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With readers turning to their home viewing options more than ever, this daily feature provides one new movie each day worth checking out on a major streaming platform.
From the moment a blue Volkswagen Beetle is consumed by a fireball on the edge of a sprawling beach, director Blitz Bazawule’s 2018 “The Burial of Kojo” announces a striking vision of beauty in disarray. The New York-based Ghanian musician-turned-filmmaker’s debut follows a young girl growing up in the shadow of her troubled family, trying to make sense of her father’s dark past through haunting visions and enigmatic bursts of sorrow. Even when the story turns on blunt metaphors, it maintains an absorbing lyrical foundation. It’s one of the great modern fairy tales of recent years, less hindered by its rough edges than enhanced by them.
The saga of Esi is a familiar sort of supernatural coming-of-age story, in...
From the moment a blue Volkswagen Beetle is consumed by a fireball on the edge of a sprawling beach, director Blitz Bazawule’s 2018 “The Burial of Kojo” announces a striking vision of beauty in disarray. The New York-based Ghanian musician-turned-filmmaker’s debut follows a young girl growing up in the shadow of her troubled family, trying to make sense of her father’s dark past through haunting visions and enigmatic bursts of sorrow. Even when the story turns on blunt metaphors, it maintains an absorbing lyrical foundation. It’s one of the great modern fairy tales of recent years, less hindered by its rough edges than enhanced by them.
The saga of Esi is a familiar sort of supernatural coming-of-age story, in...
- 7/21/2020
- by Eric Kohn
- Indiewire
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Folk tales have always existed to give shape and meaning to the formless randomness of ordinary life, and to account for why certain occurrences — the death of a parent, the rejection of a lover, the rivalry between brothers — can have an impact on our psyches disproportionate to their un-mythic scale. This is a function of storytelling brought to gloriously vivid, lyrical life in Ghana-born, Brooklyn-based Blitz Bazawule’s intimate yet resplendent debut “The Burial of Kojo,” in which until it’s impossible to tell which is which.
Bursting onto the screen in striking image after striking image, the film is a collection of fragments about Kojo (Joseph Otsiman) the sad-eyed, shiftless but charming father of little Esi. We meet him in his recurring dream-that-might-not-be-a-dream, narrated in melodic, accented English by Esi as an adult (Ama K. Ababrese). Kojo stares out at the breaking waves of the seashore where an incongruous...
Bursting onto the screen in striking image after striking image, the film is a collection of fragments about Kojo (Joseph Otsiman) the sad-eyed, shiftless but charming father of little Esi. We meet him in his recurring dream-that-might-not-be-a-dream, narrated in melodic, accented English by Esi as an adult (Ama K. Ababrese). Kojo stares out at the breaking waves of the seashore where an incongruous...
- 5/30/2019
- by Jessica Kiang
- Variety Film + TV
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