What Damien Chazelle’s sophomore film has managed to do is no small feat. Won big at Sundance with the Jury and Audience awards. Crossed over into Cannes. Premiered at Telluride, Tiff and Nyff. Since opening last October 10th via the Sony Pictures Classics folks, Whiplash has steadily found its audience and is awkwardly landing noms for during awards season with Gotham and the Indie Spirits showing some love to Chazelle and the folk in the tech categories, but also the film’s star pairing of Miles Teller and J.K Simmons.
We’ve been supporters of Chazelle since his microscopic Guy and Madeline on a Park Bench days film days and was equally impressed when the filmmaker issued 2013′s Whiplash, but in the short form. I had a chance to speak with him at Sundance and discussed how he fleshed out the role of the antagonist, how he convinced...
We’ve been supporters of Chazelle since his microscopic Guy and Madeline on a Park Bench days film days and was equally impressed when the filmmaker issued 2013′s Whiplash, but in the short form. I had a chance to speak with him at Sundance and discussed how he fleshed out the role of the antagonist, how he convinced...
- 11/28/2014
- by Eric Lavallee
- IONCINEMA.com
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