Joe Melia's unique quality as an actor was his intelligence. Even when deep in character, he retained an objectivity that made him seem to be assessing the scene he was in, a quality that made him a Brechtian actor long before he appeared in Brecht.
Looking at photos of A Day in the Death of Joe Egg from 1967, that quality is there, even in stills of Joe looking intently at the cushion – held by Zena Walker playing Bri's wife, Sheila – standing in for their disabled child. Joe and Zena were a dynamic duo. I take some credit for having proposed Joe for the role after seeing him in the film Four in the Morning (1965).
Never an easy man, Joe was perverse enough not to take over the part on Broadway after Albert Finney had kickstarted it. The reason he gave was that the Us was a fascist country. I...
Looking at photos of A Day in the Death of Joe Egg from 1967, that quality is there, even in stills of Joe looking intently at the cushion – held by Zena Walker playing Bri's wife, Sheila – standing in for their disabled child. Joe and Zena were a dynamic duo. I take some credit for having proposed Joe for the role after seeing him in the film Four in the Morning (1965).
Never an easy man, Joe was perverse enough not to take over the part on Broadway after Albert Finney had kickstarted it. The reason he gave was that the Us was a fascist country. I...
- 11/7/2012
- by Peter Nichols
- The Guardian - Film News
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