Exclusive: Israeli sales house Go2Films has changed its international management team, as 13-year company veteran Hadar Taylor Schechter exits ahead of the Toronto and San Sebastián film festivals.
Nur Hadas has been upped from Sales Executive to Head of International Sales, with her promotion coming as Schechter, who was Head of International, leaves after joining back in 2010.
Tal Marom, formerly Head of the English News Desk at Haaretz newspaper and founder of the ‘Resistance Cinema’ series in Tel Aviv, has been named Community Outreach Executive, while Daniel Gat will take charge of the company’s work in International Film Festivals. Gat has been with Go2Films since 2022 and was previously Manager of the International Competition in the Tel Aviv International Students Film Festival.
“I would like to express my deep appreciation and gratitude to Hadar Taylor Shechter for her exceptional dedication and remarkable achievements during her 13 years with us,” said Hedva Goldschmidt,...
Nur Hadas has been upped from Sales Executive to Head of International Sales, with her promotion coming as Schechter, who was Head of International, leaves after joining back in 2010.
Tal Marom, formerly Head of the English News Desk at Haaretz newspaper and founder of the ‘Resistance Cinema’ series in Tel Aviv, has been named Community Outreach Executive, while Daniel Gat will take charge of the company’s work in International Film Festivals. Gat has been with Go2Films since 2022 and was previously Manager of the International Competition in the Tel Aviv International Students Film Festival.
“I would like to express my deep appreciation and gratitude to Hadar Taylor Shechter for her exceptional dedication and remarkable achievements during her 13 years with us,” said Hedva Goldschmidt,...
- 8/18/2023
- by Jesse Whittock and Max Goldbart
- Deadline Film + TV
Amazon is moving forward with its series adaptation of E. Lockhart’s novel We Were Liars.
The streamer has handed the project, which comes from Julie Plec, Carina Adly MacKenzie and Universal Television and Amazon Studios, a series order.
It comes after the project emerged at the streamer in development in December.
Plec and her My So-Called Company banner and Universal Television, where The Vampire Diaries co-creator is based, optioned the 2014 book as part of a trio of deals with Lockhart in the summer.
Plec and Roswell, New Mexico co-creator Carina Adly MacKenzie are adapting the book. Plec is writing the first episode, and MacKenzie is writing the second.
We Were Liars is a “tragic” love story and an amnesia thriller set on a privately owned island off the coast of Massachusetts.
Focusing on the the theme of consequences of one’s mistakes, the series follows the wealthy, seemingly perfect Sinclair family,...
The streamer has handed the project, which comes from Julie Plec, Carina Adly MacKenzie and Universal Television and Amazon Studios, a series order.
It comes after the project emerged at the streamer in development in December.
Plec and her My So-Called Company banner and Universal Television, where The Vampire Diaries co-creator is based, optioned the 2014 book as part of a trio of deals with Lockhart in the summer.
Plec and Roswell, New Mexico co-creator Carina Adly MacKenzie are adapting the book. Plec is writing the first episode, and MacKenzie is writing the second.
We Were Liars is a “tragic” love story and an amnesia thriller set on a privately owned island off the coast of Massachusetts.
Focusing on the the theme of consequences of one’s mistakes, the series follows the wealthy, seemingly perfect Sinclair family,...
- 3/21/2023
- by Peter White
- Deadline Film + TV
Fans of “Yellowstone” have come to expect viscerally charged action tied to the Dutton family’s intense emotional and political entanglements. But even by those standards, the opening sequence of Season 4 is a game changer: The episode begins with three main characters targeted for assassination in a 13-minute shootout and chase that incorporates almost all of the series’ principals in an impeccably orchestrated, steadily escalating explosion of violence. In its relentlessness, immediacy, and clear and concise expression of character through action, it’s the closest television has ever come to the bank robbery at the center of Michael Mann’s “Heat.”
Contributing to the opening’s impact is its sound design, characterized — like every other component of the sequence — by a brutal authenticity punctuated by moments of lyrical impressionism. In its complexity, ambition, and overall effect, the set piece is a culmination for re-recording mixers Samuel Ejnes and Diego Gat,...
Contributing to the opening’s impact is its sound design, characterized — like every other component of the sequence — by a brutal authenticity punctuated by moments of lyrical impressionism. In its complexity, ambition, and overall effect, the set piece is a culmination for re-recording mixers Samuel Ejnes and Diego Gat,...
- 6/8/2022
- by Jim Hemphill
- Indiewire
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