As we have in the past, IndieWire reached out to this year’s nominees for Outstanding Cinematography for a Single-Camera Series (One Hour), Single-Camera Series (Half-Hour), and Limited or Anthology Series or Movie, and asked them which cameras and lenses they used — but even more important: Why were these the right tools to create the look of their series?
The nominees’ answers are below, organized by Emmy category and in alphabetical order by series title.
Outstanding Cinematography for a Single-Camera Series (One Hour)
“Euphoria”
Nominated Episode: “The Theater and Its Double”
Format: 35mm (3 perf)
Camera: Arricam Lt, Arri 435
Lens: Cooke S4, Cooke Panchro, Zeiss Super Speeds/B-speeds, Zeiss uncoated Super Speeds
Marcell Rév: Our goal for this season was to make it feel like a melancholic memory of high school years. The organic structure of these film stocks, the texture of old glass, the flairs, the imperfection of these...
The nominees’ answers are below, organized by Emmy category and in alphabetical order by series title.
Outstanding Cinematography for a Single-Camera Series (One Hour)
“Euphoria”
Nominated Episode: “The Theater and Its Double”
Format: 35mm (3 perf)
Camera: Arricam Lt, Arri 435
Lens: Cooke S4, Cooke Panchro, Zeiss Super Speeds/B-speeds, Zeiss uncoated Super Speeds
Marcell Rév: Our goal for this season was to make it feel like a melancholic memory of high school years. The organic structure of these film stocks, the texture of old glass, the flairs, the imperfection of these...
- 8/11/2022
- by Erik Adams and Chris O'Falt
- Indiewire
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