Helena Wittmann on Ida (Angeliki Papoulia) in Human Flowers of Flesh: “She’s not looking for fulfilment of any sort, but only following her curiosity.”
Marguerite Duras’s The Sailor From Gibraltar, and, more obscurely, Swiss legionnaire and writer Friedrich Glauser’s Gourrama are washed ashore as literary flotsam, cultural remnants of boredom, dust, and heat and ultimately the longing for connection with another being in this world. And there will be Galoup, as played already a quarter of a century ago by Denis Lavant in Claire Denis’s Beau Travail, based on Herman Melville’s Billy Budd.
Helena Wittmann with Anne-Katrin Titze on Denis Lavant as Galoup: “I mean, you met him, so you know. He’s really a rich personality.”
Ida (Angeliki Papoulia) and her crew from different countries cross the Mediterranean on a sailboat to explore the original headquarters of the French Foreign Legion in Sidi-Bel-Abbès in...
Marguerite Duras’s The Sailor From Gibraltar, and, more obscurely, Swiss legionnaire and writer Friedrich Glauser’s Gourrama are washed ashore as literary flotsam, cultural remnants of boredom, dust, and heat and ultimately the longing for connection with another being in this world. And there will be Galoup, as played already a quarter of a century ago by Denis Lavant in Claire Denis’s Beau Travail, based on Herman Melville’s Billy Budd.
Helena Wittmann with Anne-Katrin Titze on Denis Lavant as Galoup: “I mean, you met him, so you know. He’s really a rich personality.”
Ida (Angeliki Papoulia) and her crew from different countries cross the Mediterranean on a sailboat to explore the original headquarters of the French Foreign Legion in Sidi-Bel-Abbès in...
- 9/28/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Ida (Angeliki Papoulia) and her crew, from different countries, cross the Mediterranean on a sailboat to explore the original headquarters of the French Foreign Legion in Sidi-Bel-Abbès in Helena Wittmann’s quietly disturbing Human Flowers Of Flesh (a highlight in the Currents programme of the 60th New York Film Festival).
Marguerite Duras’s The Sailor From Gibraltar, and, more obscurely, Swiss legionnaire and writer Friedrich Glauser’s Gourrama are washed ashore as literary flotsam, cultural remnants of boredom, dust, and heat and ultimately the longing for connection with another being in this world. And there will be Galoup, as played already a quarter of a century ago by Denis Lavant in Claire Denis’s Beau Travail, based on Herman Melville’s Billy Budd.
Lavant, wonderfully unpredictable and agile as ever sashays along the...
Marguerite Duras’s The Sailor From Gibraltar, and, more obscurely, Swiss legionnaire and writer Friedrich Glauser’s Gourrama are washed ashore as literary flotsam, cultural remnants of boredom, dust, and heat and ultimately the longing for connection with another being in this world. And there will be Galoup, as played already a quarter of a century ago by Denis Lavant in Claire Denis’s Beau Travail, based on Herman Melville’s Billy Budd.
Lavant, wonderfully unpredictable and agile as ever sashays along the...
- 9/26/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Human Flowers of Flesh
In what sounds like a cerebral high stakes at sea, Helena Wittmann‘s promising sophomore feature concluded filming in October of 2020 but wasn’t rushed into a prime 2021 film festival slot. Wittmann’s 2017 debut Drift premiered in Critic’s Week at the Venice Film Festival and Human Flowers of Flesh was featured in Locarno’s The Films After Tomorrow program (2020) for productions halted by the pandemic. Starring Angeliki Papoulia, Denis Lavant, Vladimir Vulevic, Mauro Soares and Gustavo Jahn this will likely set sail soon.
Gist: Ida (Papoulia) lives on a sailing yacht with a crew of five men.…...
In what sounds like a cerebral high stakes at sea, Helena Wittmann‘s promising sophomore feature concluded filming in October of 2020 but wasn’t rushed into a prime 2021 film festival slot. Wittmann’s 2017 debut Drift premiered in Critic’s Week at the Venice Film Festival and Human Flowers of Flesh was featured in Locarno’s The Films After Tomorrow program (2020) for productions halted by the pandemic. Starring Angeliki Papoulia, Denis Lavant, Vladimir Vulevic, Mauro Soares and Gustavo Jahn this will likely set sail soon.
Gist: Ida (Papoulia) lives on a sailing yacht with a crew of five men.…...
- 1/8/2022
- by Eric Lavallée
- IONCINEMA.com
Human Flowers of Flesh
German director Helena Wittmann promises to have an international breakout with sophomore film Human Flowers of Flesh in 2021, a project which was delayed from March to August due to the pandemic (and featured in Locarno’s The Films After Tomorrow program for productions halted by the pandemic). The German-French co-pro features Frank Scheuffele, Karsten Krause, Julia Collen and Christophe Bouffil as producers, and a fantastic array of cast members led by Angeliki Papoulia and Denis Lavant supported by Vladimir Vulevic, Mauro Soares and Gustavo Jahn. Wittmann’s 2017 debut Drift premiered in Critic’s Week at the Venice Film Festival.…...
German director Helena Wittmann promises to have an international breakout with sophomore film Human Flowers of Flesh in 2021, a project which was delayed from March to August due to the pandemic (and featured in Locarno’s The Films After Tomorrow program for productions halted by the pandemic). The German-French co-pro features Frank Scheuffele, Karsten Krause, Julia Collen and Christophe Bouffil as producers, and a fantastic array of cast members led by Angeliki Papoulia and Denis Lavant supported by Vladimir Vulevic, Mauro Soares and Gustavo Jahn. Wittmann’s 2017 debut Drift premiered in Critic’s Week at the Venice Film Festival.…...
