Stars and industry execs attend Jeddah for second edition of the festival.
International filmmakers including Guy Ritchie, Luca Guadagnino, Spike Lee, Andrew Dominik, Fatih Akin, Adil El Arbi & Bilal Fallah, Gaspar Noe and Kaouther Ben Hania and actors Andy Garcia, Akshay Kumar, Jackie Chan, Nelly Karim, Ranbin Kapoor and Hrithik Roshak are among the talent heading to this month’s Red Sea International FIlm Festival (Rsiff) in Jeddah, Saudi Arabia, to participate in talks and in-conversation events.
Gurinder Chadha is delivering a Master Class session.
Mohammed Al Turki, CEO of Red Sea, said: “Our schedule of In-Conversations taking place at...
International filmmakers including Guy Ritchie, Luca Guadagnino, Spike Lee, Andrew Dominik, Fatih Akin, Adil El Arbi & Bilal Fallah, Gaspar Noe and Kaouther Ben Hania and actors Andy Garcia, Akshay Kumar, Jackie Chan, Nelly Karim, Ranbin Kapoor and Hrithik Roshak are among the talent heading to this month’s Red Sea International FIlm Festival (Rsiff) in Jeddah, Saudi Arabia, to participate in talks and in-conversation events.
Gurinder Chadha is delivering a Master Class session.
Mohammed Al Turki, CEO of Red Sea, said: “Our schedule of In-Conversations taking place at...
- 12/1/2022
- by Tim Dams
- ScreenDaily
Nothing in director Nadine Labaki’s first two pleasant but tonally inconsistent features, “Caramel” and “Where Do We Go Now?,” approaches the power and skill of “Capernaum,” which represents a major leap forward in all departments. Proving herself an astonishingly accomplished director of non-professional performers as well as a measured storyteller, Labaki draws attention to the plight of children in Beirut’s slums and the Kafka-esque bind of people without ID cards. While this is unquestionably an issue film, it tackles its subject with intelligence and heart.
Prizes are almost a certainty, and not just because juries might be more prone to awarding women directors in this particular moment in history — no wonder Sony Pictures Classics snapped it up in the Cannes market for Stateside distribution, since this is one Lebanese film sure to do significant business at art-house cinemas nationwide.
There’s one liability however, and that’s the title.
Prizes are almost a certainty, and not just because juries might be more prone to awarding women directors in this particular moment in history — no wonder Sony Pictures Classics snapped it up in the Cannes market for Stateside distribution, since this is one Lebanese film sure to do significant business at art-house cinemas nationwide.
There’s one liability however, and that’s the title.
- 5/18/2018
- by Jay Weissberg
- Variety Film + TV
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