Argentinian filmmaker Lucrecia Martel is guest of honour at Swiss non-fiction festival
Swiss documentary festival Visions du Réel (VdR) has revealed the line-up for its 54th edition which opens with Juliette de Marcillac’s Nightwatchers and runs April 21-30.
The festival has programmed 163 films – including 82 world premieres.
Nightwatchers is part of the previously announced Grand Angle competition. Filmed at high-end ski resort Montgenèvre on the French-Italian border, it tells the story of volunteers trying to help migrants, and the authorities trying to catch them.
VdR’s flagship international competition has 14 competing films, including 12 world premieres and two international premieres.
Swiss...
Swiss documentary festival Visions du Réel (VdR) has revealed the line-up for its 54th edition which opens with Juliette de Marcillac’s Nightwatchers and runs April 21-30.
The festival has programmed 163 films – including 82 world premieres.
Nightwatchers is part of the previously announced Grand Angle competition. Filmed at high-end ski resort Montgenèvre on the French-Italian border, it tells the story of volunteers trying to help migrants, and the authorities trying to catch them.
VdR’s flagship international competition has 14 competing films, including 12 world premieres and two international premieres.
Swiss...
- 3/28/2023
- by Tim Dams
- ScreenDaily
Swiss documentary film festival Visions du Réel (VdR) has unveiled the lineup of its 54th edition, which features a broad panorama of both established names and newcomers from around the world.
The festival kicks off on April 21 with the world premiere of “Nightwatchers” by Juliette de Marcillac and runs through April 30. The event will screen a total of 163 films from 46 countries, with a 50-50 parity between female and male directors.
No fewer than 12 out of 14 films in the main International Competition and 13 out of 15 in the Burning Lights section, the festival sidebar dedicated to new documentary expression, are world premieres, bearing testimony to the fest’s reputation for setting the trend on the global doc scene.
“I am thrilled to see that Visions du Réel is confirming both its role as a trailblazer – there are 24 first feature length films whilst 82 of the films screened are world premieres – and strong ties...
The festival kicks off on April 21 with the world premiere of “Nightwatchers” by Juliette de Marcillac and runs through April 30. The event will screen a total of 163 films from 46 countries, with a 50-50 parity between female and male directors.
No fewer than 12 out of 14 films in the main International Competition and 13 out of 15 in the Burning Lights section, the festival sidebar dedicated to new documentary expression, are world premieres, bearing testimony to the fest’s reputation for setting the trend on the global doc scene.
“I am thrilled to see that Visions du Réel is confirming both its role as a trailblazer – there are 24 first feature length films whilst 82 of the films screened are world premieres – and strong ties...
- 3/28/2023
- by Lise Pedersen
- Variety Film + TV
“My Emptiness and I,”“The Barbaric,” and “Saudade Became Home Inside” has all won big at a key industry section at Spain’s Malaga Festival, its Work in Progress, which first shone a light on such titles as “The Platform,” Netflix’s most-watched movie in the U.S. for some days last year.
This year, at the 4th Malaga Work in Progress Awards, which ran May 20 – June 11, all three titles scooped a trio of prizes.
The third feature of Adrián Silvestre, whose “The Objects of Love” took a Fipresci award at 2016’s Seville Festival, “My Emptiness and I” won Arachne, Abycine Lanza, and Rec prizes. The story of Raphi, an androgynous diagnosed with gender dysphoria who begins a gender transition, the film is produced by Javier Pérez Santana, one of the producers behind Agustí Villaronga’s “The Belly of the Sea,” the Malaga Fest main competition winner this year.
Seen...
This year, at the 4th Malaga Work in Progress Awards, which ran May 20 – June 11, all three titles scooped a trio of prizes.
The third feature of Adrián Silvestre, whose “The Objects of Love” took a Fipresci award at 2016’s Seville Festival, “My Emptiness and I” won Arachne, Abycine Lanza, and Rec prizes. The story of Raphi, an androgynous diagnosed with gender dysphoria who begins a gender transition, the film is produced by Javier Pérez Santana, one of the producers behind Agustí Villaronga’s “The Belly of the Sea,” the Malaga Fest main competition winner this year.
Seen...
- 6/24/2021
- by Emilio Mayorga
- Variety Film + TV
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