Our detailed look back over the non-Bond scores of John Barry continues with a look at his work between the years 1968 to 1979…
In the third part of our John Barry retrospective, we enter the late 60s and a surge of activity that would typify the composer’s output for nearly two decades. Despite the exacting nature of his commissions, he continued to build on his reputation with a succession of quality scores that stockpiled brilliant and unexpected surprises on top of unprecedented new ground. But all the while, he continued to strive for authenticity of arrangement and sincerity of expression. This phase demonstrates his broadening outlook but also reflects, in a profound way, the diversity of his musical influences.
His early output took inspiration from both the rhythm and blues of The Barry Seven and the popular rhythms of the time, such as Gene Vincent and American guitarist Duane Eddy,...
In the third part of our John Barry retrospective, we enter the late 60s and a surge of activity that would typify the composer’s output for nearly two decades. Despite the exacting nature of his commissions, he continued to build on his reputation with a succession of quality scores that stockpiled brilliant and unexpected surprises on top of unprecedented new ground. But all the while, he continued to strive for authenticity of arrangement and sincerity of expression. This phase demonstrates his broadening outlook but also reflects, in a profound way, the diversity of his musical influences.
His early output took inspiration from both the rhythm and blues of The Barry Seven and the popular rhythms of the time, such as Gene Vincent and American guitarist Duane Eddy,...
- 8/8/2011
- Den of Geek
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