Below you will find our total coverage of the 2013 Toronto International Film Festival, including a round up on experimental short films, reviews, and the festival-spanning dialog between our two main critics at Tiff. More interviews will be added to the index as they are published.
Correspondences
between Fernando F. Croce and Daniel Kasman
#1
Daniel Kasman's introduction
#2
Fernando F. Croce on Jim Jarmusch's Only Lovers Left Alive, François Ozon’s Young & Beautiful, Frank Pavich's Jodorowsky's Dune
#3
Daniel Kasman on Catherine Breillat's Abuse of Weakness, Jafar Panahi's Closed Curtain, Frederick Wiseman's At Berkeley
#4
Fernando F. Croce on Kelly Reichardt's Night Moves, Eli Roth's The Green Inferno, Hélène Cattet and Bruno Forzani's The Strange Colour of Your Body's Tears, Sylvain Chomet's Atilla Marcel
#5
Daniel Kasman on David Rimmer's Variations on a Cellophane Wrapper, Luther Price's Pop Takes, Kenneth Anger's Airships, Stephen Broomer's Pepper's Ghost,...
Correspondences
between Fernando F. Croce and Daniel Kasman
#1
Daniel Kasman's introduction
#2
Fernando F. Croce on Jim Jarmusch's Only Lovers Left Alive, François Ozon’s Young & Beautiful, Frank Pavich's Jodorowsky's Dune
#3
Daniel Kasman on Catherine Breillat's Abuse of Weakness, Jafar Panahi's Closed Curtain, Frederick Wiseman's At Berkeley
#4
Fernando F. Croce on Kelly Reichardt's Night Moves, Eli Roth's The Green Inferno, Hélène Cattet and Bruno Forzani's The Strange Colour of Your Body's Tears, Sylvain Chomet's Atilla Marcel
#5
Daniel Kasman on David Rimmer's Variations on a Cellophane Wrapper, Luther Price's Pop Takes, Kenneth Anger's Airships, Stephen Broomer's Pepper's Ghost,...
- 9/30/2013
- by Notebook
- MUBI
Above: a publicity image from Home from Home: Chronicle of a Vision.
My dear Fern,
I'd like to tell you today about a few films I don't think you had the chance to see. How strange that with what I'd like to think are similar tastes and sensibilities, that let loose in a playground for those very things, we sometimes take such divergent paths? I suppose that's what I was getting at in my first letter to you. Are these our choices, or fate...or perhaps a bit of both? Miyazaki's wind? Towards the end of the festival, I saw you at more movies, which seems to heighten my critical faculties, being under pressure to compete against your utterly apt and evocative wordplay! I must admit, it is somewhat a relief to know that you want to write about something that I liked (the Gomes short, The Strange Little Cat,...
My dear Fern,
I'd like to tell you today about a few films I don't think you had the chance to see. How strange that with what I'd like to think are similar tastes and sensibilities, that let loose in a playground for those very things, we sometimes take such divergent paths? I suppose that's what I was getting at in my first letter to you. Are these our choices, or fate...or perhaps a bit of both? Miyazaki's wind? Towards the end of the festival, I saw you at more movies, which seems to heighten my critical faculties, being under pressure to compete against your utterly apt and evocative wordplay! I must admit, it is somewhat a relief to know that you want to write about something that I liked (the Gomes short, The Strange Little Cat,...
- 9/17/2013
- by Daniel Kasman
- MUBI
Nb: Films by Robert Beavers, Peter Hutton, and Luther Price were unavailable for preview. However, I said some very nice things about these men and their work in general over at The Dissolve.
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
- 9/9/2013
- by Michael Sicinski
- MUBI
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