Lust, Actually: Lawson’s Sexually Charged Debut Struggles with What Women Want
Taking home the audience prize at the 2015 SXSW Film Festival, Australian director Josh Lawson makes some decidedly risqué choices with his debut, The Little Death, which is basically an omnibus of alternative sexual practices rarely explored in the cinematic arena of the heterosexual. Mostly motivated by the complicated and sometimes controversial secret desires of women, the film, taking its name from the French idiom for orgasm, is sometimes refreshingly blunt as it navigates through several scenarios. However, it is just as often silly and unsubstantial, with an undefined purpose setting in as we close with an unseemly end to the common thread.
Maeve (Bojana Novakovic) and her boyfriend Paul (Lawson) set us off on in the circle. She’s getting her feet sucked, but confides after their bout of lovemaking her real fantasy involves being raped. Except she...
Taking home the audience prize at the 2015 SXSW Film Festival, Australian director Josh Lawson makes some decidedly risqué choices with his debut, The Little Death, which is basically an omnibus of alternative sexual practices rarely explored in the cinematic arena of the heterosexual. Mostly motivated by the complicated and sometimes controversial secret desires of women, the film, taking its name from the French idiom for orgasm, is sometimes refreshingly blunt as it navigates through several scenarios. However, it is just as often silly and unsubstantial, with an undefined purpose setting in as we close with an unseemly end to the common thread.
Maeve (Bojana Novakovic) and her boyfriend Paul (Lawson) set us off on in the circle. She’s getting her feet sucked, but confides after their bout of lovemaking her real fantasy involves being raped. Except she...
- 6/24/2015
- by Nicholas Bell
- IONCINEMA.com
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