Australian independent production house Photoplay has appointed Karen Radzyner as its head of development. The company is the only Australian firm to have a show selected for MipTV’s CanneSeries.
Radzyner joins Photoplay from Dragonet Films. She previously produced two award-winning TV mini-series – Australian Broadcasting Corporation’s “Paper Giants: The Birth of Cleo” (with Southern Star in 2011) and Nine’s genre anthology “Two Twisted.” She also held roles at Scott Free Films in London, as part of a Screen Australia fellowship, Australian public broadcaster Sbs, federal funding body Screen Australia and regional arts agency Create Nsw.
She will work alongside head of scripted, Linda Micsko, to spearhead the company’s recently established longform arm Photoplay Film+TV.
Radzyner also brings with her a significant slate including: “Appetite”; a co-production with Synchronicity Films and development partner Cineflix Rights with support from Screen Australia; an ABCMe YA action-adventure with development co-funded by...
Radzyner joins Photoplay from Dragonet Films. She previously produced two award-winning TV mini-series – Australian Broadcasting Corporation’s “Paper Giants: The Birth of Cleo” (with Southern Star in 2011) and Nine’s genre anthology “Two Twisted.” She also held roles at Scott Free Films in London, as part of a Screen Australia fellowship, Australian public broadcaster Sbs, federal funding body Screen Australia and regional arts agency Create Nsw.
She will work alongside head of scripted, Linda Micsko, to spearhead the company’s recently established longform arm Photoplay Film+TV.
Radzyner also brings with her a significant slate including: “Appetite”; a co-production with Synchronicity Films and development partner Cineflix Rights with support from Screen Australia; an ABCMe YA action-adventure with development co-funded by...
- 3/17/2022
- by Patrick Frater
- Variety Film + TV
The science fiction thriller "Lone Wolf" is adapted from Joseph Conrad's 1907 novel "The Secret Agent", written and directed by Jonathan Ogilvie starring Hugo Weaving, Tilda Cobham-Hervey, Josh McConville and Chris Bunton:
"..in the future, the city of Melbourne is marked by state corruption and constant surveillance, a group of small-time activists hatch a plan to commit an act of urban terrorism. But an unforeseen outcome and the involvement of police and state officials complicate this seemingly innocuous PR stunt, as disempowered individuals struggle against a system that protects itself at the expense of its own citizens..."
Click the images to enlarge... ...
"..in the future, the city of Melbourne is marked by state corruption and constant surveillance, a group of small-time activists hatch a plan to commit an act of urban terrorism. But an unforeseen outcome and the involvement of police and state officials complicate this seemingly innocuous PR stunt, as disempowered individuals struggle against a system that protects itself at the expense of its own citizens..."
Click the images to enlarge... ...
- 9/27/2021
- by Unknown
- SneakPeek
New seasons of TikTok series The Formal and YouTube’s Australia’s Best Street Racer are among the six projects to share in more than $920,000 from Screen Australia’s Online Fund.
There is also Facebook/YouTube comedy Counter Girls, which is a spin-off of hit series Rostered On, TikTok vertical series Krystal Klairvoyant, as well as satire Clockwork and therapy exploration It’s Fine I’m Fine, both of which are for Facebook.
Screen Australia’s senior online investment manager Lee Naimo said it was pleasing to see online creators working hard to identify and then hook in their audiences with great characters and storylines.
“We can see great examples of this with new seasons of 2 Street 2 Racer and The Formal which both connected with viewers on YouTube and TikTok respectively,” he said.
‘The Formal’
The funded projects are:
2 Street 2 Racer: A second series of Australia’s Best Street Racer...
There is also Facebook/YouTube comedy Counter Girls, which is a spin-off of hit series Rostered On, TikTok vertical series Krystal Klairvoyant, as well as satire Clockwork and therapy exploration It’s Fine I’m Fine, both of which are for Facebook.
Screen Australia’s senior online investment manager Lee Naimo said it was pleasing to see online creators working hard to identify and then hook in their audiences with great characters and storylines.
“We can see great examples of this with new seasons of 2 Street 2 Racer and The Formal which both connected with viewers on YouTube and TikTok respectively,” he said.
