Amélie van Elmbt with her Dreaming Walls: Inside the Chelsea Hotel co-director Maya Duverdier and Anne-Katrin Titze on meeting Martin Scorsese: “It’s amazing, it really happened at First Time Fest.”
When I was on the inaugural First Time Fest jury with the B-52s Fred Schneider, Killer Films Christine Vachon, and Gay Talese we gave Amélie van Elmbt the Best Director Award for Headfirst (La tête la première), produced by Frédéric de Goldschmidt and Best Actress to her star Alice de Lencquesaing (Elisabeth Vogler’s Années 20), daughter of the great cinematographer Caroline Champetier and Louis-Do de Lencquesaing. Martin Scorsese was on hand at The Players to present Darren Aronofsky the John Huston Award for Achievement in Cinema.
Dreaming Walls: Inside the Chelsea Hotel Executive Producer Martin Scorsese Photo: Anne-Katrin Titze
Dreaming Walls: Inside The Chelsea Hotel invites us into the skyline of Manhattan and then jumps in a taxi,...
When I was on the inaugural First Time Fest jury with the B-52s Fred Schneider, Killer Films Christine Vachon, and Gay Talese we gave Amélie van Elmbt the Best Director Award for Headfirst (La tête la première), produced by Frédéric de Goldschmidt and Best Actress to her star Alice de Lencquesaing (Elisabeth Vogler’s Années 20), daughter of the great cinematographer Caroline Champetier and Louis-Do de Lencquesaing. Martin Scorsese was on hand at The Players to present Darren Aronofsky the John Huston Award for Achievement in Cinema.
Dreaming Walls: Inside the Chelsea Hotel Executive Producer Martin Scorsese Photo: Anne-Katrin Titze
Dreaming Walls: Inside The Chelsea Hotel invites us into the skyline of Manhattan and then jumps in a taxi,...
- 7/3/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The official selection of the 55th Karlovy Vary International Film Festival (Kviff) has been revealed, featuring 32 premieres. Scroll down for the full list of titles.
The fest will open with Zatopek, David Ondříček’s feature about four-time Olympic gold medalist, the runner Emil Zátopek, who is widely regarded as the most popular athlete in Czech Republic’s history. The film will premiere on August 20, 2021 in the Hotel Thermal Grand Hall at the opening night gala. Also screening is Boiling Point, the drama about a restaurant chef starring Stephen Graham.
A retrospective will take place dedicated to the work of The Film Foundation, Martin Scorsese’s non-profit organization established in 1990 dedicated to protecting and preserving motion picture history, restoring to date more than 900 classic works of cinema. A total of 10 films will be screened at the fest.
In addition to today’s program announcement, a selection of non-competitive strands, featuring notable...
The fest will open with Zatopek, David Ondříček’s feature about four-time Olympic gold medalist, the runner Emil Zátopek, who is widely regarded as the most popular athlete in Czech Republic’s history. The film will premiere on August 20, 2021 in the Hotel Thermal Grand Hall at the opening night gala. Also screening is Boiling Point, the drama about a restaurant chef starring Stephen Graham.
A retrospective will take place dedicated to the work of The Film Foundation, Martin Scorsese’s non-profit organization established in 1990 dedicated to protecting and preserving motion picture history, restoring to date more than 900 classic works of cinema. A total of 10 films will be screened at the fest.
In addition to today’s program announcement, a selection of non-competitive strands, featuring notable...
- 6/29/2021
- by Tom Grater
- Deadline Film + TV
In a year that isolated us with grief and loss, how do we find a renewed sense of connection to the world around us? This seems to be the question that Roaring 20’s, an inventive drama from French director Elisabeth Vogler, seeks to answer. Shot entirely in one take, the film follows a fabric of Parisians around their city as they converse about history, art, philosophy, and the meaning of existence.
An ordinary encounter between a man and a friend’s brother he’s picking up from the station turns uncanny when, for a lark, he performs an act of hypnosis on her. It doesn’t work—perhaps. She’s suddenly distraught, musing out-loud about states of consciousness and dreaming. Are we conscious or dreaming? Before we can determine that for ourselves, the film reveals its gimmick, letting our two supposed main characters walk out of frame while the camera...
