Festival ran November 2-12.
Sofia Exarchou’s Animal has won the €10,000 Golden Alexander-Theo Angelopoulos prize for best film at the 64th Thessaloniki International Film Festival, the first time in 30 years a Greek production has won the top prize.
The film’s lead actress Dimitra Vlagopoulou also won the best actress award ex aequo with Joanna Arnow for US production The Feeling That The Time For Doing Something Has Passed, which she also directed.
Vlagopoulou had previously won best actress at Locarno where the film had its world premiere.
The Greek, Austrian, Romanian, Cypriot, Bulgarian co-production follows a group of women...
Sofia Exarchou’s Animal has won the €10,000 Golden Alexander-Theo Angelopoulos prize for best film at the 64th Thessaloniki International Film Festival, the first time in 30 years a Greek production has won the top prize.
The film’s lead actress Dimitra Vlagopoulou also won the best actress award ex aequo with Joanna Arnow for US production The Feeling That The Time For Doing Something Has Passed, which she also directed.
Vlagopoulou had previously won best actress at Locarno where the film had its world premiere.
The Greek, Austrian, Romanian, Cypriot, Bulgarian co-production follows a group of women...
- 11/15/2023
- by Alexis Grivas
- ScreenDaily
Maria Hatzakou and Alexandra Matheou’s “Stringa,” a female-led folk-horror set in remote rural Greece, won the top prize at Thessaloniki Film Festival’s Crossroads Co-Production Forum, which wrapped with an award ceremony Wednesday.
The Greek project took home the Two Thirty-Five Co-Production Award, giving full post-production image and sound support to a film that’s in development. This will be a debut feature for Matheou and Hatzakou, who also produces the film under her label Merricat. She was the one to receive the prize from the jury, which called the project “very solid and persuasive” in the ways in which it “addresses freedom of choice in a patriarchal society.”
The directors, who also co-wrote the script, describe it as “a film about the female experience,” a subversive horror that “touches on post-generational trauma and the sly ways by which the patriarchy still manages to impose itself on our lives and choices.
The Greek project took home the Two Thirty-Five Co-Production Award, giving full post-production image and sound support to a film that’s in development. This will be a debut feature for Matheou and Hatzakou, who also produces the film under her label Merricat. She was the one to receive the prize from the jury, which called the project “very solid and persuasive” in the ways in which it “addresses freedom of choice in a patriarchal society.”
The directors, who also co-wrote the script, describe it as “a film about the female experience,” a subversive horror that “touches on post-generational trauma and the sly ways by which the patriarchy still manages to impose itself on our lives and choices.
- 11/9/2023
- by Savina Petkova
- Variety Film + TV
Willem Dafoe and Michael Weber among creative advisors helping artistic director Athina Rachel Tsangari.
Thirteen projects from promising filmmakers selected for the Oxbelly Screenwriters and Directors Labs received guidance from mentors such as actor Willem Dafoe, Arte France’s Olivier Pere and The Match Factory founder Michael Weber when they took place in Greece from May 29-June 5.
The Labs were held in Costa Navarino under the artistic direction of Greek filmmaker Athina Rachel Tsangari, whose credits include Chevalier and Trigonometry.
The Labs offer international filmmakers the opportunity to work on their first or second feature script, as well as workshop...
Thirteen projects from promising filmmakers selected for the Oxbelly Screenwriters and Directors Labs received guidance from mentors such as actor Willem Dafoe, Arte France’s Olivier Pere and The Match Factory founder Michael Weber when they took place in Greece from May 29-June 5.
The Labs were held in Costa Navarino under the artistic direction of Greek filmmaker Athina Rachel Tsangari, whose credits include Chevalier and Trigonometry.
The Labs offer international filmmakers the opportunity to work on their first or second feature script, as well as workshop...
- 6/24/2022
- by Tim Dams
- ScreenDaily
Small and mostly sweet, this film selection buoys us up in the wake of the pandemic with an upbeat view of relationships
Just as many of us grasped for connections during lockdown, the pandemic has inspired Eunic London, an umbrella organisation for EU cultural institutions, to dwell on the meaning of relationships for this year’s showcase for European short films, put together by curator Shira Macleod. Not all are – as the strand’s subtitle would have it – loving encounters: break-ups, bureaucratic frustration and unsettling alien fauna crop up, too. And the one explicitly Covid-related work, Romanian director Alina Manolache’s mesmerising I Am Here, features relationships by their absence: the social vacuum on display in CCTV footage from the Trevi Fountain, Chinese pharmacies, a British golf course and other depopulated locations around the world.
