Exclusive: 3Point0 Labs has followed up recent strategic moves by signing In the Summers co-producer Luz Films.
Headed by Sergio Lira, Lynette Coll and Cristobal Güell, Luz was created with a mission to make Latino-focused prestige and elevated-genre content from diverse creatives and producers in the film and TV space. Its debut film, In the Summers, was a prize winner at Sundance earlier this year.
“Sergio, Lynette, and Cristobal bring such an authentic desire to foster family and community in everything they do,” said Andrew Cutrow, Chief Business Officer and Head of the Entertainment division of 3Point0 Labs. “They bring a vision that is so core to 3Point0’s mission to build communities and infrastructure globally. Luz is a rocket ship and we are so humbled to be a part of their growth as they take off.”
As we revealed at the time, Luz Films launched in January with former...
Headed by Sergio Lira, Lynette Coll and Cristobal Güell, Luz was created with a mission to make Latino-focused prestige and elevated-genre content from diverse creatives and producers in the film and TV space. Its debut film, In the Summers, was a prize winner at Sundance earlier this year.
“Sergio, Lynette, and Cristobal bring such an authentic desire to foster family and community in everything they do,” said Andrew Cutrow, Chief Business Officer and Head of the Entertainment division of 3Point0 Labs. “They bring a vision that is so core to 3Point0’s mission to build communities and infrastructure globally. Luz is a rocket ship and we are so humbled to be a part of their growth as they take off.”
As we revealed at the time, Luz Films launched in January with former...
- 4/2/2024
- by Jesse Whittock
- Deadline Film + TV
“Los caminantes de la calle,” directed by Argentina’s Juan Martín Hsu, Chilean Ignacio Pávez’s docu-fiction drama “An Amputee” and Uruguayan Lorenzo Tocco’s “For God’s Sake” proved the biggest winners at the Malaga Festival’s Mafiz industry area awards, announced at a ceremony on Friday night.
Covering Malaga’s Work in Progress showcase, its Málaga Festival Fund Co-Production forum (Maff) and the Spanish Screenings Content – Málaga Short Corner, prizes were divvied up among a slew of titles, with ‘Sometimes,’ by Sara Fantova and Enrique Buleo’s ‘Still Life With Ghosts,’ both scoring multiple awards.
From his first feature, 2015’s “La Salada,” a patchwork narrative tale of immigrants’ lives, dreams and suffering in Argentina, to 2021’s “La Luna Reprenta Mi Corazon,” a docu feature record of the rencounter with his mother in Taiwan, Hsu has carved out a niche depicting the immigrant experience in Argentina. In “Los caminantes de la calle,...
Covering Malaga’s Work in Progress showcase, its Málaga Festival Fund Co-Production forum (Maff) and the Spanish Screenings Content – Málaga Short Corner, prizes were divvied up among a slew of titles, with ‘Sometimes,’ by Sara Fantova and Enrique Buleo’s ‘Still Life With Ghosts,’ both scoring multiple awards.
From his first feature, 2015’s “La Salada,” a patchwork narrative tale of immigrants’ lives, dreams and suffering in Argentina, to 2021’s “La Luna Reprenta Mi Corazon,” a docu feature record of the rencounter with his mother in Taiwan, Hsu has carved out a niche depicting the immigrant experience in Argentina. In “Los caminantes de la calle,...
- 3/8/2024
- by John Hopewell
- Variety Film + TV
Exclusive: Sergio Lira, Lynette Coll and Cristobal Güell are launching Luz Films, a newly formed entertainment company founded with the mission of making Latino-focused prestige and elevated-genre content from diverse visionary creatives and producers in the film and TV space.
Lira and Coll will serve as co-CEOs while Guell will serve as CFO.
Through a collaborative community spirit, Luz Films will produce and co-finance projects from the Latino perspective for U.S. and global audiences. The company believes in mentoring and supporting projects from debut filmmakers and connecting them with veteran Latino creatives who can collaborate with these new voices behind the camera and on-screen.
‘While Latinos are one of the fastest-growing communities in the United States, representation for storytellers in the community lags behind other demographics,” the trio shared in an exclusive statement to Deadline. “Luz Films, named with purpose, embodies ‘light.’ Our mission is to illuminate opportunities. We...
Lira and Coll will serve as co-CEOs while Guell will serve as CFO.
Through a collaborative community spirit, Luz Films will produce and co-finance projects from the Latino perspective for U.S. and global audiences. The company believes in mentoring and supporting projects from debut filmmakers and connecting them with veteran Latino creatives who can collaborate with these new voices behind the camera and on-screen.
‘While Latinos are one of the fastest-growing communities in the United States, representation for storytellers in the community lags behind other demographics,” the trio shared in an exclusive statement to Deadline. “Luz Films, named with purpose, embodies ‘light.’ Our mission is to illuminate opportunities. We...