‘The Formal’
The funded projects are:
2 Street 2 Racer: A second series of Australia’s Best Street Racer...
- 8/31/2021
- by Sean Slatter
- IF.com.au
"You know, they'll kill you?" Gravitas Ventures has unveiled an official US trailer for the indie surveillance thriller titled Lone Wolf, from filmmaker Jonathan Ogilvie. In a near-future Melbourne marked by state corruption and constant surveillance, a group of small-time activists hatches a plan to commit a "victimless atrocity". Conrad and Winnie live above a struggling underground bookshop. Most of the film is made up of CCTV footage, and other "found footage", to show us how the government (mis)uses surveillance for their gain and misinterprets what's actually happening. A "political thriller that comments on data privacy, police powers, technology, corruption and crime's many, shady manifestations." Starring Hugo Weaving, Tilda Cobham-Hervey, Diana Glenn, Josh McConville, and Chris Bunton. I saw this during IFFR and it's so bad, I was shocked by how dull and uninteresting it was - despite the setup and concept. Tread carefully. Here's the official US trailer...
- 8/11/2021
- by Alex Billington
- firstshowing.net
A group of filmmakers including director Kimberly Townes-Gethers, producer-writer-actor Theo Perkins and executive Kirk Moore have launched Audacity Division, a banner that aims to amplify non-dominant narratives in the Bipoc space.
Its debut project is 14 Days, a short film that follows two ex-lovers (Diarra Kilpatrick and Perkins) who find reconciliation over Zoom conversations at the height of the Covid-19 pandemic. The film reinforces the power of therapy and challenges the stigma associated with mental health with Bipoc communities. (See the trailer below.)
Kilpatrick’s credits include writing on The Last O.G. and a role on HBO’s Perry Mason, and is up next in USA Network’s Nash Bridges revival. She also earned an Emmy nomination for the ABC Digital Studios short-form series American Koko. Perkins’ acting credits include Lie to Me, NCIS and Raising the Bar.
The short is helmed by Ad co-founder Townes-Gethers. Perkins and Brandon Scotland are producers and Moore is executive producer. Christian Epps is the Dp. The short was shot on iPhones during the pandemic, and all the cast and crew worked remotely.
The plan is to develop 14 Days into a potential TV series. Audacity Division’s next short is Hands to the Sky, which will highlight the rising epidemic of autism in Bipoc communities in New Jersey, with an eye on developing it into a feature-length film.
“My belief is that in order to transform, change, and liberate, we can not stay still,” said Perkins, also founder and artistic director of the nonprofit Elizabeth Youth Theater Ensemble. “What we accomplished during the filming of 14 Days, the audacity that we had as artists, led to the birth of the collective.”
Here’s the 14 Days trailer:
***
Multitude Films, the LGBTQ-led independent production company dedicated to telling nonfiction stories by and about underrepresented communities, has hired veteran producer Sweta Vohra and promoted Ameena Din to VP Finance. The news comes after the company founded and led by Jessica Devaney signed with ICM Partners.
The company produced the Peabody-nominated Roll Red Roll and last year’s Oscar-shortlisted documentary short Call Center Blues, and its latest projects include Netflix’s upcoming Pray Away in partnership with Ryan Murphy and Blumhouse, and “Apart,” an installment of the HBO Max and Sesame Workshop series Through Our Eyes.
Vohra, a three-time News & Documentary Emmy nominees, is a New York City-based journalist, filmmaker, and producer who previously was a producer-director on the first season of New York Times series The Weekly on FX and Hulu. Din also consults on Netflix projects including the recent Lenox Hill and works with Fork Films, HBO, Conde Nast Entertainment, Itvs, Hoff Productions and more.
***
Gravitas Ventures has acquired North American distribution rights to Lone Wolf, an Australian thriller directed by Jonathan Ogilvie. Tilda Cobham-Hervey, Hugo Weaving, Diana Glenn, Josh McConville and Chris Bunton star in the pic, a product of the Melbourne International Film Festival Premiere Fund. It will no get a U.S. release in theaters and on-demand on September 24.
Set in contemporary Melbourne, the plot center on Winnie (Cobham-Hervey), a young woman who runs a struggling political bookshop with her boyfriend Conrad (McConville) and takes care of her disabled brother. But Winnie’s efforts to hold everything together get thwarted when Conrad becomes entangled in an act of terrorism.
“Filmmaker Jonathan Ogilvie skillfully blends issues of surveillance and big government and how they intersect with radical political groups, resulting in a highly topical and tense film that leaves the viewer thinking about who is watching, and why,” said Megan Huggins, Gravitas’ Acquisitions Coordinator.
Huggins negotiated the deal with Denmark-based LevelK.
