Piracy Politique: Brand Uses Topical Subject for Common Critique
Colombian born filmmaker Simon Brand cashes in on the current fascination with hijacking pirates for his latest film, Default, moving the action out of the water and onto a plane. Utilizing the aesthetic of the found footage genre, the perspective is almost exclusively from the camera of the news crew trapped in the hijacked plane. But rather than lending the film a tense, guerrilla style quality, this effect creates a rather visually unappealing, downright drab aesthetic. Moments of violence punctuate this rather overly talkative drama quite effectively, but it’s dismal, almost gimmicky cinematography cheapens the film.
A veteran news correspondent, Frank Saltzman (Greg Callahan), has just completed an assignment in the Seychelles. But after he boards a dilapidated, private plane with his crew, they are taken hostage by a quartet of terrorists led by the well-spoken Atlas (David Oyelowo). As...
Colombian born filmmaker Simon Brand cashes in on the current fascination with hijacking pirates for his latest film, Default, moving the action out of the water and onto a plane. Utilizing the aesthetic of the found footage genre, the perspective is almost exclusively from the camera of the news crew trapped in the hijacked plane. But rather than lending the film a tense, guerrilla style quality, this effect creates a rather visually unappealing, downright drab aesthetic. Moments of violence punctuate this rather overly talkative drama quite effectively, but it’s dismal, almost gimmicky cinematography cheapens the film.
A veteran news correspondent, Frank Saltzman (Greg Callahan), has just completed an assignment in the Seychelles. But after he boards a dilapidated, private plane with his crew, they are taken hostage by a quartet of terrorists led by the well-spoken Atlas (David Oyelowo). As...
- 10/16/2014
- by Nicholas Bell
- IONCINEMA.com
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