- 1/12/2024
- by Rosy Cordero
- Deadline Film + TV
Uruguayan filmmaker Lucia Garibaldi is currently in production with her sophomore feature which is currently lensing Montevideo. The filmmaker saw her debut feature The Sharks landed a coveted spot in the World Dramatic Comp at Sundance back in 2019, and appears to be still working with youth themed project in Un Futuro Brillante (formerly known as la ultima reina). Recently awarded some coin via The Berlinale World Cinema Fund, production companies include Montelona Cine’s Francisco Magnou Arnabal (who produced The Sharks) and Achtung Panda!’s Jamila Wenske (Compartment Number 6). Garibaldi teams with cinematographer Arauco Hernández Holz of Quinzaine selected The Employer and the Employee and TIFF selected The Moneychanger fame.…...
- 9/21/2023
- by Eric Lavallée
- IONCINEMA.com
Uruguayan filmmaker Lucía Garibaldi (who premiered The Sharks at Sundance in 2019), Abinash Bikram Shah (short film winner in Cannes 2022), Burak Cevik (one third of the filmmaking team with Sofia Bohdanowicz and Blake Williams in A Woman Escapes) and the tandem of Nara Normande and Tião who are heading to Venice with Sem Coração are some of the filmmakers who’ll receive some coin via the Berlinale World Cinema Fund (Wcf). Projects selected come from a bit everywhere on the globe: Bhutan, Brazil, Indonesia, Israel, Madagascar, Nepal, Palestine, Somalia, Sudan, Turkey, Uruguay and Venezuela.
Wcf Production Funding
A Bright Future (Uru-Ger)
Dir Lucía Garibaldi
Prods Montelona, Francisco Magnou Arnabal; Achtung Panda!,…...
Wcf Production Funding
A Bright Future (Uru-Ger)
Dir Lucía Garibaldi
Prods Montelona, Francisco Magnou Arnabal; Achtung Panda!,…...
- 8/8/2023
- by Eric Lavallée
- IONCINEMA.com
Projects from Bhutan to Brazil to receive production and distribution funding.
The Berlinale’s World Cinema Fund (Wcf) has revealed 13 features it will support with a share of $380,000 in production and distribution funding.
Projects include Nothing In Its Place by Turkish filmmaker Burak Çevik, whose features The Pillar Of Salt, Belonging and Forms Of Forgetting each premiered at the Berlinale Forum.
His latest focuses on one of Turkey’s most bloody political massacres, which took place in the country’s capital of Ankara in 1978, and focuses on the night when a group of leftist youths who believed in unarmed revolution...
The Berlinale’s World Cinema Fund (Wcf) has revealed 13 features it will support with a share of $380,000 in production and distribution funding.
Projects include Nothing In Its Place by Turkish filmmaker Burak Çevik, whose features The Pillar Of Salt, Belonging and Forms Of Forgetting each premiered at the Berlinale Forum.
His latest focuses on one of Turkey’s most bloody political massacres, which took place in the country’s capital of Ankara in 1978, and focuses on the night when a group of leftist youths who believed in unarmed revolution...
- 8/7/2023
- by Michael Rosser
- ScreenDaily
Barrabrava is an Argentinian series directed by Jean Michel Cerf, Jesús Braceras, Gabriel Nicoli, Lucía Garibaldi and Felipe Gomez Aparicio, starring Jesús Braceras, Diego Fió and Gustavo Grabía.
After a vicious internal fight, two brothers are expelled of their beloved team’s gang. Alone, without money or political protection, they will start a war that will put their brotherhood to the test.
Release Date
June 23
Where to Watch Barrabrava
Amazon Prime Video
The post ‘Barrabrava’ (2023) New Series on Amazon Prime Video on June 23 appeared first on Martin Cid Magazine.
After a vicious internal fight, two brothers are expelled of their beloved team’s gang. Alone, without money or political protection, they will start a war that will put their brotherhood to the test.
Release Date
June 23
Where to Watch Barrabrava
Amazon Prime Video
The post ‘Barrabrava’ (2023) New Series on Amazon Prime Video on June 23 appeared first on Martin Cid Magazine.
- 6/13/2023
- by TV Shows Martin Cid Magazine
- Martin Cid - TV
Uruguay’s already expanding industry still has plenty of room to grow and looks primed to do so with its new financing pilot program about to be extended until 2025 and a host of companies who cut their teeth in international co-production.
Below, Variety highlights twelve Uruguayan companies with outstanding resumes in both domestic and international production likely to usher in a new era of film and TV prominence.
Cimarrón –
Cimarrón is a pan Latin-American alliance between established producers Hernán Musaluppi, Diego Robino and Santiago López. From their offices in Montevideo, Buenos Aires and São Paulo, the company has backed six films since 2017, including Argentine Academy Award and San Sebastian Horizons-winner “The Snatch Thief” and Miguel Cohan’s Netflix Original feature “Blood Will Tell.” Currently Cimarrón has two films in post-production, Martín Boulocq’s “El visitante” and Rafa Russo’s “El año de la furia.”