Its debut project is 14 Days, a short film that follows two ex-lovers (Diarra Kilpatrick and Perkins) who find reconciliation over Zoom conversations at the height of the Covid-19 pandemic. The film reinforces the power of therapy and challenges the stigma associated with mental health with Bipoc communities. (See the trailer below.)
Kilpatrick’s credits include writing on The Last O.G. and a role on HBO’s Perry Mason, and is up next in USA Network’s Nash Bridges revival. She also earned an Emmy nomination for the ABC Digital Studios short-form series American Koko. Perkins’ acting credits include Lie to Me, NCIS and Raising the Bar.
The short is helmed by Ad co-founder Townes-Gethers. Perkins and Brandon Scotland are producers and Moore is executive producer. Christian Epps is the Dp. The short was shot on iPhones during the pandemic, and all the cast and crew worked remotely.
The plan is to develop 14 Days into a potential TV series. Audacity Division’s next short is Hands to the Sky, which will highlight the rising epidemic of autism in Bipoc communities in New Jersey, with an eye on developing it into a feature-length film.
“My belief is that in order to transform, change, and liberate, we can not stay still,” said Perkins, also founder and artistic director of the nonprofit Elizabeth Youth Theater Ensemble. “What we accomplished during the filming of 14 Days, the audacity that we had as artists, led to the birth of the collective.”
Here’s the 14 Days trailer:
***
Multitude Films, the LGBTQ-led independent production company dedicated to telling nonfiction stories by and about underrepresented communities, has hired veteran producer Sweta Vohra and promoted Ameena Din to VP Finance. The news comes after the company founded and led by Jessica Devaney signed with ICM Partners.
The company produced the Peabody-nominated Roll Red Roll and last year’s Oscar-shortlisted documentary short Call Center Blues, and its latest projects include Netflix’s upcoming Pray Away in partnership with Ryan Murphy and Blumhouse, and “Apart,” an installment of the HBO Max and Sesame Workshop series Through Our Eyes.
Vohra, a three-time News & Documentary Emmy nominees, is a New York City-based journalist, filmmaker, and producer who previously was a producer-director on the first season of New York Times series The Weekly on FX and Hulu. Din also consults on Netflix projects including the recent Lenox Hill and works with Fork Films, HBO, Conde Nast Entertainment, Itvs, Hoff Productions and more.
***
Gravitas Ventures has acquired North American distribution rights to Lone Wolf, an Australian thriller directed by Jonathan Ogilvie. Tilda Cobham-Hervey, Hugo Weaving, Diana Glenn, Josh McConville and Chris Bunton star in the pic, a product of the Melbourne International Film Festival Premiere Fund. It will no get a U.S. release in theaters and on-demand on September 24.
Set in contemporary Melbourne, the plot center on Winnie (Cobham-Hervey), a young woman who runs a struggling political bookshop with her boyfriend Conrad (McConville) and takes care of her disabled brother. But Winnie’s efforts to hold everything together get thwarted when Conrad becomes entangled in an act of terrorism.
“Filmmaker Jonathan Ogilvie skillfully blends issues of surveillance and big government and how they intersect with radical political groups, resulting in a highly topical and tense film that leaves the viewer thinking about who is watching, and why,” said Megan Huggins, Gravitas’ Acquisitions Coordinator.
Huggins negotiated the deal with Denmark-based LevelK.
- 7/2/2021
- by Patrick Hipes
- Deadline Film + TV
Writer-director Jonathan Ogilvie’s Lone Wolf takes audiences to a near-future Melbourne marked by state corruption and constant surveillance. There, a group of small-time activists hatch a plan to commit a “victimless atrocity”.
Tilda Cobham-Hervey stars as Winnie, a young woman who, along with her brother Stevie (Chris Bunton), ends up being caught-up in a web of intrigue involving a bomb plot, inept anarchists, ambitious police and a corrupt politician.
Hugo Weaving, Stephen Curry and Josh McConville also star.
An adaptation of Joseph Conrad’s 1907 novel ‘The Secret Agent’, Lone Wolf is produced by Mat Govoni and Adam White.
The post ‘Lone Wolf’ (Trailer) appeared first on If Magazine.
Tilda Cobham-Hervey stars as Winnie, a young woman who, along with her brother Stevie (Chris Bunton), ends up being caught-up in a web of intrigue involving a bomb plot, inept anarchists, ambitious police and a corrupt politician.
