The Kinsellas have got themselves in a mess that's proving impossible to clean up.
On Kin Season 1 Episode 6, egos and loyalties clash, leading to rash decisions and fatal mistakes.
Is there any way this can end without a great deal of bloodshed?
This certainly felt like the most action-packed episode so far.
There's so much that happens here that will affect the endgame, and it's filled with suspense, tension, thrills, and catharsis.
Amanda is making a stand, but she's also isolating herself. She's finding her footing and anticipating the future, trying to do damage control while at the same time protect her surviving son.
Did she have Eric arrested or was that just an inevitability? Regardless, this will not exactly endear her to Frank -- how is she going to find out where the drugs are now? How will this serve to protect Anthony? Or could it be pure revenge...
On Kin Season 1 Episode 6, egos and loyalties clash, leading to rash decisions and fatal mistakes.
Is there any way this can end without a great deal of bloodshed?
This certainly felt like the most action-packed episode so far.
There's so much that happens here that will affect the endgame, and it's filled with suspense, tension, thrills, and catharsis.
Amanda is making a stand, but she's also isolating herself. She's finding her footing and anticipating the future, trying to do damage control while at the same time protect her surviving son.
Did she have Eric arrested or was that just an inevitability? Regardless, this will not exactly endear her to Frank -- how is she going to find out where the drugs are now? How will this serve to protect Anthony? Or could it be pure revenge...
- 10/14/2021
- by Mary Littlejohn
- TVfanatic
Sales company 101 Films Intl. has picked up the distribution rights to Paddy Slattery’s debut crime thriller “Broken Law,” and will present it to buyers at the Cannes Virtual Film Market.
The film premiered in February at the Dublin Intl. Film Festival, where it received a Special Jury Prize, voted for by the Dublin Film Critics’ Circle.
“Broken Law” tells the story of Dave Connolly, a respected member of the Irish police, whose loyalty to the force gets tested by his ex-convict brother Joe following a botched robbery. Suddenly Dave finds himself embroiled in a cover-up that leads to a secret relationship with Amia, an unhappily married woman, who also happens to be the victim of his brother’s latest crime.
The film stars Tristan Heanue and Graham Earley, previously seen together in “Cardboard Gangsters,” alongside John Connors (“Love/Hate”), Gemma-Leah Devereux and Ryan Lincoln (“Kissing Candice”).
It was produced by...
The film premiered in February at the Dublin Intl. Film Festival, where it received a Special Jury Prize, voted for by the Dublin Film Critics’ Circle.
“Broken Law” tells the story of Dave Connolly, a respected member of the Irish police, whose loyalty to the force gets tested by his ex-convict brother Joe following a botched robbery. Suddenly Dave finds himself embroiled in a cover-up that leads to a secret relationship with Amia, an unhappily married woman, who also happens to be the victim of his brother’s latest crime.
The film stars Tristan Heanue and Graham Earley, previously seen together in “Cardboard Gangsters,” alongside John Connors (“Love/Hate”), Gemma-Leah Devereux and Ryan Lincoln (“Kissing Candice”).
It was produced by...
- 6/12/2020
- by Leo Barraclough
- Variety Film + TV
Aoife McArdle’s tale of a teenager rescued in reality by a stranger from her fantasies is an audacious delight
There’s a bit more style than substance in this audacious feature debut from Irish film-maker Aoife McArdle – but so what? The style is impressive, and there’s no obvious lack of substance either. McArdle gives us a good-looking and well-acted if dreamily directionless movie with some startling images, great sound design, a nightmarish moodscape, and a propulsive musical score from Jon Clarke.
Ann Skelly plays 17-year-old Candice, who goes to school in a small town on the Irish border. She has epilepsy and her fits are something to which she surrenders herself almost ecstatically, visionary moments in which she can enter a dreamworld where a certain good-looking boy is kissing her. This is Jacob (Ryan Lincoln) who, to her woozy astonishment, turns out to exist in real life, gallantly...
There’s a bit more style than substance in this audacious feature debut from Irish film-maker Aoife McArdle – but so what? The style is impressive, and there’s no obvious lack of substance either. McArdle gives us a good-looking and well-acted if dreamily directionless movie with some startling images, great sound design, a nightmarish moodscape, and a propulsive musical score from Jon Clarke.
Ann Skelly plays 17-year-old Candice, who goes to school in a small town on the Irish border. She has epilepsy and her fits are something to which she surrenders herself almost ecstatically, visionary moments in which she can enter a dreamworld where a certain good-looking boy is kissing her. This is Jacob (Ryan Lincoln) who, to her woozy astonishment, turns out to exist in real life, gallantly...
- 6/21/2018
- by Peter Bradshaw
- The Guardian - Film News
With a first scene as stylish as that from Kissing Candice, the words “music video chic” come to mind before you can even discover writer/director Aoife McArdle is a James Vincent McMorrow regular who also released a short in collaboration with U2’s 2014 release Songs of Innocence. Between the oppressive reds and aural manipulation (I thought the volume wasn’t working until the score finally kicks in to augment the titular kiss), you can’t help admiring the sensory craftsmanship onscreen despite having no contextual basis for anything occurring. What begins as a romantic interlude shared between Candice (Ann Skelly) and Jacob (Ryan Lincoln) soon shifts to the latter randomly and silently strolling down the street (through fire) until finally arriving at a bar where the former is inexplicably waiting.
It’s a wild ride oozing sexuality and dark glamour, the weird series of events on display an obvious...
It’s a wild ride oozing sexuality and dark glamour, the weird series of events on display an obvious...
- 9/9/2017
- by Jared Mobarak
- The Film Stage
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