Coral Cine –
Coral Cine focuses on...
Below, Variety highlights twelve Uruguayan companies with outstanding resumes in both domestic and international production likely to usher in a new era of film and TV prominence.
Cimarrón –
Cimarrón is a pan Latin-American alliance between established producers Hernán Musaluppi, Diego Robino and Santiago López. From their offices in Montevideo, Buenos Aires and São Paulo, the company has backed six films since 2017, including Argentine Academy Award and San Sebastian Horizons-winner “The Snatch Thief” and Miguel Cohan’s Netflix Original feature “Blood Will Tell.” Currently Cimarrón has two films in post-production, Martín Boulocq’s “El visitante” and Rafa Russo’s “El año de la furia.”
Coral Cine –
Coral Cine focuses on...
- 9/4/2020
- by Jamie Lang
- Variety Film + TV
Cimarrón, an ambitious pan-Latin American production shingle, is readying new high-profile features by Cannes-prized Agustín Toscano and Sundance best director winner Lucía Garibaldi as it gears up to shoot its first drama series in Mexico and Brazil, backed by two global platforms.
Cimarrón, headquartered in Uruguay’s Montevideo and with offices in Brazil and Argentina and service company operations in Mexico, is working on four international productions to be shot over the next few months.
Apart from Toscano and Garibaldi, the company has projects in development – movies or series – with Israel Adrián Caetano, Anahí Berneri, Marina Meliande, Gustavo Taretto and Manuel Abramovich – some of the most courted of South American directors.
Toscano’s “Perro Feroz,” scheduled to shoot in May 2021 and produced by Argentina’s Rizoma and Cimarrón in co-production with France’s Gloria Films, is set in rural Argentina in 1974 and turns on Sergio, an illiterate rural laborer who...
Cimarrón, headquartered in Uruguay’s Montevideo and with offices in Brazil and Argentina and service company operations in Mexico, is working on four international productions to be shot over the next few months.
Apart from Toscano and Garibaldi, the company has projects in development – movies or series – with Israel Adrián Caetano, Anahí Berneri, Marina Meliande, Gustavo Taretto and Manuel Abramovich – some of the most courted of South American directors.
Toscano’s “Perro Feroz,” scheduled to shoot in May 2021 and produced by Argentina’s Rizoma and Cimarrón in co-production with France’s Gloria Films, is set in rural Argentina in 1974 and turns on Sergio, an illiterate rural laborer who...
- 6/23/2020
- by John Hopewell
- Variety Film + TV
Pablo Stoll’s “Summer Hit,” Matías Lucchessi’s “Las rojas,” Joaquín Peñagaricano and Pablo Abdala’s “Mateína” are some of the Uruguayan projects at different stages participating in a spotlight at Cannes’ Producers Network on the Marché du Film’s digital platform on Tuesday 23.
Five Uruguayan companies, Tarkiofilm, Cimarrón, Montelona, Nadador and Salado, have been selected by the country’s national film body Icau to pitch their production slates at the new format French market.
Recently appointed general director at Icau, Uruguay’s film-tv agency, Roberto Blatt told Variety that Uruguay shows a “maturity in its cinema, backed by a great diversity of formats, genres and styles, and the high creative and technical levels of our professionals.” He went on to say, “That was made evident by the success of titles made free through Vera TV [Uruguayan broadcaster Antel’s digital platform] during the pandemic.”
Blatt pointed out that the Uruguayan public...
Five Uruguayan companies, Tarkiofilm, Cimarrón, Montelona, Nadador and Salado, have been selected by the country’s national film body Icau to pitch their production slates at the new format French market.
Recently appointed general director at Icau, Uruguay’s film-tv agency, Roberto Blatt told Variety that Uruguay shows a “maturity in its cinema, backed by a great diversity of formats, genres and styles, and the high creative and technical levels of our professionals.” He went on to say, “That was made evident by the success of titles made free through Vera TV [Uruguayan broadcaster Antel’s digital platform] during the pandemic.”
Blatt pointed out that the Uruguayan public...
- 6/22/2020
- by Emilio Mayorga
- Variety Film + TV
This time last year, audiences were buying tickets to see “Avengers: Endgame.” Now, pretty much the biggest new release — bypassing theaters and going straight to streaming, amid the turmoil caused by the coronavirus — is a movie called “Butt Boy.”
But don’t worry. Governmental leaders are starting to share plans about a reopening of movie theaters, and there are still lots of quality new releases making themselves available by streaming. So, while no new studio movies bowed this week, you can find treasures from festivals such as Sundance and Cannes, plus fresh fare for Amazon Prime and Netflix subscribers.
Here are all the new releases, with excerpts from reviews and links to where you can watch them.
Independent films, directly on demand:
A White, White Day (Hlynur Palmason) Critic’S Pick
Distributor: Film Movement
Where to Find It: Choose a virtual cinema to support
A muscular study of toxic masculinity...