Hugo Weaving, Stephen Curry and Josh McConville also star.
An adaptation of Joseph Conrad’s 1907 novel ‘The Secret Agent’, Lone Wolf is produced by Mat Govoni and Adam White.
The post ‘Lone Wolf’ (Trailer) appeared first on If Magazine.
- 6/17/2021
- by The IF Team
- IF.com.au
When Australian films Friends and Strangers and Lone Wolf screened at the International Film Festival of Rotterdam this week, it was the culmination of a decade’s worth of work between their respective directors.
James Vaughan’s Friends and Strangers became the first Australian film to be shown as part of the event’s Tiger competition when it was screened on Wednesday, while Jonathan Ogilvie’s Lone Wolf had its world premiere as part of the Big Screen Competition the preceding day.
According to Vaughan and Ogilvie, both films took about five years to make.
Filmed in 2019 with mostly first-time actors, Friends and Strangers follows 20-somethings Ray and Alice as they navigate a series of increasingly awkward and comedic situations, from limp romantic encounters to bungled opportunities for professional growth.
Vaughan, who makes his feature debut with the film, said while the pandemic had delayed the film’s entry into the festival circuit,...
James Vaughan’s Friends and Strangers became the first Australian film to be shown as part of the event’s Tiger competition when it was screened on Wednesday, while Jonathan Ogilvie’s Lone Wolf had its world premiere as part of the Big Screen Competition the preceding day.
According to Vaughan and Ogilvie, both films took about five years to make.
Filmed in 2019 with mostly first-time actors, Friends and Strangers follows 20-somethings Ray and Alice as they navigate a series of increasingly awkward and comedic situations, from limp romantic encounters to bungled opportunities for professional growth.
Vaughan, who makes his feature debut with the film, said while the pandemic had delayed the film’s entry into the festival circuit,...
- 2/4/2021
- by Sean Slatter
- IF.com.au
Stars: Emily Mortimer, Robyn Nevin, Bella Heathcote, Chris Bunton, Jeremy Stanford, Steve Rodgers | Written by Natalie Erika James, Christian White | Directed by Natalie Erika James
Co-written and directed by debut filmmaker Natalie Erika James, Relic is a creepy and disturbing horror that taps into some all-too familiar fears. It’s also superbly acted and features production design work that will have you scrubbing your house clean for days afterwards.
Set in a remote woodland, Relic centres on Kay (Emily Mortimer), who drives up from Melbourne with her college-age daughter Sam (Bella Heathcote) in tow when the police call to tell her that her elderly mother Edna (Robyn Nevin) hasn’t been seen for a few days. Other than some nasty-looking mould, nothing seems particularly unusual in the house, but Edna is nowhere to be found.
Kay duly alerts the authorities, only for Edna to turn up a few days later out ot the blue,...
Co-written and directed by debut filmmaker Natalie Erika James, Relic is a creepy and disturbing horror that taps into some all-too familiar fears. It’s also superbly acted and features production design work that will have you scrubbing your house clean for days afterwards.
Set in a remote woodland, Relic centres on Kay (Emily Mortimer), who drives up from Melbourne with her college-age daughter Sam (Bella Heathcote) in tow when the police call to tell her that her elderly mother Edna (Robyn Nevin) hasn’t been seen for a few days. Other than some nasty-looking mould, nothing seems particularly unusual in the house, but Edna is nowhere to be found.
Kay duly alerts the authorities, only for Edna to turn up a few days later out ot the blue,...
- 9/4/2020
- by Matthew Turner
- Nerdly
Elevated horror is all the rage these days. The genre goes through phases, to put it mildly. There’s always a new flavor for what audiences want to be scared by, whether it was slasher films, torture porn, J horror, or whatnot. Currently, the renaissance is in classy independent fright flicks. Some are absolutely tremendous and downright award worth. Others, while solid indie offerings, don’t quite live up to the hype. The latest effort on the scene, riding high on phenomenal reviews back in January at the Sundance Film Festival, is Relic. Does this one live up to the hype? Well, not quite, but that doesn’t mean that it isn’t still very effective. Heading to On Demand services this week, it’s horror that undoubtedly also has something to say. The movie is a horror effort, of course, though less overtly concerned with scares than you might initially expect.
