In the nine consecutive years I’ve attended the Toronto International Film Festival, it remains an elusive monstrosity of an event. With its hundreds of offerings, it’s a gluttonous buffet for the committed cineaste, a playground of auteurs mixed with unknown quantities. Even after having attended Sundance and Cannes, navigating the selections still somehow feels like ‘catching up’ with entries from Berlin, Locarno, and the concurrent Venice. And, therefore, everyone’s Toronto experience is bound to seem a bit different, even as streamlined as the festival is as it remains one of the most press and public friendly film festivals in existence.
Of course, there’s always complaints (or questions) as to what doesn’t make an appearance at the festival, and we’re always subject to the tastes of various programmers. For instance, why exactly room could not have been made for Polish master Andrzej Zulawski’s first...
Of course, there’s always complaints (or questions) as to what doesn’t make an appearance at the festival, and we’re always subject to the tastes of various programmers. For instance, why exactly room could not have been made for Polish master Andrzej Zulawski’s first...
- 9/28/2015
- by Nicholas Bell
- IONCINEMA.com
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