A sensual, sexual and intellectual awakening proves mostly asleepening in “Capri-Revolution,” a nobly intended period saga from high-minded Italian filmmaker and playwright Mario Martone that rather buckles under the weight of its exhaustively footnoted ideas. Set in the anxious months preceding World War I, and mapping out a battle of wits and wills between two contrastingly educated men for the soul of a humble lady goatherd on the sun-blasted slopes of Capri, Martone’s film plants a flag for liberal philosophical progress and cultural blending in the face of insular, buttoned-up conservatism. Which is all well and good, but can’t patch over the tired misogynistic undertones of a premise that effectively hinges on gaseous male egos oppressively mansplaining a young woman into liberation. Though it implores audiences to look outward, this attractively appointed Franco-Italian production is unlikely to travel far beyond its own shores.
Bowing in competition at Venice...
Bowing in competition at Venice...
- 9/7/2018
- by Guy Lodge
- Variety Film + TV
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