João Salaviza and Renée Nader Messora’s feature world premiers at Cannes next month.
Berlin-based Films Boutique has taken world sales rights to João Salaviza and Renée Nader Messora’s The Buriti Flower (A Flor Do Buriti), which world premieres next month in Un Certain Regard at Cannes.
The film has already scored early distribution deals with France’s Ad Vitam, Brazil’s Embaúba Filmes and Portugal’s Desforra Apache
Brazil’s Nader Messora and Portugal’s Salaviza’s previously collaborated on The Dead And The Others, winner of the Un Certain Regard Jury Prize in 2018.
The Buriti Flower saw...
Berlin-based Films Boutique has taken world sales rights to João Salaviza and Renée Nader Messora’s The Buriti Flower (A Flor Do Buriti), which world premieres next month in Un Certain Regard at Cannes.
The film has already scored early distribution deals with France’s Ad Vitam, Brazil’s Embaúba Filmes and Portugal’s Desforra Apache
Brazil’s Nader Messora and Portugal’s Salaviza’s previously collaborated on The Dead And The Others, winner of the Un Certain Regard Jury Prize in 2018.
The Buriti Flower saw...
- 4/20/2023
- by Tim Dams
- ScreenDaily
Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 9/1/2022
- by Screen staff
- ScreenDaily
Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 8/30/2022
- by Screen staff
- ScreenDaily
Uruguayan filmmaker Manuel Nieto’s social thriller “The Employer and the Employee,” starring Nahuel Pérez Biscayart (“Persian Lessons” and “Bpm” (Beats Per Minute), comes to the San Sebastian Film Festival to close the Horizontes Latinos sidebar on Thursday, Sept. 23. It’s a journey that began at Cannes’ Directors’ Fortnight where it world premiered after winning development prizes at Toulouse’s Latin Film Festival, Mar del Plata’s LoboLab and San Sebastián’s Wip Latam.
Picked up by Latido Films in the run-up to Cannes in July, “The Employer and the Employee” is Nieto’s third feature after his debut “The Dog Pound,” followed by “The Militant.” If there’s a thru line to find among his films, Nieto sees several: “The leads are masculine, the father figure is always present, they deal with youth in different stages and weights of responsibility and invariably touch on the concepts of legacy, identity,...
Picked up by Latido Films in the run-up to Cannes in July, “The Employer and the Employee” is Nieto’s third feature after his debut “The Dog Pound,” followed by “The Militant.” If there’s a thru line to find among his films, Nieto sees several: “The leads are masculine, the father figure is always present, they deal with youth in different stages and weights of responsibility and invariably touch on the concepts of legacy, identity,...
- 9/23/2021
- by Anna Marie de la Fuente
- Variety Film + TV
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