- 7/7/2020
- by Joey Magidson
- Hollywoodnews.com
"There's nothing under the bed, Mum." IFC Midnight has debuted a full-length official trailer for acclaimed indie horror thriller Relic, which originally premiered at the 2020 Sundance Film Festival earlier this year in the Midnight section. A daughter, mother and grandmother are haunted by a manifestation of dementia that consumes their family's home. All three generations of women are brought together through trauma and a powerful sense of strength and loyalty to face the ultimate fear together. The first teaser trailer was creepy, but this full trailer has some insanely frightening moments. You've been warned! Starring Emily Mortimer, Bella Heathcote, Robyn Nevin, Chris Bunton, and Steve Rodgers. Tons of critics have been praising this since Sundance, looks like it might be one of the scariest horror films coming up this year. Here's the full-length trailer (+ new poster) for Natalie Erika James' Relic, direct from IFC's YouTube: You can still...
- 6/12/2020
- by Alex Billington
- firstshowing.net
"Since your grandfather passed, this house seems... unfamiliar." IFC Midnight has unveiled the first teaser trailer for an acclaimed indie horror thriller titled Relic, which originally premiered at the 2020 Sundance Film Festival earlier this year in the Midnight section. A daughter, mother and grandmother are haunted by a manifestation of dementia that consumes their family's home. All three generations of women are brought together through trauma and a powerful sense of strength and loyalty to face the ultimate fear together. The film earned mostly rave reviews, saying that it's "a fresh and terrifying twist on the notorious haunted-house tale." Starring Emily Mortimer, Bella Heathcote, Robyn Nevin, Chris Bunton, and Steve Rodgers. This is a creepy teaser trailer that will probably give you chills, especially if you don't like creaky old houses. Here's the first teaser trailer (+ poster) for Natalie Erika James' Relic, direct from IFC's YouTube: Relic tells...
- 5/21/2020
- by Alex Billington
- firstshowing.net
Lee Matthews.
Producer Lee Matthews is teaming up with Steve Kearney and Lisa Wang to develop Caper’ble, a 6 x 30′ comedy about young people with disability who are forced to live together in shared accommodation.
The producers are staging a two-day workshop at Arts Access Victoria in South Melbourne, starting tomorrow, led by Kelly Lefever and supported by Film Victoria.
The concept was created by Matthews and Kearney, who are collaborating with lead writer Alistair Baldwin and story consultant Eliza Hull.
Baldwin and Hull have lived experiences of disability, as have the other workshop participants Olivia Muscat, Chris Bunton, Anna Seymour and Imaan Hadchiti.
Matthews tells If he decided to join forces with Kearney and Wang because he’s convinced that will enable Aussie producers to best compete in the new global landscape.
He is confident Caper’ble will appeal to broadcast or on-demand platforms and that it has the...
Producer Lee Matthews is teaming up with Steve Kearney and Lisa Wang to develop Caper’ble, a 6 x 30′ comedy about young people with disability who are forced to live together in shared accommodation.
The producers are staging a two-day workshop at Arts Access Victoria in South Melbourne, starting tomorrow, led by Kelly Lefever and supported by Film Victoria.
The concept was created by Matthews and Kearney, who are collaborating with lead writer Alistair Baldwin and story consultant Eliza Hull.
Baldwin and Hull have lived experiences of disability, as have the other workshop participants Olivia Muscat, Chris Bunton, Anna Seymour and Imaan Hadchiti.
Matthews tells If he decided to join forces with Kearney and Wang because he’s convinced that will enable Aussie producers to best compete in the new global landscape.
He is confident Caper’ble will appeal to broadcast or on-demand platforms and that it has the...
- 1/29/2020
- by The IF Team
- IF.com.au
‘Koko: A Red Dog Story.’
Alternate content releases Koko: A Red Dog Story, Standing Up for Sunny and A Boy Called Sailboat premiered in Australian cinemas last weekend, together with the conventionally-released Kairos.
It is difficult to judge the box office results given the limited number of sessions and screens, but all faced the challenge of going into the market with minimal marketing support and publicity.
The third edition of the Red Dog franchise from writers and directors Aaron McCann and Dominic Pearce had the widest release on more than 80 screens, distributed by Roadshow Films and producer Nelson Woss’s Good Dog Distribution.
Last week Woss told If he was encouraged by the responses from test screenings in Indianapolis and charity previews in Perth. But he acknowledged there were no ads on TV or in newspapers and no billboards, bus shelters or buses for the the low-budget film co-funded by Screen Australia,...
Alternate content releases Koko: A Red Dog Story, Standing Up for Sunny and A Boy Called Sailboat premiered in Australian cinemas last weekend, together with the conventionally-released Kairos.
