By Lee Pfeiffer
Like many boys who grew up in the 1960s, I was addicted to Mad magazine. It's sarcastic satires of politicians and pop culture figures were all the rage and the magazine was a showcase for some truly impressive writers and artists. Mad pushed the envelope in some regards but publisher William Gaines still maintained a family-friendly facade. In 1970, I entered high school a few months after another satire magazine, National Lampoon, published its premiere issue. The first issue I saw featured a striking cover by artist Frank Frazetta that spoofed those old jungle movies. It depicted a courageous white guy saving a scantily clad white woman from a hoard of African natives. It was titled "White Man's Wet Dream". I was hooked before I opened the magazine. National Lampoon became a "must-read" for young people of the era. Unlike Mad, there were no holds barred when it came to off-limits subjects.
Like many boys who grew up in the 1960s, I was addicted to Mad magazine. It's sarcastic satires of politicians and pop culture figures were all the rage and the magazine was a showcase for some truly impressive writers and artists. Mad pushed the envelope in some regards but publisher William Gaines still maintained a family-friendly facade. In 1970, I entered high school a few months after another satire magazine, National Lampoon, published its premiere issue. The first issue I saw featured a striking cover by artist Frank Frazetta that spoofed those old jungle movies. It depicted a courageous white guy saving a scantily clad white woman from a hoard of African natives. It was titled "White Man's Wet Dream". I was hooked before I opened the magazine. National Lampoon became a "must-read" for young people of the era. Unlike Mad, there were no holds barred when it came to off-limits subjects.
- 4/1/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
The nominations for the Rock and Roll Hall of Fame’s Class of 2019 are in, and the list includes Radiohead, Def Leppard, Stevie Nicks, Rage Against the Machine, the Cure, Devo, Janet Jackson, Kraftwerk, LL Cool J, Roxy Music, Todd Rundgren, John Prine, MC5, Rufus featuring Chaka Khan and the Zombies. The top vote-getters will be announced in December and inducted March 29th, 2019 at a ceremony at Brooklyn’s Barclays Center. HBO will broadcast the event later next year.
To be eligible for this year’s ballot, each nominee’s...
To be eligible for this year’s ballot, each nominee’s...
- 10/9/2018
- by Andy Greene
- Rollingstone.com
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