An ordinary encounter between a man and a friend’s brother he’s picking up from the station turns uncanny when, for a lark, he performs an act of hypnosis on her. It doesn’t work—perhaps. She’s suddenly distraught, musing out-loud about states of consciousness and dreaming. Are we conscious or dreaming? Before we can determine that for ourselves, the film reveals its gimmick, letting our two supposed main characters walk out of frame while the camera...
- 6/27/2021
- by Artemis Lin
- The Film Stage
Updated with audience award winners. The Tribeca Festival has announced its Audience Award winners: Catch the Fair One for Best Narrative Feature, Blind Ambition for Best Documentary Feature and Ferguson Rises for Best Online Feature. The winners of the narrative and documentary categories will receive a cash prize of $10,000.
Tribeca’s 20th edition wrapped up on Sunday.
Previously: Lauren Hadaway’s The Novice, about a queer college freshman who joins her university’s rowing team and undertakes an obsessive physical and psychological journey to make it to the top boat, has won the Best U.S. Narrative Feature Film prize at the Tribeca Festival.
Star Isabelle Furman won the best actress prize, and Todd Martin took cinematography honors for the film, the first feature for Hadaway, a former competitive rower.
Brighton 4th, directed by Levan Koguashvili, won the fest’s Best International Narrative Feature Film prize, taking that honor as...
Tribeca’s 20th edition wrapped up on Sunday.
Previously: Lauren Hadaway’s The Novice, about a queer college freshman who joins her university’s rowing team and undertakes an obsessive physical and psychological journey to make it to the top boat, has won the Best U.S. Narrative Feature Film prize at the Tribeca Festival.
Star Isabelle Furman won the best actress prize, and Todd Martin took cinematography honors for the film, the first feature for Hadaway, a former competitive rower.
Brighton 4th, directed by Levan Koguashvili, won the fest’s Best International Narrative Feature Film prize, taking that honor as...
- 6/24/2021
- by Patrick Hipes
- Deadline Film + TV
Ambre (Aurore Déon) and Blanche (Noémie Schmidt) discuss Anish Kapoor’s black in Elisabeth Vogler’s hypnotic and momentous Roaring 20s (Années 20)
The Tribeca Film Festival International Narrative Competition jury comprised of Alexander Payne, Melissa Leo, Delroy Lindo, Peter Scarlet, and Lesli Klainberg, awarded Best Cinematography in an International Narrative Feature Film to Elisabeth Vogler for Roaring 20s (Années 20) and the film, a highlight of the festival, received a Special Jury Mention for the ensemble cast “for their characters and dialogue both written and improvised seamlessly that provide a portrait timeless and true.” Levan Koguashvili’s Brighton 4th, produced by Irakli Rodonaya, Olena Yershova, Michel Merkt, Kateryna Merkt won Best Film, Best Screenplay to Boris Frumin, and Best Actor to Levan Tediashvili. Best Actress...
The Tribeca Film Festival International Narrative Competition jury comprised of Alexander Payne, Melissa Leo, Delroy Lindo, Peter Scarlet, and Lesli Klainberg, awarded Best Cinematography in an International Narrative Feature Film to Elisabeth Vogler for Roaring 20s (Années 20) and the film, a highlight of the festival, received a Special Jury Mention for the ensemble cast “for their characters and dialogue both written and improvised seamlessly that provide a portrait timeless and true.” Levan Koguashvili’s Brighton 4th, produced by Irakli Rodonaya, Olena Yershova, Michel Merkt, Kateryna Merkt won Best Film, Best Screenplay to Boris Frumin, and Best Actor to Levan Tediashvili. Best Actress...
- 6/20/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Tribeca Festival 2021 has announced the full list of winners for each of its competition categories. Lauren Hadaway’s “The Novice” won for narrative feature, Levan Koguashvili’s “Brighton 4th” won for international feature and Jessica Kingdon’s “Ascension” won for documentary feature.
Awards were given out for the following competition categories: U.S. narrative, international narrative, documentary, short films, immersive, the Nora Ephron award and the first-ever podcast and games categories.
“It’s been a challenging time for filmmakers, storytellers, and actors, and we’re so proud to honor the perseverance and dedication many of them displayed while working through the many obstacles that arose as a result of Covid-19,” Cara Cusumano, festival director and vice president of programming, said in a statement. “Each of these recipients truly embody the spirit of our creative community.”
