Warning: this Doctor Who review contains plot spoilers.
To use some technical musical terminology – this one’s a banger.
Like most fans, I was very intrigued when I heard that Russell T Davies would be returning as showrunner. Having decisively brought Doctor Who into the 21st century, remade it in his own image and delivered a bona fide cultural phenomenon, Davies had subsequently gone on to make several other successful shows. It’s not like he needed to come back. He had nothing to prove. So it seemed safe to assume that if he was going return, it was because he had new ideas, new things he wanted to say, new experiments he was hungry to try out.
That was an exciting prospect. The Tennant specials had swagger, but they were something of a victory lap – comfortable 60th anniversary reunions tying up loose ends, though obviously not without surprises. Then...
To use some technical musical terminology – this one’s a banger.
Like most fans, I was very intrigued when I heard that Russell T Davies would be returning as showrunner. Having decisively brought Doctor Who into the 21st century, remade it in his own image and delivered a bona fide cultural phenomenon, Davies had subsequently gone on to make several other successful shows. It’s not like he needed to come back. He had nothing to prove. So it seemed safe to assume that if he was going return, it was because he had new ideas, new things he wanted to say, new experiments he was hungry to try out.
That was an exciting prospect. The Tennant specials had swagger, but they were something of a victory lap – comfortable 60th anniversary reunions tying up loose ends, though obviously not without surprises. Then...
- 5/11/2024
- by Louisa Mellor
- Den of Geek
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