But don’t worry. Governmental leaders are starting to share plans about a reopening of movie theaters, and there are still lots of quality new releases making themselves available by streaming. So, while no new studio movies bowed this week, you can find treasures from festivals such as Sundance and Cannes, plus fresh fare for Amazon Prime and Netflix subscribers.
Here are all the new releases, with excerpts from reviews and links to where you can watch them.
Independent films, directly on demand:
A White, White Day (Hlynur Palmason) Critic’S Pick
Distributor: Film Movement
Where to Find It: Choose a virtual cinema to support
A muscular study of toxic masculinity...
- 4/17/2020
- by Peter Debruge
- Variety Film + TV
The apex of the ocean’s pyramid of predators, the mystic and misunderstood animal is most renowned for its powerful bite. Sundance preemed The Sharks (Los tiburones) introduces us to a new voice in Uruguay cinema where the female gaze takes inventory of ownership (and sabotage) of a burgeoning sexuality via precarious Rosina (Romina Bentancur), who much like the locals’ rooted fear, has predatory instincts of her own. amzn_assoc_tracking_id = "ioncinema03-20"; amzn_assoc_ad_mode = "manual"; amzn_assoc_ad_type = "smart"; amzn_assoc_marketplace = "amazon"; amzn_assoc_region = "Us"; amzn_assoc_design = "enhanced_links"; amzn_assoc_asins = "B07C53MXCR"; amzn_assoc_placement = "adunit"; amzn_assoc_linkid = "1f1d870a431fd69d9156297a563486ed";
Set in a beach resort type of town, Lucía Garibaldi prescribes a down to earth poeticism and strong hint for mischievousness in this coming-of-age film that reminds of the cinema we find in Hansen-Løve,...
Set in a beach resort type of town, Lucía Garibaldi prescribes a down to earth poeticism and strong hint for mischievousness in this coming-of-age film that reminds of the cinema we find in Hansen-Løve,...
- 4/14/2020
- by Eric Lavallée
- IONCINEMA.com
The world cinema festival circuit will never want for moody coming-of-age stories covering slow summers and restless desires: It takes either a harder touch or an extraordinarily delicate one to stand out amid the sultry languor of the genre. Uruguayan writer-director Lucia Garibaldi’s debut feature “The Sharks” somehow aims for both in its portrayal of a 14-year-old girl’s disturbing sexual awakening in a sleepy seaside town. At every turn, the film suggests luridly violent dangers in tranquil waters — both figuratively and, per its title, literally — whilst sketching Rosina, its introverted heroine, in light, fragile strokes. The result is intermittently striking before settling into an overly familiar drift: The film’s icy-humid atmospherics trouble the memory for longer than its remote protagonist and stagnant storytelling, just enough to pique interest in Garibaldi’s future work.
A classy acquisition for indie distributor Breaking Glass Pictures, “The Sharks” bows Stateside on VOD this week,...
A classy acquisition for indie distributor Breaking Glass Pictures, “The Sharks” bows Stateside on VOD this week,...
- 4/14/2020
- by Guy Lodge
- Variety Film + TV
When we published an April movie preview last week we thought we covered all of the notable new releases arriving over the next four weeks, but a new one has just been announced that should very much be on your radar.
Lucía Garibaldi’s The Sharks gives a fresh perspective on the coming-of-age tale, earning a Directing Award in World Cinema – Dramatic at Sundance Film Festival last year. The Uruguayan drama will now arrive digitally next week courtesy of Breaking Glass Pictures and a new trailer and poster have arrived.
Dan Mecca said in our Sundance review, “For Garibaldi, an Uruguayan filmmaker, this is a remarkably assured feature debut, complete with a synth score and long one-take scenes practically daring its viewers to reject it all. With much confidence, a strong lead performance, memorable setting, and a crisp aesthetic, this hopefully marks the beginning of much more from the young director.
Lucía Garibaldi’s The Sharks gives a fresh perspective on the coming-of-age tale, earning a Directing Award in World Cinema – Dramatic at Sundance Film Festival last year. The Uruguayan drama will now arrive digitally next week courtesy of Breaking Glass Pictures and a new trailer and poster have arrived.
Dan Mecca said in our Sundance review, “For Garibaldi, an Uruguayan filmmaker, this is a remarkably assured feature debut, complete with a synth score and long one-take scenes practically daring its viewers to reject it all. With much confidence, a strong lead performance, memorable setting, and a crisp aesthetic, this hopefully marks the beginning of much more from the young director.
- 4/7/2020
- by Jordan Raup
- The Film Stage
New York-based sales company Visit Films has acquired worldwide rights for Mexican feature “Summer White,” world premiering in Sundance’s World Cinema Dramatic Competition on Sunday Jan. 26. Visit will also be screening the film at Berlinale’s European Film, Market.
Now a key North American sales company for Latin American films, Visit’s catalog includes other major Sundance titles such as Lucía Garibaldi’s World Cinema Directing Award-winner “The Sharks,” World Cinema Jury Prize-winners “The Queen of Fear” from Valeria Bertuccelli and Fabiana Tiscornia and “Time Share” from Sebastián Hofmann, and Cristián Jiménez and Alicia Scherson’s “Family Life.”
