Well here we are, the first release weekend of the new year. The dumping ground for everything from studio horror cast offs like the latest in the Insidious franchise to art films continuing to make the rounds as they make their way to a hopeful Oscar nomination of some sort, this is one of the year’s more interesting portions of the calendar. Sure, for every ditched genre film you get an expanding prestige picture, but you also get the chance to see some genuinely interesting, if less buzzed about, independent films from around the world.
For example, there are films like In Between. Following a fruitful run on the 2017 film festival circuit, director Maysaloun Hamoud’s feature film directing debut begins its theatrical run in New York via Film Movement, and is a superbly made and emotionally resonant look at three young women caught in the middle of traditionalism and modernity in Tel Aviv.
For example, there are films like In Between. Following a fruitful run on the 2017 film festival circuit, director Maysaloun Hamoud’s feature film directing debut begins its theatrical run in New York via Film Movement, and is a superbly made and emotionally resonant look at three young women caught in the middle of traditionalism and modernity in Tel Aviv.
- 1/5/2018
- by Joshua Brunsting
- CriterionCast
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