Faroese-born emerging director Andrias Høgenni, winner of a Canal+ award at Cannes Critics’ Week in 2021 with his short film “Illi illa meint,” just got married this summer.
His project “Anything for Her,” introduced at this year’s Nordic Co-Production Market in Haugesund, is precisely about a wedding, and much more. Family conflicts, especially with step-parents involved, and the uniquely chaotic nature of a Faroese wedding set in a tightly-knit community of 52,000 souls.
Spearheaded by Danish production partners Johannes Rothaus Nørregaard of Studiocanal-backed Sam Productions (“Borgen”) and Rikke Tambo Andersen of Tambo Film (“The Penultimate”), the project has secured co-production partners from France and the Faroe Islands, Variety has learned.
La Rochelle-based In Vivo Films, behind the 2022 Toronto-bound “Autobiography” and 2019 Rotterdam entry “La Fortaleza,” has come on board at script stage, together with the leading Faroese producer, Jón Hammer of “Trom” backer Kyk Pictures.
Tambo Andersen, set to pitch the...
His project “Anything for Her,” introduced at this year’s Nordic Co-Production Market in Haugesund, is precisely about a wedding, and much more. Family conflicts, especially with step-parents involved, and the uniquely chaotic nature of a Faroese wedding set in a tightly-knit community of 52,000 souls.
Spearheaded by Danish production partners Johannes Rothaus Nørregaard of Studiocanal-backed Sam Productions (“Borgen”) and Rikke Tambo Andersen of Tambo Film (“The Penultimate”), the project has secured co-production partners from France and the Faroe Islands, Variety has learned.
La Rochelle-based In Vivo Films, behind the 2022 Toronto-bound “Autobiography” and 2019 Rotterdam entry “La Fortaleza,” has come on board at script stage, together with the leading Faroese producer, Jón Hammer of “Trom” backer Kyk Pictures.
Tambo Andersen, set to pitch the...
- 8/24/2022
- by Annika Pham
- Variety Film + TV
Critics and scholars often refer to young, accomplished Québécois filmmaker Xavier Dolan as the “enfant terrible” of French-Canadian cinema. This moniker is likely not because Dolan is breaking the rules and conventions of filmmaking though, because for the most part, he is not. Instead, it could be due to how his stories focus on actual enfant terribles, fussy and privileged kids going through issues of sexuality, identity and self-worth.
Dolan is far from the Godard of modern Québécois cinema, but more akin to Truffaut, full of freewheeling energy and insight and throttled by character rather than concept. Just 25 years old, the director is already making one good or interesting film a year and in 2014, he has just given us his most accomplished feature yet, Cannes favorite Mommy, which features the most terrible enfant in any film from recent memory.
That obnoxious and self-serving but charming teenager, Steve (Antonie-Olivier Pilon), is...
Dolan is far from the Godard of modern Québécois cinema, but more akin to Truffaut, full of freewheeling energy and insight and throttled by character rather than concept. Just 25 years old, the director is already making one good or interesting film a year and in 2014, he has just given us his most accomplished feature yet, Cannes favorite Mommy, which features the most terrible enfant in any film from recent memory.
That obnoxious and self-serving but charming teenager, Steve (Antonie-Olivier Pilon), is...
- 9/4/2014
- by Jordan Adler
- We Got This Covered
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