From debut director Rodrigo Ruiz Patterson, “Summer White” features newcomer Adrián Rossi as 13-year-old Rodrigo, a lonesome teenager living on the outskirts of Mexico City who has an unhealthily close relationship with his mother Valeria, played by Mexican Academy Ariel Award-nominated actress Sophie Alexander-Katz (“The Darkest Days of Us”).
When Valeria...
Now a key North American sales company for Latin American films, Visit’s catalog includes other major Sundance titles such as Lucía Garibaldi’s World Cinema Directing Award-winner “The Sharks,” World Cinema Jury Prize-winners “The Queen of Fear” from Valeria Bertuccelli and Fabiana Tiscornia and “Time Share” from Sebastián Hofmann, and Cristián Jiménez and Alicia Scherson’s “Family Life.”
From debut director Rodrigo Ruiz Patterson, “Summer White” features newcomer Adrián Rossi as 13-year-old Rodrigo, a lonesome teenager living on the outskirts of Mexico City who has an unhealthily close relationship with his mother Valeria, played by Mexican Academy Ariel Award-nominated actress Sophie Alexander-Katz (“The Darkest Days of Us”).
When Valeria...
- 1/21/2020
- by Jamie Lang
- Variety Film + TV
Feature debut projects hail from Brazil, Colombia, Mexico, Panama and Uruguay.
Six debut films from Latin America have been selected for the prestigious Films in Progress 36 strand at this year’s San Sebastián Film Festival (Sept 20-28).
The bi-annual initiative, run jointly by San Sebastián and Cinélatino-Rencontres de Toulouse, is designed to help films in post-production and international distribution. This round of projects, selected from a total of 185 productions, hail from Brazil, Colombia, Mexico, Panama and Uruguay.
Among the titles are Mauricio Osaki’s Brazilian/Polish co-pro The Paths Of My Father, expanded from the director’s short My Father’s Truck,...
Six debut films from Latin America have been selected for the prestigious Films in Progress 36 strand at this year’s San Sebastián Film Festival (Sept 20-28).
The bi-annual initiative, run jointly by San Sebastián and Cinélatino-Rencontres de Toulouse, is designed to help films in post-production and international distribution. This round of projects, selected from a total of 185 productions, hail from Brazil, Colombia, Mexico, Panama and Uruguay.
Among the titles are Mauricio Osaki’s Brazilian/Polish co-pro The Paths Of My Father, expanded from the director’s short My Father’s Truck,...
- 8/14/2019
- by Orlando Parfitt
- ScreenDaily
Set to open Aug. 18 with two of Latin America’s biggest stars, Gael Garcia Bernal and Wagner Moura (“Narcos”), the 15th edition of Chile’s Santiago Int’l Film Festival (Sanfic) promises a focus on women directors and producers as it hosts a Women’s Encounter and Chile’s audiovisual guilds ink a pact to safeguard against sexual harassment in the work place.
The fest will kick off with Moura’s controversial directorial debut, “Marighella,” after bestowing career recognition awards on Garcia Bernal and Argentine thesp Graciela Borges.
On day two, Moura will participate in an Actor’s Studio interview open to the public, said Sanfic artistic director Carlos Nuñez and industry head Gabriela Sandoval, partners at Storyboard Media who jointly run the festival.
Three competitive sections – international, Chilean and shorts – will include cash prizes. The international, jury – Borges, Uruguayan producer Sandino Saravia (“Roma”) and Chilean director/editor Valeria Sarmiento,...
The fest will kick off with Moura’s controversial directorial debut, “Marighella,” after bestowing career recognition awards on Garcia Bernal and Argentine thesp Graciela Borges.
On day two, Moura will participate in an Actor’s Studio interview open to the public, said Sanfic artistic director Carlos Nuñez and industry head Gabriela Sandoval, partners at Storyboard Media who jointly run the festival.
Three competitive sections – international, Chilean and shorts – will include cash prizes. The international, jury – Borges, Uruguayan producer Sandino Saravia (“Roma”) and Chilean director/editor Valeria Sarmiento,...
- 8/9/2019
- by Anna Marie de la Fuente
- Variety Film + TV
Venice premieres La Llorona and El Príncipe are among the 15 titles.
The line-up for the Horizontes Latinos section at this year’s San Sebastián International Film Festival (September 20-28) includes films that have won awards at Cannes and Sundance.
The strand will showcase 15 Latin American productions of which seven are first or second works. All the titles (except Jayro Bustamante’s La Llorona) are competing for the Horizontes Award, which comes with a €35,000.
Among this year’s line-up is César Díaz’s Critics Week title Our Mothers, which won the Camera d’Or for best first film at Cannes. There...
The line-up for the Horizontes Latinos section at this year’s San Sebastián International Film Festival (September 20-28) includes films that have won awards at Cannes and Sundance.
