Exclusive: Chervine Naamani has joined ColorCreative, the management and production company co-founded by Issa Rae, Deniese Davis, and Talitha Watkins, as a manager and producer.
Naamani joins from the management company Rain, where he spent four and a half years building a diverse, multicultural list of next generation filmmakers and writers. In his new role, he will continue to help spearhead the development of diverse emerging talent in the entertainment industry, reporting to ColorCreative President Talitha Watkins.
Notable clients Naamani is bringing with him include filmmakers Bishal Dutta (It Lives Inside), Razelle Benally (Murder in Big Horn), Nardeep Khurmi (Land of Gold), Linh Tran (Waiting for the Light to Change), Jonathan Cuartas (My Heart Can’t Beat Unless You Tell It To) and Bo Mirhosseni (History of Evil), as well as writers Kira Kalush (Ghosts), Erica Meredith (La Brea), Nicole Saad (Lioness), Savannah Ward (Cruel Summer), Brandon Schultz (Star Trek: Discovery...
Naamani joins from the management company Rain, where he spent four and a half years building a diverse, multicultural list of next generation filmmakers and writers. In his new role, he will continue to help spearhead the development of diverse emerging talent in the entertainment industry, reporting to ColorCreative President Talitha Watkins.
Notable clients Naamani is bringing with him include filmmakers Bishal Dutta (It Lives Inside), Razelle Benally (Murder in Big Horn), Nardeep Khurmi (Land of Gold), Linh Tran (Waiting for the Light to Change), Jonathan Cuartas (My Heart Can’t Beat Unless You Tell It To) and Bo Mirhosseni (History of Evil), as well as writers Kira Kalush (Ghosts), Erica Meredith (La Brea), Nicole Saad (Lioness), Savannah Ward (Cruel Summer), Brandon Schultz (Star Trek: Discovery...
- 4/23/2024
- by Matt Grobar
- Deadline Film + TV
The third season of Ramy Youssef’s award-winning show Ramy, which dropped on Hulu at the end of September, saw the titular American-Egyptian protagonist head to Jerusalem to cut a business deal with a tough-talking diamond dealing clan in an episode entitled Egyptian Cigarettes.
Naïve to the realities of the 74-year Middle East conflict, he gets a taste of life on both sides of Israel’s controversial separation wall.
In between meetings with his new Israeli partners at a luxury villa, he squeezes in a date with a Palestinian girl in East Jerusalem on the other side of a checkpoint, where his actions will result in a local teenager being detained by the Israeli army.
International productions set in Israel and the West Bank rarely shoot in either territory. Most head to neighboring Jordan, and sometimes Morocco, deterred by the possibility of a flare-up in the conflict, in which both...
Naïve to the realities of the 74-year Middle East conflict, he gets a taste of life on both sides of Israel’s controversial separation wall.
In between meetings with his new Israeli partners at a luxury villa, he squeezes in a date with a Palestinian girl in East Jerusalem on the other side of a checkpoint, where his actions will result in a local teenager being detained by the Israeli army.
International productions set in Israel and the West Bank rarely shoot in either territory. Most head to neighboring Jordan, and sometimes Morocco, deterred by the possibility of a flare-up in the conflict, in which both...
- 11/9/2022
- by Melanie Goodfellow
- Deadline Film + TV
Editor’s note: This article is derived from a conversation between Ramy Youssef and producer Maytha Alhassen and is one in a series of Deadline stories tied to the 20th anniversary of 9/11.
It’s a fairly sunny fall afternoon, and we see Farouk Hassan, the father of an Egyptian-Muslim family based in Rutherford, NJ, securing a wall mount of a USA flag, an aerial welcome mat to alarmed neighbors. In the Emmy-nominated fourth episode of the first season of Hulu’s Ramy, Farouk (played by Amr Waked) explains to his family, “The way they are looking at us. Things are different.”
For many Arab American Muslims, our September 12th vividly resembled this protection spell. Before we had a chance to grieve, to locate our missing loved ones, to wrestle with a local, national and global nightmare, we were forced to run risk-assessment diagnostics and enact those contingency plans immediately. The flag,...
It’s a fairly sunny fall afternoon, and we see Farouk Hassan, the father of an Egyptian-Muslim family based in Rutherford, NJ, securing a wall mount of a USA flag, an aerial welcome mat to alarmed neighbors. In the Emmy-nominated fourth episode of the first season of Hulu’s Ramy, Farouk (played by Amr Waked) explains to his family, “The way they are looking at us. Things are different.”
For many Arab American Muslims, our September 12th vividly resembled this protection spell. Before we had a chance to grieve, to locate our missing loved ones, to wrestle with a local, national and global nightmare, we were forced to run risk-assessment diagnostics and enact those contingency plans immediately. The flag,...
- 9/10/2021
- by Maytha Alhassen
- Deadline Film + TV
WGA West’s Middle Eastern Writers Committee Urges Hollywood To Be More Inclusive, Less Stereotypical
Members of the WGA West’s Middle Eastern Writers Committee are urging the film and television industry to be more inclusive and less stereotypical in its storytelling.
“Reach out to us. Get to know our work. And most of all, take more chances on us to both tell our own stories and contribute to the ones being crafted in writers rooms all over town,” they wrote Monday in an open letter to the industry. But they noted: “How can we get in the rooms to tell other stories if we’re not even being hired to tell our own?”
The group said they formed the committee “primarily on the basis of one disappointing fact. As reported in the Wgaw Inclusion Report of 2020, Middle Eastern writers are dead last, making up only 0.3% of employed writers. You read that right. 0.3%. That’s pretty close to 0%. Because of this, we find ourselves at a cultural inflection point,...
“Reach out to us. Get to know our work. And most of all, take more chances on us to both tell our own stories and contribute to the ones being crafted in writers rooms all over town,” they wrote Monday in an open letter to the industry. But they noted: “How can we get in the rooms to tell other stories if we’re not even being hired to tell our own?”
The group said they formed the committee “primarily on the basis of one disappointing fact. As reported in the Wgaw Inclusion Report of 2020, Middle Eastern writers are dead last, making up only 0.3% of employed writers. You read that right. 0.3%. That’s pretty close to 0%. Because of this, we find ourselves at a cultural inflection point,...
- 8/30/2021
- by David Robb
- Deadline Film + TV
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