Four years ago, when Paolo Sorrentino’s “The Great Beauty” won Italy’s 14th foreign-language Oscar — the most of any country — the Italian TV industry was mostly geared toward the local market.
Cut to 2018, and shows such as Sorrentino’s “The Young Pope,” which aired on HBO in the U.S., and “Gomorrah,” on Sundance TV, as well as upcoming literary adaptation skeins “The Name of the Rose,” and “My Brilliant Friend,” are putting Italy on the international TV map.
“Italian producers have risen to the occasion and, finally, have been able to make the leap,” says Giancarlo Leone, head of Italy’s TV producers’ association Apt. And the way Italian series are “conceived, and perceived, in terms of visual language, is no different from our films,” he notes. “Except that series provide greater opportunities for narratives to be developed beyond a two-hour time span.”
In Italy, the correlation between...
Cut to 2018, and shows such as Sorrentino’s “The Young Pope,” which aired on HBO in the U.S., and “Gomorrah,” on Sundance TV, as well as upcoming literary adaptation skeins “The Name of the Rose,” and “My Brilliant Friend,” are putting Italy on the international TV map.
“Italian producers have risen to the occasion and, finally, have been able to make the leap,” says Giancarlo Leone, head of Italy’s TV producers’ association Apt. And the way Italian series are “conceived, and perceived, in terms of visual language, is no different from our films,” he notes. “Except that series provide greater opportunities for narratives to be developed beyond a two-hour time span.”
In Italy, the correlation between...
- 6/15/2018
- by Nick Vivarelli
- Variety Film + TV
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