The strand will showcase 15 Latin American productions of which seven are first or second works. All the titles (except Jayro Bustamante’s La Llorona) are competing for the Horizontes Award, which comes with a €35,000.
Among this year’s line-up is César Díaz’s Critics Week title Our Mothers, which won the Camera d’Or for best first film at Cannes. There...
- 8/6/2019
- ScreenDaily
Madrid — Frederico Veiroj’s “The Moneychanger,” Andrés Wood’s “Spider” and Gael García Bernal’s “Chicuarotes” will play in San Sebastian’s Horizontes Latinos, the Spanish Festival’s most important sidebar, along with its New Directors strand, and a virtual best of the fests titles of Latin American movies with standout at Sundance in particular, plus Berlin, Cannes, Venice and no doubt the upcoming Toronto.
“Spider” will have its European Premiere at San Sebastian.
Bookended by Patricio Guzman’s “The Cordillera of Dreams” and “La Llorona,” the latest from Jayro Bustamante, whose “Tremors” also makes the Horizontes Latinos cut, the section also captures key trends forging Latin America’s new landscape of Latin American movies.
Mined and prized by major festivals, Latin America has yet to go off the boil. The big prizes are going ever more, however, to lesser-known talents. Alejandro Landes’ “Monos” won a Sundance World Cinema Dramatic Special Jury Award,...
“Spider” will have its European Premiere at San Sebastian.
Bookended by Patricio Guzman’s “The Cordillera of Dreams” and “La Llorona,” the latest from Jayro Bustamante, whose “Tremors” also makes the Horizontes Latinos cut, the section also captures key trends forging Latin America’s new landscape of Latin American movies.
Mined and prized by major festivals, Latin America has yet to go off the boil. The big prizes are going ever more, however, to lesser-known talents. Alejandro Landes’ “Monos” won a Sundance World Cinema Dramatic Special Jury Award,...
- 8/6/2019
- by John Hopewell
- Variety Film + TV
Tribeca, SXSW award-winners 'Initials S.G.', 'Alice', 'Tito' on Visit Films Cannes slate (exclusive)
Ryan Kampe to show teaser footage fromupcoming adventure doc The Sanctity Of Space, punk rock doc White Riot.
Ryan Kampe’s Visit Films heads to the Croisette with a bumper sales slate led by Tribeca Film Festival Nora Ephron Award winner Initials S.G.
The roster includes Tribeca selection Crshd, SXSW winners Alice, Saint Frances and Tito, SXSW selection The Wall Of Mexico, and Sundance selection Adam.
Visit will screen Lucía Garibaldi’s Sundance World Cinema Dramatic Competition best award-winner The Sharks, about a girl’s sexual awakening in a small beach town. Kampe will also present teaser footage from...
Ryan Kampe’s Visit Films heads to the Croisette with a bumper sales slate led by Tribeca Film Festival Nora Ephron Award winner Initials S.G.
The roster includes Tribeca selection Crshd, SXSW winners Alice, Saint Frances and Tito, SXSW selection The Wall Of Mexico, and Sundance selection Adam.
Visit will screen Lucía Garibaldi’s Sundance World Cinema Dramatic Competition best award-winner The Sharks, about a girl’s sexual awakening in a small beach town. Kampe will also present teaser footage from...
- 5/13/2019
- by Jeremy Kay
- ScreenDaily
The Guadalajara Int’l Film Festival (Ficg), Mexico’s largest film festival, is further expanding its lineup with the addition of a new competitive animation section in its 34th edition, running March 8 -15. Oscar-winning Guadalajara native Guillermo del Toro has put his heft behind the new section and will also announce the first winner of his Del Toro-Jenkins film scholarship at the fest. Ficg aptly opens Friday with an animated feature, Carlos Gutierrez’s “Day of the Dead” (“Día de Muertos”).
Actor Peter Fonda (“Easy Rider”) and British helmer Hugh Hudson (“Chariots of Fire”) are receiving Mayahuel International lifetime achievement awards at this edition. Festival will also screen “Easy Rider,” which Fonda co-wrote, co-produced and starred in, to mark its 50th year anniversary.
The festival kicks off with a new female general director at the helm, Estrella Araiza, who has been the festival’s head of industry & markets and has...
Actor Peter Fonda (“Easy Rider”) and British helmer Hugh Hudson (“Chariots of Fire”) are receiving Mayahuel International lifetime achievement awards at this edition. Festival will also screen “Easy Rider,” which Fonda co-wrote, co-produced and starred in, to mark its 50th year anniversary.
The festival kicks off with a new female general director at the helm, Estrella Araiza, who has been the festival’s head of industry & markets and has...