It is difficult to judge the box office results given the limited number of sessions and screens, but all faced the challenge of going into the market with minimal marketing support and publicity.
The third edition of the Red Dog franchise from writers and directors Aaron McCann and Dominic Pearce had the widest release on more than 80 screens, distributed by Roadshow Films and producer Nelson Woss’s Good Dog Distribution.
Last week Woss told If he was encouraged by the responses from test screenings in Indianapolis and charity previews in Perth. But he acknowledged there were no ads on TV or in newspapers and no billboards, bus shelters or buses for the the low-budget film co-funded by Screen Australia,...
- 12/9/2019
- by The IF Team
- IF.com.au
Margot Robbie in Quentin Tarantino’s ‘Once Upon a Time… In Hollywood’.
The 2019 Melbourne International Film Festival is being touted as the largest yet, with some 259 features, 123 shorts and 16 Vr experiences, including Quentin Tarantino’s Once Upon a Time… In Hollywood.
The 1969-set film, starring Leonardo DiCaprio and Brad Pitt, will screen on the opening weekend in the Astor Theatre on 35mm. An elegy to the Golden Age of Hollywood, it also features Margot Robbie as Sharon Tate and Damon Herriman as Charles Manson, as well as Al Pacino, Kurt Russell, Timothy Olyphant, Dakota Fanning, Damien Lewis and Luke Perry.
Of his first program, which includes 44 films straight from Cannes, Miff artistic director Al Cossar said: “I am absolutely thrilled to share my first festival with Melbourne in 2019. Rich in its diversity, this program is a true celebration of cinema: promising countless adventures into the kinds of places and people,...
The 2019 Melbourne International Film Festival is being touted as the largest yet, with some 259 features, 123 shorts and 16 Vr experiences, including Quentin Tarantino’s Once Upon a Time… In Hollywood.
The 1969-set film, starring Leonardo DiCaprio and Brad Pitt, will screen on the opening weekend in the Astor Theatre on 35mm. An elegy to the Golden Age of Hollywood, it also features Margot Robbie as Sharon Tate and Damon Herriman as Charles Manson, as well as Al Pacino, Kurt Russell, Timothy Olyphant, Dakota Fanning, Damien Lewis and Luke Perry.
Of his first program, which includes 44 films straight from Cannes, Miff artistic director Al Cossar said: “I am absolutely thrilled to share my first festival with Melbourne in 2019. Rich in its diversity, this program is a true celebration of cinema: promising countless adventures into the kinds of places and people,...
- 7/10/2019
- by jkeast
- IF.com.au
Top: Fayssal Bazzi as D-mac, Rahel Romahn as Nick, Michael Denkha as Ibrahim and Lincoln Younes as Hassim
Bottom: Damon Herriman as Jason, Justin Rosniak as Ditch, Alexander England as Shit-stick and Chris Bunton as Evan
Photographer credit: David Dare Parker
.
Abe Forsythe's black comedy Down Under is set to hit Australian cinemas on August 4.
Distributed by StudioCanal, the film is a black comedy set during the aftermath of the Cronulla riots.
As Forsythe's second feature, it is the story of two carloads of hotheads from both sides of the fight destined to collide..
Sincere, though misguided, intent gives way to farcical ineptitude as this hilarious yet poignant story of ignorance, fear and kebab-cravings unfolds, and what was meant to be a retaliation mission turns into something neither side could have imagined.
During the shoot, Forsythe told If the narrative mined comedy through the heavy drama.
.The humour turns...
Bottom: Damon Herriman as Jason, Justin Rosniak as Ditch, Alexander England as Shit-stick and Chris Bunton as Evan
Photographer credit: David Dare Parker
.
Abe Forsythe's black comedy Down Under is set to hit Australian cinemas on August 4.
Distributed by StudioCanal, the film is a black comedy set during the aftermath of the Cronulla riots.
As Forsythe's second feature, it is the story of two carloads of hotheads from both sides of the fight destined to collide..
Sincere, though misguided, intent gives way to farcical ineptitude as this hilarious yet poignant story of ignorance, fear and kebab-cravings unfolds, and what was meant to be a retaliation mission turns into something neither side could have imagined.
During the shoot, Forsythe told If the narrative mined comedy through the heavy drama.
.The humour turns...
- 1/15/2016
- by Staff Writer
- IF.com.au
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