Groucho Marx once drolly remarked, “Marriage is a wonderful institution, but who wants to live in an institution?” Such is the state of the cursed union at the center of Sacha Guitry’s 1951 dark comedy La Poison, an acid-tongued condemnation of a contract designed for until death do you part—which is the literal interpretation of the matter.
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- 8/22/2017
- by Nicholas Bell
- IONCINEMA.com
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