- 3/6/2019
- by Anna Marie de la Fuente
- Variety Film + TV
We caught wind of Lucía Garibaldi when she wowed San Sebastián industry people winning top prize coin in the Films in Progress 32 Industry Award. The Sharks is one of those debut films informed by some of the master female filmmakers of native Latin American cinema by Euro-centric visionaries as one. The world premiere was unveiled at the Egyptian Theatre with jury members Jane Campion, Ciro Guerra and producer Charles Gillibert (Mia Hansen-Løve’s masterwork Things to Come) in the crowd — they would end up awarding the filmmaker with the Best Director prize of the section.
…...
…...
- 2/20/2019
- by Eric Lavallée
- IONCINEMA.com
Visit Films also launching sales on Slamdance selection Lost Holiday.
Visit Films has added a handful of new titles in time for Efm and arrives in Berlin to launch sales on Sundance winner The Sharks and Rotterdam and Slamdance selection Lost Holiday.
Ryan Kampe and his team will screen neo-noir State Like Sleep starring Katherine Waterston and Michael Shannon, Toronto selections Jirga and Helmet Heads, La Film Festival selections This Teacher and Spell, and Merce Cunningham documentary If the Dancer Dances.
The Sharks earned Lucía Garibaldi the best director prize in World Cinema Dramatic Competition at Sundance and stars newcomer...
Visit Films has added a handful of new titles in time for Efm and arrives in Berlin to launch sales on Sundance winner The Sharks and Rotterdam and Slamdance selection Lost Holiday.
Ryan Kampe and his team will screen neo-noir State Like Sleep starring Katherine Waterston and Michael Shannon, Toronto selections Jirga and Helmet Heads, La Film Festival selections This Teacher and Spell, and Merce Cunningham documentary If the Dancer Dances.
The Sharks earned Lucía Garibaldi the best director prize in World Cinema Dramatic Competition at Sundance and stars newcomer...
- 2/7/2019
- by Jeremy Kay
- ScreenDaily
There are many highlights that can come out of a well-curated international film festival, especially one as high profile as Sundance. At the top of that list is foreign films that also herald fresh voices. The Sharks, written and directed by Lucía Garibaldi, boasts a bit of both. The film follows Rosina (Romina Bentancur), a young woman who lives in a seaside town with her family. She’s growing up fast, showing signs of budding sexually and violence. While she is intrigued by Joselo (Federico Morosini), an older boy who works for her father (Fabian Arenillas), her older sister recovers from a rather heinous injury we’re told was at the hands of Rosina.
At the neighborhood beach there’s a rumor of sharks and our lead is fascinated by the possibility. She does everything in her power to get noticed, especially by Joselo. In many ways, Garibaldi’s picture...
At the neighborhood beach there’s a rumor of sharks and our lead is fascinated by the possibility. She does everything in her power to get noticed, especially by Joselo. In many ways, Garibaldi’s picture...
- 2/6/2019
- by Dan Mecca
- The Film Stage
Knock Down The House earns Us Documentary audience award.
Joanna Hogg’s dark relationship drama The Souvenir won the Sundance 2019 World Cinema Dramatic prize on Saturday night (2) as Chinonye Chukwu’s death row executioner tale Clemency took the Us Dramatic grand jury prize.
One Child Nation by Nanfu Wang and Jialing Zhang earned the corresponding documentary award, and Tamara Kotevska and Ljubomir Stefanov’s Macedonian beekeeping film Honeyland won the World Cinema Documentary award.
In the audience awards, Knock Down The House featuring political firebrand Alexandria Ocasio-Cortez claimed the Us Documentary prize, while Brittany Runs A Marathon took the corresponding Us Dramatic award,...
Joanna Hogg’s dark relationship drama The Souvenir won the Sundance 2019 World Cinema Dramatic prize on Saturday night (2) as Chinonye Chukwu’s death row executioner tale Clemency took the Us Dramatic grand jury prize.
One Child Nation by Nanfu Wang and Jialing Zhang earned the corresponding documentary award, and Tamara Kotevska and Ljubomir Stefanov’s Macedonian beekeeping film Honeyland won the World Cinema Documentary award.
In the audience awards, Knock Down The House featuring political firebrand Alexandria Ocasio-Cortez claimed the Us Documentary prize, while Brittany Runs A Marathon took the corresponding Us Dramatic award,...
- 2/3/2019
- by Jeremy Kay
- ScreenDaily
The Sundance Film Festival concluded with five female directors — and one man — sharing the grand jury prizes in the four main competition categories.
In U.S. dramatic competition, African-American writer-director Chinonye Chukwu won for “Clemency,” in which Alfre Woodard plays a prison warden who connects with a death-row inmate. Meanwhile, in the world dramatic category, Joanna Hogg’s “The Souvenir” specifically looks at the challenges and setbacks facing a young female filmmaker, who puts her directing ambitions on hold in order to deal with the drug-addicted man who monopolizes her attention.
Top U.S. documentary honors went to Nanfu Wang and Jialing Zhang’s “One Child Nation,” a personal exploration of the suffering and aftermath of China’s infamous population-control policy through co-director Wang’s family. In the world documentary competition, “Honeyland” — an artful portrait of a Macedonian beekeeper struggling to protect her livelihood — was a clear favorite with the jury,...
