The following essay was produced as part of the 2017 Locarno Critics Academy, a workshop for aspiring film critics that took place during the 70th edition of the Locarno Film Festival.
No matter how progressive the film community becomes, women continue to struggle to see their stories told. The problem is twofold — the representation of women in contemporary cinema and the enabling of women directors — and the scope of it is global. The 70th edition of the Locarno Film Festival featured no films directed solely by women in the main competition. This is a problem that has faced many contemporary festivals around the world, but Locarno at least managed to showcase two completely different films with assertive female leads: Serge Bozon’s “Mrs. Hyde” and Valerie Massadian’s “Milla.”
“Milla” was one of the more prominent films directed by a woman in this year’s Locarno Film Festival, where it competed...
No matter how progressive the film community becomes, women continue to struggle to see their stories told. The problem is twofold — the representation of women in contemporary cinema and the enabling of women directors — and the scope of it is global. The 70th edition of the Locarno Film Festival featured no films directed solely by women in the main competition. This is a problem that has faced many contemporary festivals around the world, but Locarno at least managed to showcase two completely different films with assertive female leads: Serge Bozon’s “Mrs. Hyde” and Valerie Massadian’s “Milla.”
“Milla” was one of the more prominent films directed by a woman in this year’s Locarno Film Festival, where it competed...
- 8/22/2017
- by Jaime Grijalba
- Indiewire
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