The Cph:dox programme looks to integrate business strategies to innovative digital storytelling.
Denmark’s Cph:Dox has selected nine projects for the 2023 edition of Cph:lab, its talent development programme for screen documentary projects.
The lab has an expanded focus this year to include interactive and immersive technologies.
Projects include Echoes / Collateral Echoes, a VR installation from 2018 UK-Ireland Screen Star of Tomorrow Baff Akoto, former Sheffield Doc/Fest programme director Luke Moody and Lidz-Ama Appiah.
Scroll down for the full list of projects
Using renderings of archival images, artifacts and spoken testimonies, the work represents the over 150 Black Britons who have...
Denmark’s Cph:Dox has selected nine projects for the 2023 edition of Cph:lab, its talent development programme for screen documentary projects.
The lab has an expanded focus this year to include interactive and immersive technologies.
Projects include Echoes / Collateral Echoes, a VR installation from 2018 UK-Ireland Screen Star of Tomorrow Baff Akoto, former Sheffield Doc/Fest programme director Luke Moody and Lidz-Ama Appiah.
Scroll down for the full list of projects
Using renderings of archival images, artifacts and spoken testimonies, the work represents the over 150 Black Britons who have...
- 9/13/2022
- by Ben Dalton
- ScreenDaily
UK director Lucy Parker’s investigative work Solidarity wins best first appearance prize for debut features.
Cuban directors Heidi Hassan and Patricia Pérez Fernández’s joint autobiographical documentary In A Whisper has won the €20,000 Idfa award for best feature-length documentary.
In the film, the two filmmakers and childhood friends, who lost contact with one another after they emigrated to different countries in Europe, reconnect via video letters and share their experiences in their adoptive homes.
The feature-length competition jury consisted of filmmakers Claire Simon, Mila Turajlić, Mohsen Makhmalbaf, Gaston Kaboré, and Rima Mismar.
They praised In A Whisper as a...
Cuban directors Heidi Hassan and Patricia Pérez Fernández’s joint autobiographical documentary In A Whisper has won the €20,000 Idfa award for best feature-length documentary.
In the film, the two filmmakers and childhood friends, who lost contact with one another after they emigrated to different countries in Europe, reconnect via video letters and share their experiences in their adoptive homes.
The feature-length competition jury consisted of filmmakers Claire Simon, Mila Turajlić, Mohsen Makhmalbaf, Gaston Kaboré, and Rima Mismar.
They praised In A Whisper as a...
- 11/27/2019
- by 1100380¦Melanie Goodfellow¦0¦
- ScreenDaily
This year’s DocLab opened with a video message from the Commander in Chief of the United States, but not the current one; speaking from his desk at the White House in 1969, President Richard Nixon held forth about the state of the arts and the future of technology.
Not that long ago, this would have been a technological miracle, if not witchcraft. But in today’s world, “deep fakes” are becoming part of the new norm—and it’s this normality that’s being pursued by 2019’s slate of DocLab projects, which include such titles as “Artificial: Room One,” an installation that lets visitors talk to chatbots; “Year of the Robot,” a film that sees hospital patients interacting with automatons; and the video piece “Vast Body 22,” in which viewers can physically interact with the dancers they see pop up onscreen.
“The theme is ‘Domesticating Reality,’” explains Sonnen. “In short, it...
Not that long ago, this would have been a technological miracle, if not witchcraft. But in today’s world, “deep fakes” are becoming part of the new norm—and it’s this normality that’s being pursued by 2019’s slate of DocLab projects, which include such titles as “Artificial: Room One,” an installation that lets visitors talk to chatbots; “Year of the Robot,” a film that sees hospital patients interacting with automatons; and the video piece “Vast Body 22,” in which viewers can physically interact with the dancers they see pop up onscreen.
“The theme is ‘Domesticating Reality,’” explains Sonnen. “In short, it...
- 11/27/2019
- by Damon Wise
- Variety Film + TV
Shoring up artistic director Orwa Nyrabia’s commitment to showcasing more women’s stories and platforming more women’s voices, Idfa has announced that this year’s festival features the highest percentage of female filmmakers in the event’s 31-year history: 64% of competition titles and 47% of the total program.
“Reaching a fairer representation was much easier than it seemed to be,” noted Nyrabia. “We only had to keep our goal in mind. The outstanding films that found their way to us this year was a humble reminder that we are in the presence of exceptional female filmmakers.”
The festival opens with the world premiere of Mehrdad Oskouei’s “Sunless Shadows,” which depicts five young Iranian women complicit in the murders of abusive husbands, fathers, or brothers-in-law. Oskouei’s film competes in the Feature-Length Documentary Competition alongside Jørgen Leth’s “I Walk”; Heidi Hassan and Patricia Pérez Fernández’s “In a...
“Reaching a fairer representation was much easier than it seemed to be,” noted Nyrabia. “We only had to keep our goal in mind. The outstanding films that found their way to us this year was a humble reminder that we are in the presence of exceptional female filmmakers.”
The festival opens with the world premiere of Mehrdad Oskouei’s “Sunless Shadows,” which depicts five young Iranian women complicit in the murders of abusive husbands, fathers, or brothers-in-law. Oskouei’s film competes in the Feature-Length Documentary Competition alongside Jørgen Leth’s “I Walk”; Heidi Hassan and Patricia Pérez Fernández’s “In a...
- 10/24/2019
- by Damon Wise
- Variety Film + TV
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