Remember those choose your own adventure stories as a kid? The ones where you make decisions for the character and the story would change depending on the page you turned to. Well, someone is taking that idea and giving filmmakers the chance to craft movies in the same way, allowing the audience watching to decide what happens next on the screen. Come inside to learn more about this technology and how to help make it a reality.
Non-linear Film Technology is what they're calling it, and it's designed to help filmmakers give their viewers a truly unique experience. Currently the project is seeking funding on KickStarter, but you can learn more about it here:
We are developing software that will allow filmmakers to produce non-linear movies that will enable audiences to influence the plot – with a simple app, in real-time while they’re viewing them in the theater. The days...
Non-linear Film Technology is what they're calling it, and it's designed to help filmmakers give their viewers a truly unique experience. Currently the project is seeking funding on KickStarter, but you can learn more about it here:
We are developing software that will allow filmmakers to produce non-linear movies that will enable audiences to influence the plot – with a simple app, in real-time while they’re viewing them in the theater. The days...
- 7/31/2014
- by feeds@cinelinx.com (Jordan Maison)
- Cinelinx
If making a movie seems like a Herculean task, selling it can be even harder. You have to work festivals, industry contacts and many other avenues in the hope of finding a buyer. When Mooshine Kingdom‘s director Milton Horowitz and cinematographer Ryan Forte went to American Film Market (Afm), they decided to take a slightly different approach by going as exhibitors rather than as filmmakers. “I noticed that it said if you go as an exhibitor, you get access to the buyers list,” Horowitz says. “We thought, ‘That’s what we need, we need the buyers list.’” Though it was more […]...
- 5/13/2014
- by Michael Murie
- Filmmaker Magazine-Director Interviews
If making a movie seems like a Herculean task, selling it can be even harder. You have to work festivals, industry contacts and many other avenues in the hope of finding a buyer. When Mooshine Kingdom‘s director Milton Horowitz and cinematographer Ryan Forte went to American Film Market (Afm), they decided to take a slightly different approach by going as exhibitors rather than as filmmakers. “I noticed that it said if you go as an exhibitor, you get access to the buyers list,” Horowitz says. “We thought, ‘That’s what we need, we need the buyers list.’” Though it was more […]...
- 5/13/2014
- by Michael Murie
- Filmmaker Magazine - Blog
Mooshine Kingdom director Milton Horowitz says that, like a lot of Americans, he grew up watching too much television. This eventually led to film school at Cleveland State University, where he met cinematographer Ryan Forte. “Ryan’s younger than me,” says Horowitz. “He’s 21, I’m 32, and even though we’re 11 years apart we still love the same types of films and the same movie techniques.” While this is ostensibly their first feature film, Forte says he tried to make a feature film when he was younger that became “way too long. I sent it to a film festival and it […]...
- 5/8/2014
- by Michael Murie
- Filmmaker Magazine - Blog
Mooshine Kingdom director Milton Horowitz says that, like a lot of Americans, he grew up watching too much television. This eventually led to film school at Cleveland State University, where he met cinematographer Ryan Forte. “Ryan’s younger than me,” says Horowitz. “He’s 21, I’m 32, and even though we’re 11 years apart we still love the same types of films and the same movie techniques.” While this is ostensibly their first feature film, Forte says he tried to make a feature film when he was younger that became “way too long. I sent it to a film festival and it […]...
- 5/8/2014
- by Michael Murie
- Filmmaker Magazine-Director Interviews
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