In U.S. dramatic competition, African-American writer-director Chinonye Chukwu won for “Clemency,” in which Alfre Woodard plays a prison warden who connects with a death-row inmate. Meanwhile, in the world dramatic category, Joanna Hogg’s “The Souvenir” specifically looks at the challenges and setbacks facing a young female filmmaker, who puts her directing ambitions on hold in order to deal with the drug-addicted man who monopolizes her attention.
Top U.S. documentary honors went to Nanfu Wang and Jialing Zhang’s “One Child Nation,” a personal exploration of the suffering and aftermath of China’s infamous population-control policy through co-director Wang’s family. In the world documentary competition, “Honeyland” — an artful portrait of a Macedonian beekeeper struggling to protect her livelihood — was a clear favorite with the jury,...
- 2/3/2019
- by Peter Debruge
- Variety Film + TV
The Sharks (Los Tiburones)
Director Lucía Garibaldi makes her debut with The Sharks (Los Tiburones), an Uruguyan-Argentinean co-production produced by Pancho Magnou Arnabal and Melanie Schapiro. Arriving in 2019 with a lot of fanfare, the winner of the Film-in-Progress Industry Award out of the San Sebastian Film Festival in 2018, the feature stars Antonella Aquistapache, Fabian Arenillas, Romina Bentancur, Valerie Lois and Federico Morosini. German Nocella lensed the feature.
Gist: Garibaldi’s script follows a teenager working at a seaside resort, and seems to be the only person in town oblivious to the fact sharks have been gathering on the coastline.…...
Director Lucía Garibaldi makes her debut with The Sharks (Los Tiburones), an Uruguyan-Argentinean co-production produced by Pancho Magnou Arnabal and Melanie Schapiro. Arriving in 2019 with a lot of fanfare, the winner of the Film-in-Progress Industry Award out of the San Sebastian Film Festival in 2018, the feature stars Antonella Aquistapache, Fabian Arenillas, Romina Bentancur, Valerie Lois and Federico Morosini. German Nocella lensed the feature.
Gist: Garibaldi’s script follows a teenager working at a seaside resort, and seems to be the only person in town oblivious to the fact sharks have been gathering on the coastline.…...
- 1/2/2019
- by Nicholas Bell
- IONCINEMA.com
World Cinema selection marks feature directorial debut by Lucía Garibaldi.
Ryan Kampe’s Visit Films has snapped up worldwide rights excluding Uruguay, Argentina and Spain in Ventana Sur to The Sharks ahead of its world premiere in Sundance next month.
Film School of Uruguay graduate Lucía Garibaldi makes her feature directorial debut on the World Cinema selection about Rosina, a teenage inhabitant of a sleepy coastal town who thinks she may have spotted a shark while swimming in the sea.
As rumours fly and the townsfolk get spooked, Rosina remains calm, focusing her attention on a co-worker who has caught her eye.
Ryan Kampe’s Visit Films has snapped up worldwide rights excluding Uruguay, Argentina and Spain in Ventana Sur to The Sharks ahead of its world premiere in Sundance next month.
Film School of Uruguay graduate Lucía Garibaldi makes her feature directorial debut on the World Cinema selection about Rosina, a teenage inhabitant of a sleepy coastal town who thinks she may have spotted a shark while swimming in the sea.
As rumours fly and the townsfolk get spooked, Rosina remains calm, focusing her attention on a co-worker who has caught her eye.
- 12/21/2018
- by Jeremy Kay
- ScreenDaily
The Uruguay-Argentina project is being directed by Lucia Garibaldi
Lucía Garibaldi’s Uruguay-Argentina co-production Los Tiburones (The Sharks) won the Films in Progress 32 Industry Award in San Sebastián, presented on September 26.
The works in progress initiative is run jointly by the San Sebastián Film Festival and Cinélatino-Rencontres de Toulouse, designed to help films in post-production and international distribution.
Les Tiburones also received the Film Factory award in which the Spainsh sales outfit Film Factory pre-bought worldwide distribution rights and presented the lead producer with €40,000.
Ignas Jonynas’ Nematoma (Invisible), a Lithuania-Latvia-Ukraine co-production, won the Glocal in Progress award for projects being...
Lucía Garibaldi’s Uruguay-Argentina co-production Los Tiburones (The Sharks) won the Films in Progress 32 Industry Award in San Sebastián, presented on September 26.
The works in progress initiative is run jointly by the San Sebastián Film Festival and Cinélatino-Rencontres de Toulouse, designed to help films in post-production and international distribution.
Les Tiburones also received the Film Factory award in which the Spainsh sales outfit Film Factory pre-bought worldwide distribution rights and presented the lead producer with €40,000.
Ignas Jonynas’ Nematoma (Invisible), a Lithuania-Latvia-Ukraine co-production, won the Glocal in Progress award for projects being...
- 9/27/2018
- by Elisabet Cabeza
- ScreenDaily
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