Abacus Media Rights Parent Amcomri Entertaiment Buys Flame Media Program Assets For 2.4M
Amcomri Entertainment has paid C3M (2.4M) for the assets of UK-Australian factual TV distributor Flame Media’s assets. The library comprises around 2,200 hours and more than 500 titles. Flame will be integrated into Amcomri’s TV sales arm Abacus Media Rights, with its staff reporting to Abacus Managing Director Jonathan Ford. The deal comes 15 months after Flam founder John Caldon passed away. Flame’s key titles include Outback Truckers and Outback Opal Hunters from Prospero Productions, The Moors Murders from Map TV, and Life in Colour with David Attenborough from Humble Bee Films and SeaLight Pictures. Upcoming titles including New Zealand from a Train from Making Movies and Ningaloo with novelist Tim Winton from Artemis Productions. “We have the utmost admiration for the high-quality business and senior management team that Mr. Caldon assembled over the previous 12 years,...
Amcomri Entertainment has paid C3M (2.4M) for the assets of UK-Australian factual TV distributor Flame Media’s assets. The library comprises around 2,200 hours and more than 500 titles. Flame will be integrated into Amcomri’s TV sales arm Abacus Media Rights, with its staff reporting to Abacus Managing Director Jonathan Ford. The deal comes 15 months after Flam founder John Caldon passed away. Flame’s key titles include Outback Truckers and Outback Opal Hunters from Prospero Productions, The Moors Murders from Map TV, and Life in Colour with David Attenborough from Humble Bee Films and SeaLight Pictures. Upcoming titles including New Zealand from a Train from Making Movies and Ningaloo with novelist Tim Winton from Artemis Productions. “We have the utmost admiration for the high-quality business and senior management team that Mr. Caldon assembled over the previous 12 years,...
- 6/9/2022
- by Jesse Whittock
- Deadline Film + TV
Films about addiction can be tough to endure depending on how authentically harrowing the experience is drawn. They can only end in one of two ways: death or sobriety. The former can be literal or figurative depending on how deep the drug of choice has its claws fastened and the latter can often be shown as a victory rather than a small step in a series of steps that will go on forever. A character’s journey is therefore always repetitive since reaching bottom before the climax only tips his/her hand too soon. But we should get to know these people and learn to care about their plight instead. We need to conjure sympathy for them or else the impending danger is little more than means to an end.
Suffice it to say, seeing that Baldvin Zophoníasson’s two-plus hour Let Me Fall was just such a film had me worried.
Suffice it to say, seeing that Baldvin Zophoníasson’s two-plus hour Let Me Fall was just such a film had me worried.
- 9/7/2018
- by Jared Mobarak
- The Film Stage
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