MaryAnn’s quick take… Tender and contemplative, but as it meanders to its not-quite conclusion, it misses a ripe opportunity to give a stronger voice to a character the likes of which isn’t often heard. I’m “biast” (pro): nothing
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto) women’s participation in this film
(learn more about this)
After a long festival run, from last year’s Cannes to this March’s BFI Flare in London, the directorial debut of up-and-coming Iranian filmmaker Anahita Ghazvinizadeh — one of Filmmaker magazines “25 New Faces of Independent Film” in 2013 — arrives on VOD and DVD in North America. They is precisely the sort of tender, contemplative, deceptively simple exploration of a complicated reality that we might have expected from a filmmaker who counts such legends as Abbas Kiarostami and Jane Campion among her mentors. And if...
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto) women’s participation in this film
(learn more about this)
After a long festival run, from last year’s Cannes to this March’s BFI Flare in London, the directorial debut of up-and-coming Iranian filmmaker Anahita Ghazvinizadeh — one of Filmmaker magazines “25 New Faces of Independent Film” in 2013 — arrives on VOD and DVD in North America. They is precisely the sort of tender, contemplative, deceptively simple exploration of a complicated reality that we might have expected from a filmmaker who counts such legends as Abbas Kiarostami and Jane Campion among her mentors. And if...
- 5/8/2018
- by MaryAnn Johanson
- www.flickfilosopher.com
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