In 2016, Tom Krell, the man behind the project How to Dress Well, proclaimed, “there’s been a deficit of joy in music.” After gaining a following with songs that submerged attenuated falsetto pleas beneath a layer of electronics, he was moving “toward directness” on his Care album. The reason? “Because I’m just surrounded by the indirectness and amorphousness and impressionistic character of whatever 21st-century life is.”
Before the follow-up, The Anteroom, out today, that sentiment curdled into something more concrete and savage, a sensation Krell likens to being “shredded,...
Before the follow-up, The Anteroom, out today, that sentiment curdled into something more concrete and savage, a sensation Krell likens to being “shredded,...
- 10/19/2018
- by Elias Leight
- Rollingstone.com
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