★★★★☆ There is a twin dualism at the heart of Stuart Cooper's Overlord that potentially explain why it has generally been overlooked since its release in 1975. First there is form: a combination of narrative drama and archival documentary footage. Then there's style: a blend of the distinguished nobility of Second World War-era productions, and the pervasive pessimism of the mid-seventies, juxtaposed against each other through a temporally shifting structure. In some ways they make Overlord seem as though it lacks the courage of convictions in what it wants to be, but in truth it is a film of transcendent cumulative power.
- 6/13/2016
- by CineVue UK
- CineVue
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