The winners of the audience awards, which are determined by audience votes throughout the festival,...
Awards were given out for the following competition categories: U.S. narrative, international narrative, documentary, short films, immersive, the Nora Ephron award and the first-ever podcast and games categories.
“It’s been a challenging time for filmmakers, storytellers, and actors, and we’re so proud to honor the perseverance and dedication many of them displayed while working through the many obstacles that arose as a result of Covid-19,” Cara Cusumano, festival director and vice president of programming, said in a statement. “Each of these recipients truly embody the spirit of our creative community.”
The winners of the audience awards, which are determined by audience votes throughout the festival,...
- 6/17/2021
- by Antonio Ferme
- Variety Film + TV
The 20th annual Tribeca Festival has announced the winners in the competition categories at this year’s awards ceremony out of Spring Studios in New York City. Awards were given in the following competition categories: U.S. Narrative, International Narrative, Documentary; Short Films, Immersive, the Nora Ephron Award, and the first-ever Podcast and Games categories. For the first time ever, Italian eyewear brand Persol presented the award to the 2021 Best Actor, U.S. Narrative, recipient.
The Festival, which had the honor of welcoming back in-person audiences, concludes on June 20.
The top honors in feature films went to “The Novice,” “Brighton 4th,” and “Ascension.”
Chanel James and Taylor Garron won the Nora Ephron Award and a $25,000 prize for “As of Yet.” The award, created nine years ago, honors a female writer or director embodying the late filmmaker.
“It’s been a challenging time for filmmakers, storytellers, and actors, and we’re...
The Festival, which had the honor of welcoming back in-person audiences, concludes on June 20.
The top honors in feature films went to “The Novice,” “Brighton 4th,” and “Ascension.”
Chanel James and Taylor Garron won the Nora Ephron Award and a $25,000 prize for “As of Yet.” The award, created nine years ago, honors a female writer or director embodying the late filmmaker.
“It’s been a challenging time for filmmakers, storytellers, and actors, and we’re...
- 6/17/2021
- by Ryan Lattanzio
- Indiewire
Walking & Talking: Vogler Captures the Bustling & Bebopping of Distinctive Parisian Summer
Decades from now, the cinematic impact of projects conceived of and filmed during the Covid-19 pandemic and the resulting effects of quarantine will likely exist as an uncomfortable, arguably necessary time-capsule. Both as documentation of unprecedented global impact as well as exemplifications of creativity and resiliency despite formidable setbacks, we’ve already seen a myriad of productions reflecting the parameters of life during forced confinement. An expertly choreographed, free flowing narrative of 24 different characters perambulating in Paris shortly after the end of lockdown, Elisabeth Vogler’s Roaring 20’s is a single shot exercise which utilizes the anxious energy of a tentative return to socialization as well as the immortal vibrancy of Paris.…...
Decades from now, the cinematic impact of projects conceived of and filmed during the Covid-19 pandemic and the resulting effects of quarantine will likely exist as an uncomfortable, arguably necessary time-capsule. Both as documentation of unprecedented global impact as well as exemplifications of creativity and resiliency despite formidable setbacks, we’ve already seen a myriad of productions reflecting the parameters of life during forced confinement. An expertly choreographed, free flowing narrative of 24 different characters perambulating in Paris shortly after the end of lockdown, Elisabeth Vogler’s Roaring 20’s is a single shot exercise which utilizes the anxious energy of a tentative return to socialization as well as the immortal vibrancy of Paris.…...
- 6/14/2021
- by Nicholas Bell
- IONCINEMA.com
While the world, at least parts of it privileged enough to have easy vaccine access, is just starting to peel itself away from lockdown and reflect on the loneliness of the past year, artists have been trying to make sense of it all for months now. The virtual Sundance Film Festival back in January 2021 was already surprisingly stacked with Covid-themed movies, with “How It Ends” making headlines for being shot entirely during quarantine, while Radu Jude’s “Bad Luck Banging or Loony Porn” won Berlin. Now a different festival gives us another taste of this pandemic-centric exploration in film form, this one hailing from Paris.
