StudioCanal embarks on the second round of its self-styled StudioCanal Collection which, it says here, brings together “the very best of cinema”. Of course, since this is the second round, one might be forgiven for being a tad cynical about the ‘very best’ claim. It’s like the old ads for “The Best Album in the World Ever … Volume 2”, a triumph of marketing over logic. What we have, instead, are films that are not the obvious usual suspects, but rarer and, in some cases, more interesting films.
Take, for example, Orson Welles’ 1962 film, The Trial. His first film, Citizen Kane, was recently deposed after its fifty year reign as (pause for fanfare) The Greatest Film Ever Made. The sad truth is that Kane isn’t even Welles’ best film, let alone everybody else’s. At the time he made it (and the time Kane was first feted), Welles considered The Trial...
Take, for example, Orson Welles’ 1962 film, The Trial. His first film, Citizen Kane, was recently deposed after its fifty year reign as (pause for fanfare) The Greatest Film Ever Made. The sad truth is that Kane isn’t even Welles’ best film, let alone everybody else’s. At the time he made it (and the time Kane was first feted), Welles considered The Trial...
- 9/10/2012
- by John Ashbrook
- Obsessed with Film
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