It seemed this year that if any artist was due for the retrospective treatment, it was "Unbroken" cinematographer Roger Deakins. While I of course did not address all of the 50-plus films he has shot throughout his illustrious career during a recent extended interview, I settled on a few in particular that I think represent a nice cross-section of his work. Each of them — "Nineteen Eighty-Four," "Sid and Nancy," "Barton Fink," "The Shawshank Redemption," "Kundun," "The Man Who Wasn't There" and "The Village" — will get their own space in the next few days. 2001 was an interesting year for Roger Deakins. With John Nash biopic "A Beautiful Mind" — the only time he's ever worked with director Ron Howard — he shot the year's Best Picture winner, while his on-going collaboration with the Coen brothers' yielded "The Man Who Wasn't There" and the chance to work on a cinematographer's dream: a film noir.
- 12/19/2014
- by Kristopher Tapley
- Hitfix
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