Shot in one miraculous unbroken take, the adventurous and hypnotic “Roaring 20’s” by Elisabeth Vogler (a pseudonym for the filmmaker who prefers they/them as pronouns) is about today, and not the prosperous and glittery Jazz Age that followed a different pandemic a century ago.
Shot in one miraculous unbroken take, the adventurous and hypnotic “Roaring 20’s” by Elisabeth Vogler (a pseudonym for the filmmaker who prefers they/them as pronouns) is about today, and not the prosperous and glittery Jazz Age that followed a different pandemic a century ago.
- 6/14/2021
- by Tomris Laffly
- Variety Film + TV
Narrative-averse portmanteau films are a tough nut to crack, yet not impossible. Richard Linklater made a name for himself in 1990 by hovering over a collection of Austin 20-somethings doing nothing in particular with “Slacker,” and it is this template that director Elisabeth Vogler seems to be following with her newest feature, “Roaring 20’s.” Yet where “Slacker” and others like it stitch their characters and segments together with common themes and recurring motifs, “Roaring 20’s” fails to connect its many dots, binding itself instead with a cinematography gimmick and little else.
Continue reading ‘Roaring 20’s’ Manages Little More Than a Purr, Failing to Stitch Together Anthology Set-Pieces Into Something More [Tribeca Review] at The Playlist.
Continue reading ‘Roaring 20’s’ Manages Little More Than a Purr, Failing to Stitch Together Anthology Set-Pieces Into Something More [Tribeca Review] at The Playlist.
- 6/13/2021
- by Warren Cantrell
- The Playlist
"My life is a stunt, my life is a stunt." An early promo trailer has launched for a film titled Roaring 20's, the latest from a French filmmaker named Elisabeth Vogler whose feature debut Paris Is Us premiered on Netflix a few years back. This one is premiering at the 2021 Tribeca Film Festival and is a pandemic-related film, following people around Paris interacting on the first day after their lockdown ended (back in 2020). From Tribeca: "Creatively and meticulously choreographed by Elisabeth Vogler, this 24-actor tour de force was made with only 16 crew members in 6 takes. Roaring 20's allows the audience to accompany everyday people as they cross each other throughout their day, much as we frequently cross with strangers whom we never meet. But in this refreshing addition to contemporary French cinema, the audience gets to meet them all, and the experience is full of life." Featuring an ensemble cast...
- 6/8/2021
- by Alex Billington
- firstshowing.net
Since the pandemic began last year, we’ve seen a number of filmmakers take creative swings as they attempt to keep making films during a time when you really can’t do much of anything, let alone have a full-blown film set. And perhaps the biggest swing we’ve seen so far is the feature directed by Elisabeth Vogler, titled “Roaring 20’s.”
Read More: 2021 Tribeca Film Festival Preview: 15 Must-See Films To Watch & More
“Roaring 20’s” is set to make its debut at this year’s Tribeca Film Festival, and in honor of that premiere, we’re excited to give our readers an exclusive look at the first trailer for the new feature.
Continue reading ‘Roaring 20’s’ Exclusive Tribeca Trailer: Elisabeth Vogler Captures Modern Paris In This One-Shot Feature at The Playlist.
Read More: 2021 Tribeca Film Festival Preview: 15 Must-See Films To Watch & More
“Roaring 20’s” is set to make its debut at this year’s Tribeca Film Festival, and in honor of that premiere, we’re excited to give our readers an exclusive look at the first trailer for the new feature.
Continue reading ‘Roaring 20’s’ Exclusive Tribeca Trailer: Elisabeth Vogler Captures Modern Paris In This One-Shot Feature at The Playlist.
- 6/8/2021
- by Charles Barfield
- The Playlist
Among European titles are films by Elisabeth Vogler, Levan Koguashvili, Thomas Daneskov, Shariff Korver and Max Eriksson. Yesterday, the Tribeca Film Festival revealed its 2021 line-up. This year’s selection includes 66 films spanning three competitive strands. 56 of these titles are world premieres. The festival will run from 9-20 June in a hybrid form, comprising in-person events at outdoor venues across all five boroughs of New York. The gathering will be opened by the world premiere of Jon M Chu’s In the Heights, based on Lin-Manuel Miranda’s stage musical of the same name. The International Feature Competition includes a few European films. Roaring 20’s by French filmmaker Elisabeth Vogler (Netflix title Paris Is Us) gives viewers the chance not only to travel to Paris, but to live a day in the life there during the Covid-19 pandemic, in a single unbroken shot. Brighton 4th (Bulgaria/Georgia/Monaco/Russia/United States), the new film by.
