, with tented restaurants serving soju and Korean seafood specialities into the wee hours.
This year, Busan festival director Heo Moon-young has promised an edition that represents “a full recovery” from the pandemic, restoring various programs and forums that were interrupted over the past two years due to the Seoul government’s social distancing measures. In 2022, the festival will screen 354 films from 71 countries, with various satellite events happening across town.
Scent of Wind is the fourth film by Mohaghegh, whose feature film...
- 9/12/2022
- by Soomee Park
- The Hollywood Reporter - Movie News
Korea’s Busan International Film Festival (October 5-14) has announced its full line-up, including opening film Scent Of Wind, directed by Iran’s Hadi Mohaghegh, while Hong Kong actor Tony Leung Chiu-Wai will be honoured as Asian Filmmaker Of The Year.
Leung has credits including Wong Kar Wai’s In The Mood For Love and Happy Together, as well as the Infernal Affairs trilogy, and more recently, Disney’s Shang-Chi And The Legend Of The Ten Rings.
Japanese filmmaker Kei Ishikawa’s A Man, which premiered in Venice, has been set as Busan’s closing film. Opening film, Scent Of Wind, revolves around a disabled man living with his handicapped son in a remote Iranian village. Mohaghegh previously won Busan’s New Currents Award in 2015 for Immortal.
The festival will screen 354 films including 89 world premieres and 13 international premieres, with 100 seating capacity in cinemas, a full program of parties, events and...
Leung has credits including Wong Kar Wai’s In The Mood For Love and Happy Together, as well as the Infernal Affairs trilogy, and more recently, Disney’s Shang-Chi And The Legend Of The Ten Rings.
Japanese filmmaker Kei Ishikawa’s A Man, which premiered in Venice, has been set as Busan’s closing film. Opening film, Scent Of Wind, revolves around a disabled man living with his handicapped son in a remote Iranian village. Mohaghegh previously won Busan’s New Currents Award in 2015 for Immortal.
The festival will screen 354 films including 89 world premieres and 13 international premieres, with 100 seating capacity in cinemas, a full program of parties, events and...
- 9/7/2022
- by Liz Shackleton
- Deadline Film + TV
Two new sections will showcase a total of 10 world and international premieres.
The Busan International Film Festival is to launch a new competitive section titled Jiseok and has unveiled eight films in the running for its awards.
The festival previously selected 10 films from the A Window on Asian Cinema section to compete for the Kim Jiseok Award, named after the programme director who died in 2017 and had devoted his career to introducing and supporting Asian cinema.
The new Jiseok strand will sort these nominees into a section of their own and comprise films from Asian directors with more than three...
The Busan International Film Festival is to launch a new competitive section titled Jiseok and has unveiled eight films in the running for its awards.
The festival previously selected 10 films from the A Window on Asian Cinema section to compete for the Kim Jiseok Award, named after the programme director who died in 2017 and had devoted his career to introducing and supporting Asian cinema.
The new Jiseok strand will sort these nominees into a section of their own and comprise films from Asian directors with more than three...
- 8/31/2022
- by Jean Noh
- ScreenDaily
Two new sections will showcase a total of 10 world and international premieres.
The Busan International Film Festival is to launch a new competitive section titled Jiseok and has unveiled eight films in the running for its awards.
The festival previously selected 10 films from the A Window on Asian Cinema section to compete for the Kim Jiseok Award, named after the programme director who died in 2017 and had devoted his career to introducing and supporting Asian cinema.
The new Jiseok strand will sort these nominees into a section of their own and comprise films from Asian directors with more than three...
The Busan International Film Festival is to launch a new competitive section titled Jiseok and has unveiled eight films in the running for its awards.
The festival previously selected 10 films from the A Window on Asian Cinema section to compete for the Kim Jiseok Award, named after the programme director who died in 2017 and had devoted his career to introducing and supporting Asian cinema.
The new Jiseok strand will sort these nominees into a section of their own and comprise films from Asian directors with more than three...
- 8/31/2022
- by Jean Noh
- ScreenDaily
The Busan International Film Festival will further honor its co-founder and former programmer Kim Jiseok, who died suddenly in 2017, by expanding the existing prize in his name into a fully-fledged competitive section.
Previously, the Kim Jiseok Award was given to one of ten films selected from the ‘A Window on Asian Cinema’ sidebar which introduces new films from significant Asian directors, defined as those who have each made more than three films.
“Starting this year, the Kim Jiseok Award nominees have been sorted into a section of their own, namely the ‘Jiseok’ section. Also, Korean films will be included in the ‘Jiseok’ section,” Busan organizers said. “This program section aims to both reinforce the spirit and determination of [Kim], who devoted himself to the growth and support of Asian films, and direct attention to the nominated works.”
The section comes with two cash prizes of 10,000 each. “Thus, the Jiseok section is...
Previously, the Kim Jiseok Award was given to one of ten films selected from the ‘A Window on Asian Cinema’ sidebar which introduces new films from significant Asian directors, defined as those who have each made more than three films.
“Starting this year, the Kim Jiseok Award nominees have been sorted into a section of their own, namely the ‘Jiseok’ section. Also, Korean films will be included in the ‘Jiseok’ section,” Busan organizers said. “This program section aims to both reinforce the spirit and determination of [Kim], who devoted himself to the growth and support of Asian films, and direct attention to the nominated works.”
The section comes with two cash prizes of 10,000 each. “Thus, the Jiseok section is...
- 8/31/2022
- by Patrick Frater
- Variety Film + TV
We have No idea why they have given it such a long and convoluted (we can only assume there was a rights issue over them using the original name) title for its U.S release, but Magnolia pictures are to bow M.L. Pundhevanop Dhewakul’s eye poppingly sumptuous drama The Outrage, on north American DVD next month. Best to just let the trailer speak for itself on this one. At the Gate of the Ghost streets on April 16. Synopsis: In this adaptation of the Japanese film Rashomon, a young monk leaves town to seek his father’s counsel after being disturbed by the murder trial testimony of the bandit Singh Khan, the wife of the deceased warlord, and a shaman who conjures up the warlord’s spirit. Along the way, he encounters a poor man who testified at the trial, and the two take refuge in an abandoned burial tunnel during a storm.
- 3/25/2013
- 24framespersecond.net
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