The Fantastic Pavilion returns to Cannes for its second edition, revealing seven Gala Screenings.
This year’s selection features “Do Not Enter” by Hugo Cardozo, “Aire, Just Breathe” directed by Leticia Tonos, Doug Rao’s “Dirty Boy,” Can Evrenol’s “Sayara,” “Mourir or Not Mourir” by Thomas Combret, Andreas Marschall’s “Black.White.Red.” and “Vadakkan” by Sajeed A.
“The Galas proved to be one of our most appealing assets and a massive draw. This year, we are repeating this format in the exact same way: seven screenings, with cast and crew in attendance, at 8pm [Cet] at the Olympia Cinema,” said Pablo Guisa Koestinger, Fantastic Pavilion executive director and CEO at Morbido Group.
Thanks to the Pavilion, the genre community in Cannes “came together, embraced it as its own and found a place they can call home,” he noted.
“They realized they could network and show their projects to genre film festivals,...
This year’s selection features “Do Not Enter” by Hugo Cardozo, “Aire, Just Breathe” directed by Leticia Tonos, Doug Rao’s “Dirty Boy,” Can Evrenol’s “Sayara,” “Mourir or Not Mourir” by Thomas Combret, Andreas Marschall’s “Black.White.Red.” and “Vadakkan” by Sajeed A.
“The Galas proved to be one of our most appealing assets and a massive draw. This year, we are repeating this format in the exact same way: seven screenings, with cast and crew in attendance, at 8pm [Cet] at the Olympia Cinema,” said Pablo Guisa Koestinger, Fantastic Pavilion executive director and CEO at Morbido Group.
Thanks to the Pavilion, the genre community in Cannes “came together, embraced it as its own and found a place they can call home,” he noted.
“They realized they could network and show their projects to genre film festivals,...
- 5/6/2024
- by Marta Balaga
- Variety Film + TV
Tommy Wirkola‘s Violent Night is taking the holiday movie season by storm (and force). As you already know, David Harbour plays an action-hero version of Santa Claus who eliminates mercenaries during a hostage crisis on Christmas Eve. Commercials are everywhere, selling what’s now dubbed “Die Hard meets Home Alone.” That’s very much correct as a description of Violent Night, but it’s stated like the concept is brand-spankin’ new — which is not true. Horror fans already know there’s a title on Shudder called Deadly Games that beat Violent Night to that logline punch, which deserves just as much attention as the hard-hitting Harbour headliner.
If Violent Night became your new Christmas tradition, I implore you to check out Deadly Games. Both are wicked riffs on Home Alone that would complement wonderfully if watched as a double bill. Violent Night gives audiences Santa as a machismo action...
If Violent Night became your new Christmas tradition, I implore you to check out Deadly Games. Both are wicked riffs on Home Alone that would complement wonderfully if watched as a double bill. Violent Night gives audiences Santa as a machismo action...
- 12/7/2022
- by Matt Donato
- bloody-disgusting.com
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