Selection presents 56 world premieres, focuses on comedic, music-centered, socially-conscious films.
Tribeca Festival 2021 has announced 66 films in the line-up of the upcoming outdoor 20th anniversary edition that runs June 9-20, including documentaries on the late food and travel broadcaster Anthony Bourdain and Norwegian pop icons A-ha.
The selection will present 56 world premieres and focuses on comedic, music-centered, and socially-conscious films. Many of the films will also be available for US audiences to view online the day after they premiere in person through the Tribeca at Home virtual hub.
Curated Juneteenth programming throughout the festival will celebrate voices from the African Diaspora,...
Tribeca Festival 2021 has announced 66 films in the line-up of the upcoming outdoor 20th anniversary edition that runs June 9-20, including documentaries on the late food and travel broadcaster Anthony Bourdain and Norwegian pop icons A-ha.
The selection will present 56 world premieres and focuses on comedic, music-centered, and socially-conscious films. Many of the films will also be available for US audiences to view online the day after they premiere in person through the Tribeca at Home virtual hub.
Curated Juneteenth programming throughout the festival will celebrate voices from the African Diaspora,...
- 4/20/2021
- by Jeremy Kay
- ScreenDaily
While the English title of “Paris est à nous” reads “Paris Is Us” — it’s the title under which the film appears on Netflix — a more direct translation would be “Paris Is Ours.” While director Elisabeth Vogler has never articulated an intentional link, connotatively, the filmmaker’s title evokes Jacques Rivette’s “Paris nous appartient,” or “Paris Belongs to Us.” Rivette’s existentialist film from the French New Wave encapsulated Cold War-era paranoia; ironically, its characters are alienated from the very Paris they inhabit.
Continue reading Director Elisabeth Vogler’s ‘Paris Is Us’ Can’t Make Up Its Mind [Review] at The Playlist.
Continue reading Director Elisabeth Vogler’s ‘Paris Is Us’ Can’t Make Up Its Mind [Review] at The Playlist.
- 3/3/2019
- by Caroline Tsai
- The Playlist
Letter criticises ’the privatisation of a work of art’.
France’s Le Monde newspaper is to republish on Saturday (23) an open letter by the French Association of Arthouse Cinemas (Afcae) challenging the decision by Joel and Ethan Coen and Alfonso Cuarón to release their Oscar-nominated features The Ballad Of Buster Scruggs and Roma via Netflix.
The letter adds fuel to an ongoing debate that has divided the French cinema industry and comes amid a flare-up over Netflix’s disruptive model in the UK.
In the Afcae’s open letter, which was originally posted on the Association’s website in late January,...
France’s Le Monde newspaper is to republish on Saturday (23) an open letter by the French Association of Arthouse Cinemas (Afcae) challenging the decision by Joel and Ethan Coen and Alfonso Cuarón to release their Oscar-nominated features The Ballad Of Buster Scruggs and Roma via Netflix.
The letter adds fuel to an ongoing debate that has divided the French cinema industry and comes amid a flare-up over Netflix’s disruptive model in the UK.
In the Afcae’s open letter, which was originally posted on the Association’s website in late January,...
- 2/22/2019
- by Melanie Goodfellow
- ScreenDaily
"Right now, everything's possible even if this life may be a dream." Netflix has unveiled an official trailer for a fascinating French drama titled Paris Is Us, the feature debut of filmmaker Elisabeth Vogler. This short trailer is packed with visually stunning footage, making this look like a striking, damning, compelling look at modern day France and all that's happening in the country. The description is vague: "Dreams and reality collide as a young woman navigates a tumultuous relationship amid rising social tensions, protests and tragedies in Paris." The story involves a young woman who was supposed to meet a boy, but she misses the flight and the plane crashes. "Taken in the vertigo of a death that has been narrowly avoided, she moves away from reality and the present." Starring Noémie Schmidt, Grégoire Isvarine, Marie Mottet, Lou Castel, and Schreiber Alexandre. No idea what's going on here, but it looks crazy cool.