- 1/4/2021
- by Nicholas Bell
- IONCINEMA.com
One of the most entrancing films I’ve seen in the last few years has been Helena Wittmann’s debut feature Drift, screened at New Directors/New Films back in 2018, and beautifully reviewed by our own Leonardo Goi here. The German director is now prepping her follow-up feature and the cast has been announced, along with new details.
Variety reports that Denis Lavant and Angeliki Papoulia will lead the Mediterranean-set feature Human Flowers of Flesh. The 16mm-shot film, featured in Locarno’s The Films After Tomorrow spotlight, follows our heroine Ida, who navigates with an all-male crew along the route of the French Foreign Legion from Marseille to Sidi-Bel-Abbes via Calvi on a contemporary odyssey that is at once political and sensuous. Wittman, who serves as her own cinematographer, has said Claire Denis’ Beau Travail is an inspiration, as well as Éric Rohmer’s The Green Ray.
“It is an...
Variety reports that Denis Lavant and Angeliki Papoulia will lead the Mediterranean-set feature Human Flowers of Flesh. The 16mm-shot film, featured in Locarno’s The Films After Tomorrow spotlight, follows our heroine Ida, who navigates with an all-male crew along the route of the French Foreign Legion from Marseille to Sidi-Bel-Abbes via Calvi on a contemporary odyssey that is at once political and sensuous. Wittman, who serves as her own cinematographer, has said Claire Denis’ Beau Travail is an inspiration, as well as Éric Rohmer’s The Green Ray.
“It is an...
- 8/10/2020
- by Jordan Raup
- The Film Stage
Sounding a note of hope for the 20 titles selected for Locarno Festival’s highest-profile competition, The Films After Tomorrow, Helena Wittmann’s entry, the sensuous sea odyssey “Human Flowers of Flesh,” is scheduled to go into production on Aug. 12, with “Dogtooth” actor Angeliki Papoulia and “Holy Motors’” Denis Lavant attached to star.
The news gains particular force coming on the eve of a reimagined Locarno Festival in Switzerland, Europe’s biggest mid-summer movie event, whose Films After Tomorrow strand aims to prize and promote movies — 10 Swiss, 10 international — whose production was foreclosed or halted by the Covid-19 pandemic, as was the case with Wittmann’s second feature.
The producers of “Human Flowers of Flesh,” Germany’s Fünfurfilm and France’s Tita Productions, had originally planned to location scout in Algeria’s Sidi-Bel-Abbes in March 2020 and then shoot a part of the movie in May, but all their plans were scuppered by the pandemic.
The news gains particular force coming on the eve of a reimagined Locarno Festival in Switzerland, Europe’s biggest mid-summer movie event, whose Films After Tomorrow strand aims to prize and promote movies — 10 Swiss, 10 international — whose production was foreclosed or halted by the Covid-19 pandemic, as was the case with Wittmann’s second feature.
The producers of “Human Flowers of Flesh,” Germany’s Fünfurfilm and France’s Tita Productions, had originally planned to location scout in Algeria’s Sidi-Bel-Abbes in March 2020 and then shoot a part of the movie in May, but all their plans were scuppered by the pandemic.
- 8/4/2020
- by John Hopewell
- Variety Film + TV
Seven Portuguese titles will screen during the Berlinale, and a bevy of Portuguese producers are attending the European Film Market seeking co-producers and international sales agents for their projects.
Two Portuguese features will screen in the non-competitive Berlinale Forum dedicated to more avant-garde cinema. “The Portuguese Woman,” a historical drama by Rita Azevedo Gomes, is based on Robert Musil’s “Three Women,” adapted by Portuguese novelist, Agustina Bessa-Luis. The film premiered at Argentina’s Mar del Plata. It has an austere filmic style, based on static movements of the actors, thereby creating tableaux vivants.
“Serpentarius” is about a young man in search of his mother’s ghost in a post-disaster African landscape. Angolan-born Carlos Conceição’s shorts include “Goodnight Cinderella” and “Bad Bunny” which both played in Cannes’ Critics Week.
The Forum Expanded sidebar includes 40-minute experimental documentary “Fordlandia Malaise” by Susana de Sousa Dias, about failed utopia Fordlandia, established...
Two Portuguese features will screen in the non-competitive Berlinale Forum dedicated to more avant-garde cinema. “The Portuguese Woman,” a historical drama by Rita Azevedo Gomes, is based on Robert Musil’s “Three Women,” adapted by Portuguese novelist, Agustina Bessa-Luis. The film premiered at Argentina’s Mar del Plata. It has an austere filmic style, based on static movements of the actors, thereby creating tableaux vivants.
“Serpentarius” is about a young man in search of his mother’s ghost in a post-disaster African landscape. Angolan-born Carlos Conceição’s shorts include “Goodnight Cinderella” and “Bad Bunny” which both played in Cannes’ Critics Week.
The Forum Expanded sidebar includes 40-minute experimental documentary “Fordlandia Malaise” by Susana de Sousa Dias, about failed utopia Fordlandia, established...
- 2/9/2019
- by Martin Dale
- Variety Film + TV
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