Film buffs know Martin McDonagh as the writer-director of In Bruges, the most wickedly well-written and snappily directed thriller debut in years − it won the 2009 Bafta for Best Original Screenplay − but before the movies he took the theatre world by storm. His two trilogies of plays, set in the west of Ireland and the Aran Islands, were modern deconstructions of the works of John Millington Synge. They took the wild and amoral milieu of Synge's Playboy of the Western World, and played about with it, conjuring a community where, for instance, food could be bought at the local shop for a currency of news and gossip alone. The results were surreal and funny, if a touch too clever by half: McDonagh seemed keener on playing games with the possibility of theatre than evoking strong dramatic emotions.
- 12/9/2012
- The Independent - Film
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