Released in 1992 to critical acclaim, Sally Potter’s sophomore feature film Orlando follows the life of an eponymous, time traveling, androgynous nobleman who transforms from a man to a woman over the course of the film. An adaptation of Virginia Woolf’s 1928 novel of the same name, Potter’s stunning film is a sumptuous take on Woolf’s stream of consciousness writing; a fleshing-out of the “viable skeleton” of the novel.1 For a film with such an unusual conceit, it was important that there to be a unifying element to tie the film’s different time periods together, and this cohesion was attained through the film’s ruminative, near-constant musical score. In addition to writing and directing Orlando, Potter, a trained musician and improviser, also took on the task of composing music for the film. Whilst lamenting to producer Christopher Sheppard that the film had gone over budget and they couldn’t afford a composer,...
- 4/25/2018
- MUBI
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