Halting all film releases and closing cinemas over Chinese New Year was the most dramatic possible expression of the emergency response to the novel coronavirus threat that spread from the city of Wuhan in January. The movie distribution and exhibition sectors had been counting on a billion dollars of box office revenue over the 10-day holiday period, a peak season that determines the growth trajectory for the whole year.
Yet, bad as the virus impact is for the movie releasing sectors, there could be longer-term consequences for China’s film production and eventually for its emerging rights sales businesses.
“This will reduce the number of productions in 2021. This will be bad for employees in this sector, from post-production or special effects or crew. Everyone,” says Tony Lu, a producer working on “The Wandering Earth” sequel at director Frant Gwo’s studio.
Two of the world’s newest and largest film...
Yet, bad as the virus impact is for the movie releasing sectors, there could be longer-term consequences for China’s film production and eventually for its emerging rights sales businesses.
“This will reduce the number of productions in 2021. This will be bad for employees in this sector, from post-production or special effects or crew. Everyone,” says Tony Lu, a producer working on “The Wandering Earth” sequel at director Frant Gwo’s studio.
Two of the world’s newest and largest film...
- 2/20/2020
- by Patrick Frater and Rebecca Davis
- Variety Film + TV
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