Let's face it: For the most part, basketball movies are bad. It's such a beautiful game, filled with such balletic human athleticism, that it seems like a natural fit for cinema. And yet, there are only a handful of great basketball films, and only one real masterpiece.
The reason for the relatively low quality, even compared to football films, seems to be that most serious directors aren't big fans of the game. Spike Lee is the only notable exception. Basketball is otherwise largely a backdrop for mediocre comedies, like Billy Crystal's "Forget Paris," or Whoopi Goldberg's even more forgettable "Eddie." Even Will Ferrell couldn't make the game all that amusing in his ode to the funky pre-nba-merger era, "Semi-Pro."
The best basketball films understand the inherent drama of the most competitive sport on Earth. True basketball talent is worth more money than any other athletic skill, and most...
The reason for the relatively low quality, even compared to football films, seems to be that most serious directors aren't big fans of the game. Spike Lee is the only notable exception. Basketball is otherwise largely a backdrop for mediocre comedies, like Billy Crystal's "Forget Paris," or Whoopi Goldberg's even more forgettable "Eddie." Even Will Ferrell couldn't make the game all that amusing in his ode to the funky pre-nba-merger era, "Semi-Pro."
The best basketball films understand the inherent drama of the most competitive sport on Earth. True basketball talent is worth more money than any other athletic skill, and most...
- 8/11/2022
- by Gino Orlandini
- Slash Film
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