- 1/21/2019
- by Alex Billington
- firstshowing.net
CEO Reed Hastings spoke on the French set of ’Osmosis’
Netflix has confirmed a further push into France, with the opening of a new office in Paris next year, as well as investment in three new French-language drama series and the acquisition of another four local productions.
CEO Reed Hastings made the announcement to journalists on the set of the sci-fi drama series Osmosis in France on Thursday (Sept 27).
He said the new Paris outpost would initially employ some 20 people. It is the company’s third European operation, after its regional headquarters in Amsterdam and London offices. The latter is...
Netflix has confirmed a further push into France, with the opening of a new office in Paris next year, as well as investment in three new French-language drama series and the acquisition of another four local productions.
CEO Reed Hastings made the announcement to journalists on the set of the sci-fi drama series Osmosis in France on Thursday (Sept 27).
He said the new Paris outpost would initially employ some 20 people. It is the company’s third European operation, after its regional headquarters in Amsterdam and London offices. The latter is...
- 9/28/2018
- by Melanie Goodfellow
- ScreenDaily
Netflix is continuing to expand its international footprint with the launch of a Paris bureau, which follows Euro offices in Amsterdam and London and a recently announced production hub in Madrid, Spain.
A spokesperson for Netflix confirmed that the office will initially house around 20 employees, some of whom will be relocating from Amsterdam. The executives will work across production, acquisitions and marketing.
Netflix CEO Reed Hastings is in Paris today where the streaming giant made the announcement. He also confirmed that following discussions with France’s national film body, the Cnc, the company will start to pay 2% tax on its annual revenues in France.
The company previously had a small office in Paris but that closed down in 2016 prompting speculation that the firm wanted to seek more advantageous tax arrangements elsewhere in Europe. Relations with France have been more challenged than most markets due to the Cannes Film Festival snafu...
A spokesperson for Netflix confirmed that the office will initially house around 20 employees, some of whom will be relocating from Amsterdam. The executives will work across production, acquisitions and marketing.
Netflix CEO Reed Hastings is in Paris today where the streaming giant made the announcement. He also confirmed that following discussions with France’s national film body, the Cnc, the company will start to pay 2% tax on its annual revenues in France.
The company previously had a small office in Paris but that closed down in 2016 prompting speculation that the firm wanted to seek more advantageous tax arrangements elsewhere in Europe. Relations with France have been more challenged than most markets due to the Cannes Film Festival snafu...
- 9/27/2018
- by Andreas Wiseman
- Deadline Film + TV
Netflix is expanding its international footprint with the launch of a fully staffed Paris bureau, its third European outpost after Amsterdam and London.
The Paris office will kick off with about 20 employees, some of whom are already working for Netflix in Amsterdam, and others who will be new hires.
The French bureau won’t be dedicated to production as is the case in Spain, where Netflix recently bowed its first European production hub to make Spanish-language content. But it will be staffed with executives working across several fields, including production, acquisition, and marketing.
On Thursday, Netflix unveiled 7 new French series and film projects currently in the pipeline, including “Marianne,” a series based on Thierry Jonquet’s “Vampires” produced by Empreinte Digitale and Federation Entertainment; the documentary “Solidarité” written and directed by Stephane de Freitas (“A voix haute”); and the contemporary romance-drama movie “Paris est une fête” (working title) to be directed by Elisabeth Vogler.
The Paris office will kick off with about 20 employees, some of whom are already working for Netflix in Amsterdam, and others who will be new hires.
The French bureau won’t be dedicated to production as is the case in Spain, where Netflix recently bowed its first European production hub to make Spanish-language content. But it will be staffed with executives working across several fields, including production, acquisition, and marketing.
On Thursday, Netflix unveiled 7 new French series and film projects currently in the pipeline, including “Marianne,” a series based on Thierry Jonquet’s “Vampires” produced by Empreinte Digitale and Federation Entertainment; the documentary “Solidarité” written and directed by Stephane de Freitas (“A voix haute”); and the contemporary romance-drama movie “Paris est une fête” (working title) to be directed by Elisabeth Vogler.
- 9/27/2018
- by Elsa Keslassy
- Variety Film + TV
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