Relationships take a politicised shade in Alexandra Matheou’s A Summer Place, a lush dalliance...
Just as many of us grasped for connections during lockdown, the pandemic has inspired Eunic London, an umbrella organisation for EU cultural institutions, to dwell on the meaning of relationships for this year’s showcase for European short films, put together by curator Shira Macleod. Not all are – as the strand’s subtitle would have it – loving encounters: break-ups, bureaucratic frustration and unsettling alien fauna crop up, too. And the one explicitly Covid-related work, Romanian director Alina Manolache’s mesmerising I Am Here, features relationships by their absence: the social vacuum on display in CCTV footage from the Trevi Fountain, Chinese pharmacies, a British golf course and other depopulated locations around the world.
Relationships take a politicised shade in Alexandra Matheou’s A Summer Place, a lush dalliance...
- 5/2/2022
- by Phil Hoad
- The Guardian - Film News
Greece’s Thessaloniki International Film Festival (TIFF) took place as a hybrid event from November 4-14.
French director Samuel Theis’ Softie has won the Golden Alexander-Theo Angelopoulos for best film at Greece’s Thessaloniki International Film Festival (TIFF) which took place as a hybrid event from November 4-14. The award is a cash prize of €10,000.
The French production, which premiered in Cannes’ Critics Week, follows Johnny, a sensitive and intelligent 10-year-old boy living with his single mother, as he searches for a father figure in his new school teacher.
The international competition jury headed by Belgian film maker Nanouk Leopold...
French director Samuel Theis’ Softie has won the Golden Alexander-Theo Angelopoulos for best film at Greece’s Thessaloniki International Film Festival (TIFF) which took place as a hybrid event from November 4-14. The award is a cash prize of €10,000.
The French production, which premiered in Cannes’ Critics Week, follows Johnny, a sensitive and intelligent 10-year-old boy living with his single mother, as he searches for a father figure in his new school teacher.
The international competition jury headed by Belgian film maker Nanouk Leopold...
- 11/17/2021
- by Alexis Grivas
- ScreenDaily
Samuel Theis’ “Softie” won the top prize at the 62nd Thessaloniki Film Festival, which wrapped Sunday night with a ceremony in Greece’s second city.
The film, which premiered in Cannes’ Critics’ Week section, was awarded the Golden Alexander and a €10,000 cash prize by a jury comprised of writer-director Nanouk Leopold, sound designer Roland Vajs and actor Michelle Valley.
The Special Jury Award was given to “Clara Sola,” by Natalie Álvarez Mesén, while the Special Jury Award for best director went to Lorenzo Vigas for “The Box.”
The award for best actress went to Sofia Kokkali for her performance in “Moon, 66 Questions,” by director Jacqueline Lentzou. Aliocha Reinert won the prize for best actor for his role in Golden Alexander winner “Softie.” The award for best screenplay went to Laurynas Bareiša for his film “Pilgrims,” while a special mention was given to Alexandre Koberidze for “What Do We See When We Look at the Sky?...
The film, which premiered in Cannes’ Critics’ Week section, was awarded the Golden Alexander and a €10,000 cash prize by a jury comprised of writer-director Nanouk Leopold, sound designer Roland Vajs and actor Michelle Valley.
The Special Jury Award was given to “Clara Sola,” by Natalie Álvarez Mesén, while the Special Jury Award for best director went to Lorenzo Vigas for “The Box.”
The award for best actress went to Sofia Kokkali for her performance in “Moon, 66 Questions,” by director Jacqueline Lentzou. Aliocha Reinert won the prize for best actor for his role in Golden Alexander winner “Softie.” The award for best screenplay went to Laurynas Bareiša for his film “Pilgrims,” while a special mention was given to Alexandre Koberidze for “What Do We See When We Look at the Sky?...
- 11/14/2021
- by Christopher Vourlias
- Variety Film + TV
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