Not every filmmaker gets to make their feature-film debut at Cannes. But when you’ve studied with Abbas Kiarostami, and Jane Campion once said your voice had “a very unique flavor,” your chances are pretty good. Such is the case for Iranian writer/director Anahita Ghazvinizadeh and her stunning debut feature, “They,” an impressionistic character study about a gender non-conforming kid named J (Rhys Fehrenbacher).
Read More: ‘Top of the Lake: China Girl’ Review: The Highlight of the 2017 Cannes Film Festival Might Be a TV Show
Though Ghazvinizadeh’s voice is wholly her own, Kiarostami’s influence is all over “They.” And if you’re going to borrow from someone, one of the most singular filmmakers of the last 50 years isn’t a bad place to start. The Iranian auteur redefined the medium, eschewing flashy action sequences for quietly complex stories that often left viewers feeling baffled. In his last film to play Cannes,...
Read More: ‘Top of the Lake: China Girl’ Review: The Highlight of the 2017 Cannes Film Festival Might Be a TV Show
Though Ghazvinizadeh’s voice is wholly her own, Kiarostami’s influence is all over “They.” And if you’re going to borrow from someone, one of the most singular filmmakers of the last 50 years isn’t a bad place to start. The Iranian auteur redefined the medium, eschewing flashy action sequences for quietly complex stories that often left viewers feeling baffled. In his last film to play Cannes,...
- 5/25/2017
- by Jude Dry
- Indiewire
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